Supersnazz | ||||
---|---|---|---|---|
Studio album by The Flamin' Groovies | ||||
Released | September 1969 | |||
Recorded | 1968 | |||
Studio | CBS Studio A, Los Angeles, California | |||
Genre | ||||
Length | 35:17 | |||
Label | Epic | |||
Producer | Steve R. Goldman [1] | |||
The Flamin' Groovies chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Robert Christgau | A [2] |
Classic Rock | [3] |
Encyclopedia of Popular Music | [4] |
The Great Rock Discography | 6/10 [5] |
MusicHound | 2.5/5 [6] |
Record Collector | [7] |
Rolling Stone | favourable [8] |
The Rolling Stone Album Guide | [9] |
Supersnazz is the debut studio album by the rock band the Flamin' Groovies. It was released in 1969 on the Epic label. The release was their only album recorded expressly for a major record label, although all of their next five albums were distributed by major labels. Supersnazz was later released in compact disc format in 2000 on Sundazed Records with four edits of songs from the album (done in 1969 for singles) included as bonus tracks.
Side 1
Side 2
2000 Sundazed CD bonus tracks
Flamin' Groovies is an American rock band that formed in San Francisco in 1965, originally co-led by Roy Loney and Cyril Jordan. After the Groovies released three albums, on Epic (Supersnazz) and Kama Sutra, Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band's emphasis shifted more toward British Invasion power pop.
Huey Pierce "Piano" Smith was an American R&B pianist whose sound was influential in the development of rock and roll.
Shake Some Action is the fourth studio album by American rock band the Flamin' Groovies. The album was released in June 1976 by Sire Records. The title Shake Some Action originates from a line in the 1965 film None but the Brave.
Blues Jam in Chicago is a studio recording by the British rock band Fleetwood Mac, originally released in two single-LP volumes by Blue Horizon in December 1969. It was the result of a recording session in early 1969 at Chess Records in Chicago with Fleetwood Mac, then a young British blues band, and a number of famous Chicago blues artists from whom they drew inspiration. The album has also been released, with slightly different track listings, under the titles Blues Jam at Chess Volumes One and Two and Fleetwood Mac in Chicago, the latter by Sire Records in 1976.
Separated Vegetables is the first full-length album by Washington, D.C.'s Slickee Boys. Self-released on guitarist Kim Kane's Dacoit label, it was pressed in an edition of 100 copies. As well as songs written by the band, it includes cover versions of songs originally by Overkill, Flamin' Groovies, the Road Runners, Johnny Smith, Country Joe and the Fish, the Small Faces, Chuck Berry, and the Hangmen (whose song, "What a Girl Can't Do", the Slickee's had already released on their debut record, 1976's Hot and Cool EP. A mix of studio and live recordings, the album includes a number of tracks taped in front of an appreciative audience at D.C. punk dive the Keg.
I Am P. J. Proby is the debut studio album by P. J. Proby, released in 1964 on the Liberty label. It features versions of songs such as Doris Day's hit "Que Sera Sera/Whatever Will Be Will Be" and "Rockin' Pneumonia and the Boogie Woogie Flu". Compared to his other albums, I Am P. J. Proby is faster in beat and more influenced by rock and roll. It was produced by Charles Blackwell who also acted as the musical director. In 2005, the album was released un-mastered in mono on EMI, in a double pack with Proby's second studio album, P. J. Proby.
Teenage Head is the third studio album by the San Francisco rock band Flamin' Groovies, released in March 1971 by Kama Sutra Records.
Groovies' Greatest Grooves is a 1989 compilation album by U.S. rock band the Flamin' Groovies, released by Sire Records. The tracks were selected by Rolling Stone Senior Writer Michael Goldberg and freelance rock critic Michael Snyder, who also co-wrote the liner notes. Goldberg and Snyder wanted to emphasize the Groovies' original material, and so 18 of the album's 24 songs are Groovies originals.
The Spirit's in It is the fifth studio album by American singer Patti LaBelle. It was released by Philadelphia International Records on August 28, 1981, in the United States, her first with the label.
Chris Wilson is a guitarist and multi-instrumentalist, most known for his role as the lead singer of the San Francisco band the Flamin' Groovies, having replaced original singer Roy Loney in 1971. With Wilson on lead vocals, the band released their influential 1976 album Shake Some Action.
Flamingo is the second studio album by the rock band the Flamin' Groovies. It was released in 1970. Following the group's departure from the Epic record label, it was the first of their two albums for Kama Sutra Records.
Flamin' Groovies Now is a studio album by the Flamin' Groovies, released in 1978. It was produced by Dave Edmunds, and marked a resurgence of the San Francisco band. The band supported the album with a lengthy UK tour.
Jumpin' in the Night is the sixth studio album by the Flamin' Groovies, released in 1979. It was produced by Cyril Jordan and Roger Bechirian.
"Rockin' Pneumonia and the Boogie Woogie Flu" is a song written and originally recorded in 1957 by Huey 'Piano' Smith, who scored a minor Billboard hit with it, peaking at No. 52 on the Top 100 chart, and a more successful No. 5 on the Most Played R&B by Jockeys chart.
Fantastic Plastic is the ninth studio album by The Flamin' Groovies, released on September 22, 2017, and produced by Cyril Jordan and J. Jaffe. The first new album from the Groovies since 1993, it features the reunion of the Groovies most commercially successful line-up, the classic 1970s combo of guitarists/vocalists Jordan and Chris Wilson and bassist George Alexander, who recorded three albums together before splitting up in 1981.
One Night Stand is an album by the Flamin' Groovies. It was released in 1987 and produced by Cyril Jordan, who also provided the cover art. The album was recorded "live in the studio" in a single night in Australia by the then-current version of the Groovies during a "grueling" tour of Australia, Japan and Europe.
Rock Juice is the eighth studio album by the Flamin' Groovies, released in September 1993 and produced by Cyril Jordan, who also provided the cover art, and Karl Derfler. The album was completed by Jordan and Groovies' bassist George Alexander after the group's breakup in 1991, and they are the only musicians credited in the liner notes.
A Bucket of Brains is a studio EP/CD by the Flamin' Groovies, primarily consisting of seven songs recorded by the group while living in England and recording for the British branch of United Artists Records ("UA") in 1972. The songs were intended to form the basis of the Groovies' fourth studio album, to be entitled A Bucket of Brains. Six of the songs were produced by Dave Edmunds, while the seventh was produced by Groovies' leader Cyril Jordan. The eighth song on the album is the original "correct speed" studio version of the Groovies' most famous song, "Shake Some Action".
Step Up is a compilation album of in-studio demos recorded by the Flamin' Groovies in the San Francisco Bay Area between 1984 and 1989 and released in 1991. The demos were produced by Cyril Jordan and engineered and mixed by Karl Derfler, and the album was released shortly after the band broke up. However, after the breakup, eight of the 13 songs were reworked and remixed by Jordan and Derfler, along with removing all lead and backing vocals except for those by Jordan and Groovies' bassist George Alexander, and were then ultimately issued on the Groovies' eighth studio album Rock Juice in 1993.
Roy Loney was an American rock musician, best known as the original lead singer of the Flamin' Groovies. The Groovies original line-up issued releases on Epic Records and Kama Sutra Records, which Rolling Stone magazine described as an "influence on power-pop and punk ..." Loney's albums with the Flamin' Groovies included Sneakers (EP), Supersnazz, Flamingo, and Teenage Head. Billboard magazine contrasted their "gritty" sound to the "flower power" approach of their San Francisco contemporaries.