The Symphony No. 2', or Cello Symphony is a composition for orchestra by the American composer Ellen Taaffe Zwilich. The work was composed in 1985 on a commission from the San Francisco Symphony. It was first performed on November 13, 1985, by the San Francisco Symphony under the direction of Edo de Waart, to whom the piece is dedicated. [1] [2]
Zwilich conceived her Symphony No. 2 to "exploit the artistry and virtuosity" of the cello section of a modern symphony orchestra. In the score program note, the composer wrote, "To me, the cello is the quintessential singer among string instruments, encompassing, as it does, the entire human vocal range form the lowest bass voice to the highest soprano. Another aspect of the cello that fascinates me is the enormous range of expression, so I wanted to explore a wide gamut of techniques and dramatic moods. Additionally I find the sound of multiple cellos thrilling. For these reasons, I decided that I would combine concepts of symphonic development with a concerto attitude." She continued, "The work bears the subtitle Cello Symphony because it is a symphony in which the cello section is the protagonist. In fact, the piece is virtually a concerto for the cello section, calling for highly virtuosic playing and exploring the full range and scope of the instrument. The first movement even has a cadenza for the cello section!" [1]
The symphony has a performance duration of roughly 24 minutes and is cast in three movements in the traditional fast-slow-fast concerto form:
The work is scored for a large orchestra consisting of three flutes, three oboes, three clarinets, three bassoons, four horns, three trumpets, three trombones, tuba, timpani, percussion, piano, and strings.
Reviewing the world premiere, Michael Walsh of Time wrote, "Zwilich's new symphony is a 24-minute, three-movement, fast-slow-fast essay that daringly transforms the cello section into a collective soloist, a throaty protagonist locked in combat with the rest of the orchestra. Hard driving and explosive, the piece erupts from a single rhythmic idea that propels the music forward relentlessly. Even the moody slow movement cannot dilute the restless surge, which continues undaunted right to the final bar." [3]
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year."
Ellen Taaffe Zwilich is an American violinist, composer and academic teacher, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s she had shifted to a post-modernist, neo-romantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich has served as the Francis Eppes Distinguished Professor at Florida State University.
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players, the viola, the cello, and usually, but not always, the double bass.
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. In this regard, she was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
The Concerto for Orchestra is an orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Cabrillo Festival of Contemporary Music and is dedicated to conductor and frequent Rouse collaborator Marin Alsop. The piece was completed February 24, 2008 and premiered at the festival August 1, 2008, with Marin Alsop leading the Cabrillo Festival Orchestra.
The Symphony No. 3 is a symphony for orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the New York Philharmonic to commemorate their sesquicentennial anniversary. It was first performed by the New York Philharmonic conducted by Jahja Ling on February 25, 1993. The symphony is dedicated "with love and admiration" to Kurt Masur and the New York Philharmonic.
The Concerto for Violin and Orchestra is violin concerto by the American composer Ellen Taaffe Zwilich. The work was commissioned by Carnegie Hall for the violinist Pamela Frank. It was completed on May 25, 1997, and was first performed by Pamela Frank and the Orchestra of St. Luke's conducted by Hugh Wolff in Carnegie Hall on March 26, 1998.
The Symphony No. 5' or Concerto for Orchestra is a composition for orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Juilliard School in honor of Bruce Kovner and Suzie Kovner with support of the Trust of Francis Goelet. It was first performed by the Juilliard Orchestra conducted by James Conlon at Carnegie Hall on October 27, 2008.
The Concerto for Cello and Orchestra is a composition for solo cello and orchestra by the American composer Ellen Taaffe Zwilich. The work was written on a commission from the South Florida Symphony Orchestra. Zwilich composed the piece over a six-month period, completing the work in early 2020. It was given its world premiere by the cellist Zuill Bailey the South Florida Symphony Orchestra conducted by Sebrina María Alfonso on March 5, 2020, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. The concerto is dedicated to Zuill Bailey and Sebrina María Alfonso and written in memory of the cellists Leonard Rose and Mstislav Rostropovich.
The Concerto for Piano and Orchestra is a composition for solo piano and orchestra by the American composer Ellen Taaffe Zwilich. The work was written on a commission from Carnegie Hall, the Detroit Symphony Orchestra, and the League of American Orchestras. It was the first composition ever commissioned by either Carnegie Hall or the League of American Orchestras. The world premiere was performed by the pianist Marc-André Hamelin and the Detroit Symphony Orchestra under the direction of Günther Herbig at the Meadow Brook Music Festival in Rochester Hills, Michigan, on June 26, 1986. The piece is dedicated to Günther Herbig.
The Concerto for Violin, Violoncello and Orchestra is a double concerto for violin, cello, and orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Louisville Orchestra for the violinist Jaime Laredo and the cellist Sharon Robinson and in memory of the sculpture Albert Wein. It was first performed by Laredo, Robinson, and the Louisville Orchestra under the direction of Lawrence Leighton Smith on December 5, 1991. The piece is dedicated to Lawrence Leighton Smith and the Louisville Orchestra.
The Concerto Grosso 1985 is a composition for chamber orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Washington Friends of Handel in commemoration of the 300th anniversary of the birth of George Frideric Handel. It was given its world premiere by Handel Festival Orchestra conducted by Stephen Simon on May 9, 1986.
The Concerto for Oboe and Orchestra is a composition for oboe solo and orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Cleveland Orchestra in honor of their principal oboist John Mack's 25th year with the orchestra. It was first performed by Mack and the Cleveland Orchestra under the direction of Christoph von Dohnányi on January 17, 1991. The piece is dedicated "with affection" to John Mack.
The Chamber Symphony is a symphony for chamber ensemble by the American composer Ellen Taaffe Zwilich. It was commissioned by the music ensemble Boston Musica Viva, which first performed the work under the direction of Richard Pittman on November 30, 1979. The work is cast in a single movement and has a duration of approximately 17 minutes in performance.
The Clarinet Concerto is a composition for solo clarinet and orchestra by the American composer Ellen Taaffe Zwilich. It was commissioned by the Arlene and Dr. Milton D. Berkman Philanthropic Fund for the clarinetist David Shifrin, to whom the piece is dedicated. The concerto was first performed by Shifrin and twelve members of the Chamber Music Society of Lincoln Center in Alice Tully Hall on September 12, 2003.
The Concerto for Bassoon and Orchestra is a bassoon concerto written by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal bassoonist Nancy Goeres. It was given its world premiere by Goeres and the Pittsburgh Symphony Orchestra under the direction of Lorin Maazel in Heinz Hall for the Performing Arts, Pittsburgh, on May 13, 1993. The piece is dedicated to Maazel, Goeres, and the Pittsburgh Symphony Orchestra.
The American Concerto is a trumpet concerto written by the American composer Ellen Taaffe Zwilich. The work was commissioned by the California Center for the Arts, Escondido, the San Diego Symphony, the Virginia Symphony Orchestra, the Buffalo Philharmonic Orchestra, and the trumpeter Doc Severinsen, to whom it is dedicated. The piece was completed in New York on June 12, 1994, and was given its world premiere by Doc Severinsen and the San Diego Symphony under the direction of JoAnn Falletta in Escondido, California, on September 24, 1994.
Symbolon is a composition for orchestra written by the American composer Ellen Taaffe Zwilich. The piece was commissioned by the New York Philharmonic for their 1988 tour of the Soviet Union and was completed on January 8, 1988. It is dedicated to Zubin Mehta, who conducted the work's premiere by the New York Philharmonic in Leningrad on June 1, 1988. It was the first piece of American orchestral music to be premiered in the Soviet Union.
Millennium Fantasy for Piano and Orchestra is a piano concerto written by the American composer Ellen Taaffe Zwilich. The work was commissioned by the pianist Jeffrey Biegel in association with the Adele Marcus Foundation, the Abraham J. & Phyllis Katz Foundation, the South Florida Council of the Chopin Foundation of the United States, Isa and Marvin Leibowitz, the American Music Center, and a consortium of 27 American orchestras. It was first performed by Jeffrey Biegel and the Cincinnati Symphony Orchestra under the direction of Jesús López Cobos in Cincinnati on September 22, 2000.