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Symphony No. 23 in D major | |
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by Wolfgang Amadeus Mozart | |
![]() 1773 miniature of Mozart | |
Key | D major |
Catalogue | K. 181/162b |
Genre | Symphony |
Composed | 19 May 1773 : Salzburg |
Published | 1848 Hamburg : |
Publisher | August Cranz |
Movements | 3 |
Scoring | Symphony orchestra |
The Symphony No. 23 in D major, K. 181/162b, by Wolfgang Amadeus Mozart was dated as complete on May 19, 1773. It is sometimes called "Overture", even though the autograph score bears the title "Sinfonia". [1] The symphony is scored for 2 oboes, 2 horns in D, 2 trumpets in D, and strings.
The genre of the symphony was key in the Classical period, becoming the most important genre of instrumental music. Multiple musical local traditions existed in Europe at the time, which Mozart absorbed during his travels through most of Western Europe. In the Mozart family grand tour from between 1763–66, Wolfgang wrote around 15 symphonies, many of which have not been preserved. More symphonies were written during Mozart's stays in Vienna (1767–68) and Italy (1769–71). [2]
The symphony was completed on 19 May 1773, [3] [4] being part of a group of four (No. 22, 24 and 26) written shortly after the return from the third travel to Italy. [5] According to Saint-Foix, these symphonies may have been commissioned by a Milanese patron. [6]
According to musicologist Neal Zaslaw, the symphony found success at the time, as sets of parts were found in the cities of Brno, Frankfurt and Regensburg. These copies also modified the scoring of the piece; viola parts were reduced to a single one and the trumpets were removed in the parts found in Brno and Frankfurt, while the Regensburg ones had the possibility of oboes being replaced by flutes. [7] The original 1773 autograph is located at the Morgan Library & Museum in New York. [2]
The symphony is scored for 2 oboes, 2 horns in D, 2 trumpets in D, and strings. [4] Neal Zaslaw notes additional parts for bassoon, kettledrums and continuo (probably harpsichord). [7]
The symphony follows the overall tripartite structure of the Italian overture, [8] divided in three movements that are played continuously ( attacca ) [4]
French musicologist and Mozart scholar Georges de Saint-Foix praised the piece, making a favourable comparison against the surrounding ones in the catalogue; Symphony No. 22, K. 162 and Symphony No. 24 K. 182. [8] British musicologist Stanley Sadie also praised the symphony as "full of brilliant writing and 'effective' passages, built up into an elegantly and logically shaped edifice". [9]
Most recordings of the symphony are as part of complete recording projects of Mozart's Symphonies.
Conductor | Orchestra | Recording Date | Formats | Labels | Catalogue ID | References |
---|---|---|---|---|---|---|
Otto Ackermann | Netherlands Philharmonic Orchestra | Unknown, released before 1988 | LP / Digital | Documents records | CHS-1194 | [10] |
Ferenc Fricsay | Deutsches Symphonie-Orchester Berlin | 1951, released 2018 | CD / Digital | Deutsche Gramophon | 00028947982753 | [11] |
Erich Leinsdorf | Royal Philharmonic Orchestra | 1955, released 1960, rerelease 2006 | LP / CD /Digital | Westminster Records / Deutsche Gramophon | XWN 18756 / 00028947758471 | [12] [13] |
Günter Kehr | Mainzer Kammerorchester | 1966, rereleased on 1976 and 1991 | LP / CD / Digital | Vox Records / World Record Club | SVBX 5118 / R.03331-2-3 / CDX 5030 | [14] [15] |
Karl Böhm | Berlin Philharmonic Orchestra | Released 1968, rereleased multiple times afterwards | LP / CD / Digital | Deutsche Grammophon | 643 521/35 | [16] |
Sir Neville Marriner | Academy of St Martin in the Fields | Released 1970, rereleased 1996 | LP / CD / Digital | Philiphs Records / Decca Records | ZRG 653 / 00028945408521 | [17] [18] |
Josef Krips | Royal Concertgebouw Orchestra | 1973, released 1974, rereleased 1990 | CD / Digital | Philips Records / Decca Records | 426 973-2 / 00028942697324 | [19] |
Libor Pešek | Pardubice Chamber Philharmonic Orchestra | 1977, released 2013 | Digital | Supraphon | VT 9738-2 | [20] |
Christopher Hogwood | The Academy of Ancient Music | 1979, released same year, rereleased 1987 and 2009 | LP / Casette / CD / Digital | L'Oiseau-Lyre / Decca Records | LC 0171 / Decca 476 1718 | [21] |
James Levine | Vienna Philharmonic Orchestra | 1986, released 1988, rereleased in 2015 | CD / Digital | Deutsche Grammophon | 423 365-2 / 00289 479 4195 | [22] |
Hans Graf | Mozarteum Orchestra Salzburg | 1989, released 1990 | CD / Digital | Capriccio Records | C10314 | [23] |
Sir Charles Mackerras | Prague Chamber Orchestra | 1989, released 1990 | CD / Digital | Telarc Digital | CD-80217 | [24] |
Nicholas Ward | Northern Chamber Orchestra | 1993, released 1995 and rereleased 2013 | CD / Digital | Naxos records | 8.550876 / 8.501109 | [25] [26] |
Claudio Abbado | Berlin Philharmonic Orchestra | 1994, released 1996, rereleased 2018 | CD / Digital | Sony Classical Records | G010001222975B / 19075816312 | [27] [28] |
Trevor Pinnock | The English Concert | 1992-5, released 2002 | CD / Digital | Deutsche Gramophon | 471 666-2 | [29] |
Jaap ter Linden | Mozart Akademie Amsterdam | 2001-02, released 2006 and rereleased on 2011 and 2014 | CD / Digital | Brilliant Classics | 92110 / 94295 / 95010 | [30] [31] [32] |
Ádám Fischer | Danish National Chamber Orchestra | 2008-09, released 2009, rereleased 2013 | CD / Digital | Dacapo Records | 6.220542 / 8.201201 | [33] [34] |
David Greilsammer | Orchestre de chambre de Genève | Released 2012 | CD / Digital | Sonny Classical Records | 88725430252 | [35] |