Swingin' Till the Girls Come Home | ||||
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Studio album by Eddie "Lockjaw" Davis Quartet | ||||
Released | 1976 | |||
Recorded | March 8, 1976 | |||
Studio | Creative Sound Studio, Copenhagen, Denmark | |||
Genre | Jazz | |||
Length | 53:07CD reissue with bonus tracks | |||
Label | SteepleChase SCS 1058 | |||
Producer | Nils Winther | |||
Eddie "Lockjaw" Davis chronology | ||||
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Swingin' Till the Girls Come Home is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Copenhagen in 1976 and released on the Danish SteepleChase label. [1] [2] [3] The album was also released in the U.S. on Inner City Records [4]
Review scores | |
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Source | Rating |
Allmusic | [5] |
The Penguin Guide to Jazz Recordings | [6] |
Allmusic called it "Fun, accessible and mostly hard-swinging straightahead music". [5]
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist.
Thomas Clausen is a Danish jazz pianist.
Alex Riel is a Danish jazz and rock drummer. His first group Alex Riel/Palle Mikkelborg Quintet won Montreux Grand Prix Award at the Montreux Jazz Festival in 1968 and it was published in Billboard's June 1968 edition. He is married to the writer Ane Riel.
The jazz album United Notions with Toshiko and her International Jazz Sextet was recorded in New York in 1958 and released on the Metrojazz label. The recording features pianist Toshiko Akiyoshi with Nat Adderley or Doc Severinsen alternating on cornet/trumpet, Bobby Jaspar playing tenor and baritone saxophone and flute, Rolf Kühn on alto saxophone and clarinet, René Thomas on guitar, Bert Dale on drums and John Drew on bass.
Lambert, Hendricks, & Ross!: "The Hottest New Group In Jazz", is the fourth album by Lambert, Hendricks & Ross, released in 1960. The album's subtitle is a quote from Downbeat magazine, and appears on the album cover and spine. The CD reissue combines the full original album with the group's two other Columbia albums: the 1961 LP Lambert, Hendricks & Ross Sing Ellington and the 1962 LP High Flying. The CD release additionally includes seven previously unreleased "rarities", recorded in 1962. On all these recordings, the group is backed up by the Ike Isaacs Trio.
In Person Friday and Saturday Nights at the Blackhawk, Complete, also called The Complete Blackhawk, is a 2003 four-disc collection of the 1961 live performances of the Miles Davis Quintet at the Black Hawk nightclub in San Francisco. These sets, performed with recording in mind, forged new ground for jazz musician Miles Davis, who had never previously been recorded live in a club with his combo. Material from the four sets was first released simultaneously by Columbia Records on two albums in September 1961, titled In Person Friday Nights at the Blackhawk, San Francisco, Volume 1 and In Person Saturday Nights at the Blackhawk, San Francisco, Volume 2. Although those albums were subsequently rereleased several times, the complete sets were not commercially available until Sony Records released a digital mastering of this collection. Simultaneous to this release, the material was made available as two separate double-albums, entitled Friday Night: In Person at the Blackhawk in San Francisco, Complete and Saturday Night: In Person at the Blackhawk in San Francisco, Complete.
Hi-Fly is a studio album by American jazz pianist Horace Parlan, featuring performances recorded in 1978 and released on the Danish-based SteepleChase label. The album was produced using direct to disc recording and the CD reissue included alternate takes of all six tracks.
The Dizzy Gillespie Big 7 is a live album by Dizzy Gillespie recorded at the Montreux Jazz Festival in 1975 and released on the Pablo label.
The Eddie "Lockjaw" Davis Cookbook is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was later issued as Vol. 1 when two subsequent "Cookbook" volumes were released.
The Eddie "Lockjaw" Davis Cookbook, Vol. 2 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was the second of Davis' popular "Cookbook" volumes to be released.
The Fox & the Hounds is an album by saxophonist Eddie "Lockjaw" Davis fronting a big band recorded in 1967 for the RCA Victor label.
Stable Mable is an album led by saxophonist Dexter Gordon recorded in 1975 and released on the Danish SteepleChase label.
Count Basie Story is a double album by pianist, composer and bandleader Count Basie featuring tracks originally performed by his orchestra in the 1930s and 1940s rerecorded in 1960 as a celebration of its 25th anniversary and first released on the Roulette label. Selections from the 2-LP set were also released as Roulette's The Best of Basie in 1962 and The Best of Basie Vol. 2 in 1964. The album was rereleased with bonus tracks in 2004 to commemorate Basie's 100th birthday.
Count Basie Presents Eddie Davis Trio + Joe Newman is an album by saxophonist Eddie "Lockjaw" Davis' Trio with Count Basie and Joe Newman recorded in late 1957 and originally released on the Roulette label.
All of Me is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Copenhagen in 1983 and released on the Danish SteepleChase label.
Jaw's Blues is a live album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Munich in 1981 and released on the German Enja label.
Dearly Beloved is an album by American jazz saxophonist Lee Konitz recorded in 1996 and released on the Danish SteepleChase label.
My Foolish Heart is an album by American jazz pianist Don Friedman recorded in 2000 and released on the Danish SteepleChase label in 2003.
Hear My Blues is the debut album by jazz/blues vocalist Al Smith featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1959 and becoming the first release on the Bluesville label. The album was reissued as Blues Shout! under Eddie "Lockjaw" Davis's name on Prestige in 1964.
I Remember Miles is an album by saxophonist/composer Benny Golson, featuring compositions associated with or inspired by Miles Davis, that was recorded in 1992 and originally released by the Japanese Alfa Jazz label before being reissued in the US on Evidence Music in 1996.