"Afternoon Delight" is a song recorded by Starland Vocal Band. It was written by band member Bill Danoff. In the US, it became a #1 single on July 10, 1976, and earned a gold record.
"One Tin Soldier" is a 1960s counterculture era anti-war song written by Dennis Lambert and Brian Potter. Canadian pop group The Original Caste first recorded it in 1969 for both the TA label and its parent Bell label.
The Stampeders are a Canadian rock trio consisting of lead guitarist and vocalist Rich Dodson, bassist Ronnie King and drummer Kim Berly.
"Who's Crying Now" is a song by the American rock band Journey. It was written by Jonathan Cain and Steve Perry. It was released in 1981 as the first single from Escape and reached No. 4 on both the Billboard Hot 100 and the Mainstream Rock Tracks charts. The song charted at No. 46 in the UK Singles Chart, and was the band's highest charting single in the UK until "Don't Stop Believin'" incurred a resurgence in UK popularity in 2009.
"Go Away Little Girl" is a popular song written by Gerry Goffin and Carole King. It was first recorded by Bobby Vee for Liberty Records on March 28, 1962. The lyrics consist of a young man asking a young attractive woman to stay away from him, so that he will not be tempted to betray his steady girlfriend by kissing her. The song is notable for making the American Top 20 three times: for Steve Lawrence in 1963, for The Happenings in 1966, and for Donny Osmond in 1971. It is also the first song, and one of only nine, to reach US number 1 by two different artists. Also notable in each of the solo versions is the similar double-tracked treatment of the singer's voice.
"Montego Bay" is a song co-written and performed by Bobby Bloom about the city in Jamaica of the same name. The song was a top ten hit for Bloom in the Fall of 1970 on both sides of the Atlantic. It reached No. 3 on the UK Singles Chart, No. 5 on the Canadian RPM 100 Singles Chart, No. 7 on the Australian Go-Set Singles Chart and No. 8 on the US Billboard Hot 100. The song was co-written and produced by Jeff Barry. In the master tape of the song, Bloom breaks into a chorus of "Oh, What a Beautiful Mornin'" at the end of the recording. The song features a whistler, as well as Jamaican instruments in a calypso style.
"More Love" is a 1967 hit single recorded by the American soul group The Miracles for Motown Records' Tamla label. The single, included on the group's 1967 album Make It Happen, later reissued in 1970 as The Tears of a Clown. Kim Carnes's 1980 cover of the song reached the Top 10 of Billboard's Adult Contemporary and Hot 100 charts.
"Hair" is the title song to the 1967 musical Hair and the 1979 film adaptation of the musical.
"Lonely Night (Angel Face)" is a song written by Neil Sedaka. The song was first recorded by Sedaka and appeared as a track on his 1975 studio album, The Hungry Years. The following year the song was made popular when covered by the pop music duo Captain & Tennille, who took their version to number 3 on the Billboard Hot 100.
"Love Ballad" is a song by R&B/Funk band L.T.D. Jeffrey Osborne is the lead singer.
"She's a Lady" is a song written by Paul Anka and released on his album Paul Anka '70s. The most successful recording was performed by Tom Jones and released at the beginning of 1971. It is Jones's highest-charting single in the U.S..
"Holly Holy" is a song written and recorded by Neil Diamond with instrumental backing provided by the American Sound Studio house band in Memphis. Released as a single on October 13, 1969, it was a successful follow-on to "Sweet Caroline", reaching #6 on the U.S. pop singles chart by December. The song also reached #5 on the Easy Listening chart. It became a gold record and then eventually a platinum record.
"An Old Fashioned Love Song" is a 1971 song written by Paul Williams and performed by the American pop-rock band Three Dog Night. Chuck Negron performed the lead vocal on this track. Taken as the first single from their 1971 album, Harmony, the song peaked at number 4 on the Billboard Hot 100 chart in December 1971, becoming the band's seventh top-ten hit. It was Three Dog Night's first record to top the U.S. easy listening chart. It reached number 2 in Canada.
"Sweet Hitch-Hiker" is a song by the American roots/swamp rock band Creedence Clearwater Revival from their 1972 album Mardi Gras. It was first released as a single in 1971 and reached #6 on the Billboard Hot 100, becoming their 9th and last top 10 hit. On the Record Retailer UK Singles Chart, it peaked at #36.
Rich Dodson is a Canadian musician and songwriter who is the guitarist, vocalist and a founding member of the rock trio The Stampeders. He is best known for penning the group's biggest hit, "Sweet City Woman", which hit number 1 in Canada and number 8 on the US Billboard in 1971. He also wrote other notable hits for the band such as "Wild Eyes" (1972), "Devil You" (1971), "Johnny Lightning" (1974) and "Carry Me" (1971).
"Good Time Charlie's Got the Blues" is a song written and performed by Danny O'Keefe.
"Gypsy Woman" is a 1961 rhythm and blues song written by Curtis Mayfield and recorded by his group the Impressions. The group's first single following the departure of lead singer Jerry Butler, it reached No. 2 on the US Billboard R&B chart, No. 20 on the Billboard Hot 100 and number 17 on the Cash Box chart. It also appeared on the group's 1963 eponymous debut album. Joe Bataan (1967), Brian Hyland (1970), Bobby Womack (1985), and Santana (1990) covered this song.
"Did It in a Minute" is a song performed by American duo Hall & Oates. Written by Daryl Hall with Sara and Janna Allen, the song was released as the third of four singles from the duo's tenth studio album Private Eyes in March 1982. Daryl Hall performs lead vocals, while John Oates provides backing harmony vocals.
"Memories" is a 1968 song originally recorded by Elvis Presley.
"Starting All Over Again" is a 1972 song by the cousin duo Mel & Tim. It is the title track of their second LP. It was their second and final top 40 hit in the U.S. and Canada. It peaked at number 19 on the Billboard Hot 100, spending five months on the American charts. On the R&B chart, the song peaked at number 4.
