Swing Kids | |
---|---|
Directed by | Thomas Carter |
Written by | Jonathan Marc Feldman |
Produced by | |
Starring | |
Cinematography | Jerzy Zielinski |
Edited by | Michael R. Miller |
Music by | James Horner |
Production companies |
|
Distributed by | Buena Vista Pictures Distribution [1] |
Release date |
|
Running time | 112 minutes [1] |
Country | United States |
Language | English |
Budget | $12 million |
Box office | $5.6 million |
Swing Kids is a 1993 American historical drama film directed by Thomas Carter in his feature film debut, and starring Robert Sean Leonard, Christian Bale, Frank Whaley, Barbara Hershey and Kenneth Branagh. The title refers to a youth subculture in Nazi Germany, in which teenagers embraced American and British swing music in defiance of the Nazi regime. The film follows two high school students in their attempt to be swing kids by night and Hitler Youth by day, a decision that acutely impacts their friends and families.
The film was released by Buena Vista Pictures on March 5, 1993. It received mixed reviews from critics.
In the 1930s, some young German teens favored American and British pop culture; they hung out in secret underground clubs where bands played swing music and listened to contemporary music by acts like Benny Goodman and Duke Ellington. The film's screenwriter, Jonathan Marc Feldman, based the film on this eponymous Swing Kids ( Swingjugend ) movement. [2]
In Hamburg in 1939, Peter Müller and Thomas Berger join their friends Arvid and Otto at a swing club called the Bismarck. They have a good time, dancing and enjoying the music.
Peter goes home to find his mother in an argument with the Nazi Blockleiter. Herr Knopp, head of the local Gestapo, arrives and curtly dismisses the Blockleiter. Herr Knopp begins asking Frau Müller questions about some of her late husband's friends. Herr Müller had been accused of being a communist, and his health was irreparably damaged by an interrogation at the hands of Nazi agents.
At Arvid's house, Thomas accidentally ruins one of Arvid's prized records. Upset, Arvid kicks Thomas, Peter and Otto out. To apologize to Arvid, Peter and Thomas steal a radio (which Peter knows was stolen from a ransacked Jewish home) from a bakery. Thomas escapes, but Peter is caught. Herr Knopp, who is attracted to Peter's mother, intercedes for him; in return, Peter must enroll in the Hitlerjugend (HJ). Thomas also joins, telling Peter that they will be able to enjoy both the privileges of Hitler Youth membership and the pleasures of being Swing Kids.
Arvid is confronted on the street by a group of Hitler Youth, including former friend and fellow Swing Kid Emil. They beat him and break his hand, threatening his work as a jazz musician.
Peter, who has a job delivering books, is asked to spy on his boss, whom the Nazis suspect is working against the Reich. In HJ school, the boys are encouraged to spy on their friends and families. Thomas accuses his father of insulting Hitler, hoping to cause trouble for him, but is unnerved when the Nazis come to his home and take his father away. His subsequent attempts to resume his friendship with Peter and persuade him to collaborate with the Nazis are tinged with fear.
Arvid overcomes his injury and is able to play music again. However, while working at a jazz club, he refuses to play a German song, lashing out at the club's patrons for being blind to the Nazi agenda. Peter is sympathetic but Thomas loudly argues the Nazi side. Peter angrily proclaims Thomas to be a "fucking Nazi" and storms off. Blacklisted from playing in clubs, Arvid realizes there is nothing for him in Germany and dies by suicide.
As Thomas begins to believe fully in Nazi ideology, Peter feels as though there is no hope for him. Peter, disenchanted with how his life is coming apart, dresses up and goes to a swing club which is scheduled to be raided by members of the HJ. As Thomas begins assaulting the club's patrons he attacks Peter; however, during the fight Peter is able to reach Thomas. Thomas begs Peter to run away but Peter won't. Willi Müller is there and as Peter is driven away by the police, he loudly screams "Swing Heil!" over and over again, proud that his brother stood up for being a swing kid.
In addition, Kenneth Branagh appears repeatedly, uncredited, in the role of SS-Sturmbannführer Knopp.
On the review aggregator website Rotten Tomatoes , 56% of 18 critics' reviews are positive, with an average rating of 4.9/10. [3] Metacritic , which uses a weighted average , assigned the film a score of 39 out of 100, based on 20 critics, indicating "generally unfavorable" reviews. [4]
Jonathan Rosenbaum of Chicago Reader described the film as a "corny but sincere weeper". [5] Roger Ebert of the Chicago Sun-Times gave the film one star out of 4 and criticized the film as "murky", feeling that the story avoided the Nazi atrocities to the point of his wondering: "If Hitler had encouraged the swing clubs, would the Kids have still developed problems with Nazism?" [6] In a 2005 retrospective of Ebert's all time lowest rated films, he included Swing Kids in the grouping "Sex, romance, music, drama and other crap". [7] Writing for the MIT student newspaper, The Tech , reporter Joshua M. Andresen called it "amazing", and felt that the "well-researched film is wonderfully acted". [8]
A contemporary film reviewer wrote: [2]
In the eyes of today's teenagers, Nazis are simplistic villains who get outsmarted, out-gunned and outmaneuvered by Indiana Jones in Raiders of the Lost Ark and other simplistic action-adventure tales. For that uninformed youth audience, Swing Kids is a grim history lesson on the horrors the Nazis inflicted on fellow Germans during Adolf Hitler's move toward World War in 1939.
In the United States and Canada, Swing Kids grossed $5.6 million at the box office, [9] against a budget of $12 million. [1]
The soundtrack includes a combination of swing music and the film's score.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
The Great Dictator is a 1940 American anti-fascist, political satire, and black comedy film written, directed, produced, scored by, and starring British filmmaker Charlie Chaplin. Having been the only Hollywood filmmaker to continue to make silent films well into the period of sound films, Chaplin made this his first true sound film.
The Hitler Youth was the youth organisation of the Nazi Party in Germany. Its origins date back to 1922 and it received the name Hitler-Jugend, Bund deutscher Arbeiterjugend in July 1926. From 1936 until 1945, it was the sole official boys' youth organisation in Germany and it was partially a paramilitary organisation. It was composed of the Hitler Youth proper for male youths aged 14 to 18, and the German Youngsters in the Hitler Youth for younger boys aged 10 to 14.
Peter's Friends is a 1992 British comedy film directed and produced by Kenneth Branagh, and written by Rita Rudner and Martin Bergman.
Dead Again is a 1991 neo-noir romantic thriller film directed by Kenneth Branagh and written by Scott Frank. It stars Kenneth Branagh and Emma Thompson, with Andy García, Derek Jacobi, Hanna Schygulla, Wayne Knight and Robin Williams appearing in supporting roles.
Celebrity is a 1998 American comedy-drama film written and directed by Woody Allen, and features an ensemble cast. The screenplay describes the divergent paths taken by a couple following their divorce.
Downfall is a 2004 historical war drama film written and produced by Bernd Eichinger and directed by Oliver Hirschbiegel. It is set during the Battle of Berlin in World War II, when Nazi Germany is on the verge of total defeat, and depicts the final days of Adolf Hitler. The cast includes Alexandra Maria Lara, Corinna Harfouch, Ulrich Matthes, Juliane Köhler, Heino Ferch, Christian Berkel, Alexander Held, Matthias Habich, and Thomas Kretschmann. The film is a German-Austrian-Italian co-production.
The Swing Youth were a youth counterculture of jazz and swing lovers in Germany formed in Hamburg in 1939. Primarily active in Hamburg and Berlin, they were composed of 14- to 21-year-old Germans, mostly middle or upper-class students, but also including some in the working class. They admired the "American way of life", defining themselves in swing music and opposing Nazism, especially the Hitler Youth. They loosely structured themselves into “clubs” with names such as the Harlem Club, the OK Gang, and the Hot Club. This underground subculture, distinctly nonconformist with a focus on African-American music, was active in the German youth scene. Despite being largely apolitical and unstructured, the Swing Youth were targeted and, in some cases, repressed by the Nazi government.
Andrew Davis is an American filmmaker, known for having directed several successful action and thriller films during the 1980's and '90s. His best known works include Above the Law (1988), Under Siege (1992), The Fugitive (1993), Chain Reaction (1996), A Perfect Murder (1998), and Holes (2003). He was nominated for a Golden Globe Award for Best Director and a Directors Guild of America Award for Outstanding Directing – Feature Film for The Fugitive.
The Deutsches Jungvolk in der Hitlerjugend was the separate section for boys aged 10 to 13 of the Hitler Youth organisation in Nazi Germany. Through a programme of outdoor activities, parades and sports, it aimed to indoctrinate its young members in the tenets of Nazi ideology. Membership became fully compulsory for eligible boys in 1939. By the end of World War II, some had become child soldiers. After the end of the war in 1945, both the Deutsches Jungvolk and its parent organization, the Hitler Youth, ceased to exist.
Death in Venice is a 1971 historical drama film directed and produced by Italian filmmaker Luchino Visconti, and adapted by Visconti and Nicola Badalucco from the 1912 novella of the same name by German author Thomas Mann. It stars Dirk Bogarde as Gustav von Aschenbach and Björn Andrésen as Tadzio, with supporting roles played by Mark Burns, Marisa Berenson, and Silvana Mangano, and was filmed in Technicolor by Pasqualino De Santis. The soundtrack consists of selections from Gustav Mahler's third and fifth symphonies, but characters in the film also perform pieces by Franz Lehár, Ludwig van Beethoven, and Modest Mussorgsky. Preceded by The Damned (1969) and followed by Ludwig (1973), the film is the second part of Visconti's thematic "German Trilogy".
Youth Without Youth is a 2007 fantasy drama film written, directed, and produced by Francis Ford Coppola, based on the novella of the same name by Romanian author Mircea Eliade. The film is a co-production between the United States, Romania, France, Italy and Germany. It was the first film that Coppola had directed in ten years, since 1997's The Rainmaker.
Otto Karl Robert Wernicke was a German actor. He is best known for his role as police inspector Karl Lohmann in the two Fritz Lang films M and The Testament of Dr. Mabuse.
Censorship in Nazi Germany was extreme and strictly enforced by the governing Nazi Party, but specifically by Joseph Goebbels and his Reich Ministry of Public Enlightenment and Propaganda. Similarly to many other police states both before and since, censorship within Nazi Germany included the silencing of all past and present dissenting voices. In addition to the further propaganda weaponization of all forms of mass communication, including newspaper, music, literature, radio, and film, by the State, the Ministry of Propaganda also produced and disseminated their own literature, which was solely devoted to spreading Nazi ideology and the Hitler Myth.
Wilhelm Friedrich Boger, known as "The Tiger of Auschwitz", was a German police commissioner and concentration camp overseer. He gained infamy for the atrocities he committed at Auschwitz, including torturing prisoners using a device known as the "Boger swing".
The Tenderness of Wolves is a 1973 West German crime drama film directed by Ulli Lommel. The story is based on the crimes of German serial killer and cannibal Fritz Haarmann. It was written by Kurt Raab, who also stars in the film, and produced by Rainer Werner Fassbinder. It was entered into the 23rd Berlin International Film Festival.
Negermusik was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.
Hitlerjunge Quex,, is a 1933 German film directed by Hans Steinhoff, based on the similarly named 1932 novel Der Hitlerjunge Quex by Karl Aloys Schenzinger. It was released in the United States as Our Flag Leads Us Forward.
Felix Basch (1885–1944) was an American-Austrian actor, screenwriter and film director.
Ripening Youth is a 1933 German drama film directed by Carl Froelich and starring Heinrich George, Peter Voß and Hertha Thiele.