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The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success. Billboard ranked The Supremes as the 16th greatest Hot 100 artist of all time.
Diana Ernestine Earle Ross is an American singer and actress. Born and raised in Detroit, Michigan, she rose to fame as the lead singer of the vocal group The Supremes, who became Motown's most successful act during the 1960s and one of the world's best-selling girl groups of all time. They remain the best-charting female group in US history, with a total of twelve number-one hit singles on the US Billboard Hot 100, including, "Where Did Our Love Go", "Baby Love", "Come See About Me", and "Love Child".
Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
Mary Esther Wells was an American singer, who helped to define the emerging sound of Motown in the early 1960s. Along with The Supremes, The Miracles, The Temptations, and the Four Tops, Wells was said to have been part of the charge in black music onto radio stations and record shelves of mainstream America, "bridging the color lines in music at the time."
The Marvelettes was an American girl group that achieved popularity in the early- to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart, and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, "Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act.
The Soulful Moods of Marvin Gaye is the debut studio album by Marvin Gaye, released in 1961, and the second long-playing album (TM-221) released by Motown. The first was Hi... We're the Miracles (TM-220). It is most notable as the album that caused the first known struggle of Gaye's turbulent tenure with the label.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Come and Get These Memories is the debut album by American girl group Martha and the Vandellas on Berry Gordy's Motown label. Released after the success of the trio's hit of the same name, the album also features the group's debut single, "I'll Have to Let Him Go", which was originally intended for Mary Wells, and "A Love Like Yours ". Most of the album was produced by Holland–Dozier–Holland and William "Mickey" Stevenson.
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
"Bye Bye Baby" is the first single by R&B singer Mary Wells, released in December 1960 on the Motown label. The song was one of Motown's earliest hit singles and showcased a much rougher vocal than the singer had during her later years.
"Your Heart Belongs to Me" is a 1962 song written and composed by The Miracles' William "Smokey" Robinson and released as a single by Motown singing group The Supremes during their early years with the label. The song is about a woman whose lover is in the armed forces and has "Gone to a far-away land"; its narration has her tell him to always remember their love for each other if he ever gets lonely.
"When I'm Gone" is a song written by Smokey Robinson and a single he produced twice, one for early Motown star Mary Wells and the other for fellow Motown vocalist Brenda Holloway. Holloway's version became a hit while Wells' was aborted after the singer left the label in 1964.
Bye Bye Baby I Don't Want to Take a Chance is the debut album by Motown recording artist Mary Wells, released on Motown in 1961. The album didn't chart but yielded two hit singles for the teenaged Wells including "Bye Bye Baby", issued in late 1960, and "I Don't Want to Take a Chance", a song written for her by Berry Gordy and Mickey Stevenson. Wells' follow-up album, The One Who Really Loves You, was released in 1962.
"Buttered Popcorn" is a 1961 song written by Motown president Berry Gordy and songwriter Barney Ales, produced by Gordy, and released as a Tamla label single by Motown singing group The Supremes. It was the group's second single after signing with Motown Records as well as their second, and last, single for the Tamla label, before moving to the Motown label.
"Check Yourself" is a 1961 song that was released as a Miracle label single by Motown singing group The Temptations; and written by Motown president Berry Gordy, and group members Otis Williams, Melvin Franklin and Elbridge Bryant, and produced by Gordy. It was the group's second single, as well as their second and last single for the Miracle label, which was deactivated immediately after this release. Starting with the next single release, the group's future recordings for Motown would be issued under the Gordy label until it was deactivated in 1988.
For the phrase two wrongs don't make a right see two wrongs make a right.
"I Want a Guy" is a song written by Freddie Gorman, Berry Gordy and Brian Holland and was the debuting single for Motown girl group The Supremes in 1961. It was also recorded by The Marvelettes on their album Please Mr. Postman. Featuring Diana Ross in lead, the song was a doo-wop ballad similar to what the Supremes had been recording since forming as "The Primettes" two years earlier.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.
"I'll Have to Let Him Go" is a 1962 song and single written, composed and produced by William "Mickey" Stevenson and issued on the Gordy (Motown) label. it is notable for being one of two singles that marked the Motown debut of Martha and the Vandellas. The song is about ending a romantic relationship, as its narrator, after seeing her lover kissing and holding another, realizing its over and decides she going “to set him free” even though "it's gonna hurt (her) so".
"There He Is " is a 1962 song and B-side single written and composed by all three line-ups of what would soon be Motown's main production team. Credited to the Vells the performers on both sides of the single were an early version of the group that would be better known as Martha and the Vandellas. The single is also notable as the last one the label subsidiary would release under an R&B/soul music format, changing that point onward to a country music subsidiary.
References
- ↑ The Complete Motown Singles Vol. 1: 1959-1961 [CD liner notes]. New York: Hip-O Select/Motown/Universal Records.
