Susan Fereday

Last updated

Susan Fereday
Born1959 (age 6364)
Adelaide, South Australia
NationalityAustralian
Alma materMonash University
Known forPhotography

Susan Fereday (born 1959) is an Australian artist, writer, curator and educator. She holds a doctorate from Monash University, Melbourne. She was born in Adelaide, South Australia.

Contents

Biography

Fereday studied to be a photographic technician in Adelaide. She attended Prahran College in Melbourne to study photographic art, obtaining her Bachelor of Arts in 1986 and her Master of Arts (Fine Art) in 1992. She performed research Paris in 1996–1997 on a scholarship from Samstag. She received her doctorate from Monash University in 2010. [1]

Fereday has been a lecturer in art theory and studio practice at the Victorian College of the Arts (1990–93), Royal Melbourne Institute of Technology (1998-2000), and Monash University (2005–08).

Artist

Since the 1980s Fereday has exhibited artworks in various media, including objets trouvés , installation art, photography, and video. She has collected and displayed found photographs [2] taken by anonymous amateurs in the 1950s. Penny Webb places her "Ilsley Green Road" series by an unknown photographer at Sutton Gallery in "country lanes in England in the 1950s," [3] while her series Under a Steel Sky, at West Space in 2008 [4] used similar material, as critic, Robert Nelson notes; "From unrelated sources in the United States [. . .] Fereday has collected pictures of people in cars, on the road, in the countryside." Both commentators understand that the sequencing is intended to create a narrative, as Nelson reports;

They are printed to a large scale, which the original photographers would never have contemplated; but the resolution is consistent. Not knowing the sources, you impute a single narrative to the pictures." [5]

Fereday's doctoral thesis, Light Out of Darkness: the origin of photography in mystery and melancholy, [6] was a study of the work of pioneer photographers Nicéphore Niépce and William Henry Fox Talbot. [1]

Curator

Fereday was the Director of the Centre for Contemporary Photography, Melbourne during the period 1992 to 1995.

Exhibitions she has curated include:

Exhibitions

Solo

Group

Collections

Fereday's work is held in the following public collection:

See also

Related Research Articles

<span class="mw-page-title-main">Centre for Contemporary Photography</span>

The Centre for Contemporary Photography (CCP), in Fitzroy, Melbourne, Victoria, is a venue for the exhibition of contemporary photo-based arts, providing a context for the enjoyment, education, understanding and appraisal of contemporary practice.

<span class="mw-page-title-main">Carol Jerrems</span> Australian photographer (1949–1980)

Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.

Anne Zahalka is an Australian photo media artist (photographer). Her work is held in the collections of the Art Gallery of New South Wales, National Gallery of Victoria and the National Gallery of Australia. In 2005, she was the recipient of the Leopold Godowsky Award at the Photographic Resource Centre in Boston.

Joyce Olga Evans, B.A., Dip. Soc. Stud. was an Australian photographer active as an amateur from the 1950s and professional photographic artist from the 1980s, director of the Church Street Photography Centre in Melbourne (1976–1982), art curator and collector, and tertiary photography lecturer.

Reynolds Mark Ellis was an Australian social and social documentary photographer. He also worked, at various stages of his life, as an advertising copywriter, seaman, lecturer, television presenter and founder of Brummels Gallery of Photography, Australia's first dedicated photography gallery, where he established both a photographic studio and an agency dedicated to his work, published 17 photographic books, and held numerous exhibitions in Australia and overseas.

Robert Rooney (1937–2017) was an artist and art critic from Melbourne, Australia, and a leading figure in Australian Conceptual art.

<span class="mw-page-title-main">Polixeni Papapetrou</span> Australian photographer (1960–2018)

Polixeni Papapetrou was an Australian photographer noted for her themed photo series about people's identities. Photo series she has made include Elvis Presley fans, Marilyn Monroe impersonators, drag queens, wrestlers and bodybuilders and the recreation of photographs by Lewis Carroll, using her daughter as a model.

Micky Allan is an Australian photographer and artist whose work covers paintings, drawings, engraved glass overlays, installations and photography. Allan has become an influential public speaker and has been invited to be a part of many discussions on feminist politics and present a number of speeches held in galleries across Australia about art photography during the 1970s.

Anne Ferran is an Australian photographer.

<span class="mw-page-title-main">John Cato</span> Australian photographer and teacher

John Chester Cato was an Australian photographer and teacher. Cato started his career as a commercial photographer and later moved towards fine-art photography and education. Cato spent most of his life in Melbourne, Australia.

<span class="mw-page-title-main">Jennie Boddington</span>

Jennifer "Jennie" Boddington was an Australian film director and producer, who was first curator of photography at the National Gallery of Victoria in Melbourne (1972–1994), and researcher.

Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.

Jesse Marlow (1978) is an Australian street photographer, editorial and commercial photographer who lives and works in Melbourne.

Kate Beynon is an Australian contemporary artist based in Melbourne. She was the 2016 winner of the Geelong Contemporary Art Prize for the painting, Graveyard scene/the beauty and sadness of bones.

The Photographers' Gallery and Workshop (1973–2010) was an Australian photography gallery established in South Yarra, Melbourne, and which ran almost continuously for nearly 40 years. Its representation, in the 1970s and 1980s, of contemporary and mid-century, mostly American and some European original fine prints from major artists was influential on Australian audiences and practitioners, while a selection of the latter's work sympathetic to the gallery ethos was shown alternately and then dominated the program.

Stephen Wickham is an Australian photographer, painter and printmaker.

Robert Ashton (1950) is an Australian photographer and photojournalist.

Hoda Afshar is an Iranian documentary photographer who is based in Melbourne. She is known for her 2018 prize-winning portrait of Kurdish-Iranian refugee Behrouz Boochani, who suffered a long imprisonment in the Manus Island detention centre run by the Australian government. Her work has been featured in many exhibitions and is held in many permanent collections across Australia.

Rozalind Drummond is a photographic artist and an early exponent of postmodernism in Australia.

<span class="mw-page-title-main">David Stephenson (photographer)</span> American-Australian photographer

David Stephenson is an American-Australian fine art photographer known for his representations of the sublime. His photographic subjects have included landscapes from America to Australia, the Arctic and Antarctica, the Southern Ocean, European sacred architecture, and day- and nighttime skyscapes. He has lived in Tasmania since 1982.

References

  1. 1 2 Fereday, Susan (2010). "Susan Fereday: biography at Design and Art Australia Online". www.daao.org.au. Retrieved 17 November 2021.
  2. 1 2 Makin, Jeff (18 November 2005). "Critic's Choice". Herald Sun. p. 89.
  3. 1 2 Webb, Penny (1 March 2005). "Following the customs of the country". The Age. p. 8.
  4. Under a Steel Sky exhibition at West Space
  5. 1 2 Nelson, Robert (25 June 2008). "Memories lie beyond the surface". The Age. p. 16.
  6. Fereday, Susan (2015). "Light out of darkness : the foundation of photography in mystery and melancholy". National Library of Australia. Monash University. Retrieved 18 November 2021.{{cite web}}: CS1 maint: url-status (link)
  7. Freiberg, Freda (25 April 1995). "Life in the likeness of the Australian male". The Age. p. 11.
  8. "Photography coup for Redland gallery". Bayside Bulletin. Bayside, Australia. 1 April 2014. p. 28.
  9. Bryant, Jan (2012). "Room to breathe: A Way of Calling". Art Monthly Australasia. 248: 12–14 via EBSCO.
  10. "Susan Fereday". National Gallery of Victoria . Retrieved 20 June 2018.

Further reading