TC Electronic

Last updated
TC Electronic
Industry Guitar effects
Founded1976;48 years ago (1976)
FounderKim and John Rishøj
Headquarters Denmark
Area served
Global
Products guitar effects
Website www.tcelectronic.com

TC Electronic (sometimes stylized as t.c. electronic) is a Danish audio equipment company that designs and imports guitar effects, bass amplification, computer audio interfaces, audio plug-in software, live sound equalisers, studio and post-production equipment, studio effect processors, and broadcast loudness processors and meters. In August 2015, the company was purchased by Music Group, a holding company chaired by Uli Behringer.

Contents

Company history

TC Electronic was founded by two musician brothers, Kim and John Rishøj. Their SCF, ("Stereo Chorus + Pitch Modulator & Flanger") was a successful early product. [1] After initial success with guitar effect pedals, they developed 19" rack mounted processors, including the TC2290 delay released in 1985.

TC Electronic formed the TC Group in 2002 after acquiring TGI plc. TGI consisted of Tannoy, GLL Goodman, Lab Gruppen and Martin Audio. Martin Audio was sold quickly after the merger and Goodman Loudspeakers closed. TC Works (software development), based in Germany, was once part of the TC group, but reintegrated with TC Electronic in 2005.

The current TC Group is a holding company of five individual brand companies consisting of Tannoy, (speakers and studio monitors), Lab.Gruppen (amplifiers), TC Electronic, TC-Helicon (harmonisers and vocal processors) and TC|Applied Technologies (digital-audio semiconductor development) and the sales-companies TC Group|International, TC Group|Americas, TC Group|Japan, TC Group|China, and TC Group|Middle East.

TC Electronic also co-develops products with Dynaudio Acoustics (studio monitors) and their European sales arm TC Group|International distributes Blue Microphones outside of the US.

In August 2015, the company was purchased by Music Group, a holding company chaired by Uli Behringer. The parent company has since been rebranded as Music Tribe. [2]

Products

System 6000

System 6000 is an audio mastering system built around the Mainframe 6000. It houses DSP-based electronics for processing and provides audio inputs and outputs. The Mainframe 6000 connects via Ethernet to either the Remote CPU 6000 and the TC ICON hardware controller, or to a computer running TC ICON emulation software. The System 6000 comes in two versions—Reverb 6000 and Mastering 6000. The two differ in included processing algorithms: Reverb 6000 comes with reverb and delay effects for stereo and multi-channel purposes, while Mastering 6000 comes with algorithms suited for stereo and multi-channel audio mastering, and includes pitch-shifting tools. Several optional algorithms are available separately. The System 6000 series was upgraded to MK2 in 2010. [3] [4] [5]

Finalizer

The Finalizer is an audio mastering tool available two versions: Finalizer 96K and Finalizer Express. Both Finalizers have a compressor, limiter, equaliser and a Gain Maximiser. The Finalizer Express is a less-functional version of the Finalizer 96K that does not perform 96 kHz processing. [6]

Guitar products

TC Electronic G System Siddharta 1488.jpg
TC Electronic G System

Since the company began with guitar effects, the current line of TC Electronic products remain an important aspect of the company's business. There are several product categories:

Bass amplification products

In 2009, TC Electronic released a class D bass amplifier, RH450 (originally called RebelHead 450, but this name was cancelled later) along with the complementary RC 4 foot switch. In addition to this, TC Electronic developed a range of speaker cabinets for RH450 and other bass amplifiers: RS112(1x12" speakers) RS210(2x10" speakers), RS212(2 x 12" speakers) and RS410(4 x 10" speakers).

Also, shortly after presenting the RH450 at the NAMM Show in 2009, TC Electronic engaged a pilot program, [7] selecting 24 bassists worldwide to test the amplifier at concerts and rehearsals.

PowerCore

PowerCore is a series of computer hardware and software, somewhat similar in concept to the DSP card in Digidesign's Pro Tools. At the base is a PowerCore unit that runs PowerCore VST or AU plug-ins. TC Electronic discontinued the PowerCore line in early 2011. [8]

Studio equipment

TC Electronic produces equalizers, microphone preamplifiers, compressors, level maximizers, and multi-effect units (such as FireworX).

FireworX

FireworX is a multi-effects processor. Producers and DJs, such as Sasha, use or used Fireworx in conjunction with CD players for live performances. Fireworx won best Hardware Signal Processing Technology at the 1998 TEC Awards.

The unit itself incorporates effects such as distortion, compression, noise and curve generators, ring modulation, vocoding, parametric equalizers, tremolo, reverb and delay. The effects can be routed in a large variety of ways, and it is possible to modify different parameters.

PA, installation and broadcasting products

TC Electronic also produces equalizers for live use, gain maximizers, loudness controllers, and several products that reduce loudness variations during broadcasting. TC Electronic also has been a partner in developing loudness standardisation work with international standards bodies such as the ITU, ATSC and EBU.

Software

TC Electronic develops a range of plug-ins for its PowerCore system. They are all in the VST or AU formats, but cannot run without the PowerCore hardware. Some of these plug-ins are included with all of the PowerCore systems, except PowerCore Unplugged.

The plugins include equalizers, noise removal plugins, reverbs, analog filter banks emulators, compressors and psychoacoustic effects.

TC Electronic also authors plug-ins for the HD version of Digidesign's Pro Tools and Soundscape software. These plug-ins are also available in a PowerCore version (some of them are ported from the System 6000). They include vocal harmonisers, mastering plugins, reverbs and compressors.

Spark audio editor

TC Electronic also developed a two-track digital audio editor, which featured mastering tools and different effects.

Related Research Articles

<span class="mw-page-title-main">Effects unit</span> Electronic device that alters audio

An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.

<span class="mw-page-title-main">Mixing console</span> Device used for audio mixing

A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded.

<span class="mw-page-title-main">Dynamic range compression</span> Audio signal processing operation

Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and some instrument amplifiers.

<span class="mw-page-title-main">Instrument amplifier</span> Amplifier with loudspeaker for use with musical instruments

An instrument amplifier is an electronic amplifier that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, produced by a power amplifier, to drive one or more loudspeaker that can be heard by the performers and audience.

<span class="mw-page-title-main">Guitar amplifier</span> Electronic amplifier for musical instruments

A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a combo amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.

<span class="mw-page-title-main">DI unit</span> Audio signal conversion device

A DI unit is an electronic device typically used in recording studios and in sound reinforcement systems to connect a high output impedance unbalanced output signal to a low-impedance, microphone level, balanced input, usually via an XLR connector and XLR cable. DIs are frequently used to connect an electric guitar or electric bass to a mixing console's microphone input jack. The DI performs level matching, balancing, and either active buffering or passive impedance matching/impedance bridging. DI units are typically metal boxes with input and output jacks and, for more expensive units, “ground lift” and attenuator switches.

<span class="mw-page-title-main">Sound reinforcement system</span> Amplified sound system for public events

A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.

<span class="mw-page-title-main">Scholz Research & Development, Inc.</span> Music technology company

Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products.

<span class="mw-page-title-main">Logic Pro</span> Digital audio workstation

Logic Pro is a proprietary digital audio workstation (DAW) and MIDI sequencer software application for the macOS platform developed by Apple Inc. It was originally created in the early 1990s as Notator Logic, or Logic, by German software developer C-Lab which later went by Emagic. Apple acquired Emagic in 2002 and renamed Logic to Logic Pro. It was the second most popular DAW – after Ableton Live – according to a survey conducted in 2015.

Line 6 is a musical instrument and audio equipment manufacturer, best known as a pioneer in guitar amplifier and effect modeling. The company's products include guitar effects, modeling guitar amplifiers, software, electric guitars, and wireless systems. Line 6 has an active user community, and provides software that allows users to easily download and share patches or device settings for many of the company's products. Founded in 1996 and headquartered in Calabasas, California, the company has been a subsidiary of Yamaha Corporation since 2014.

<span class="mw-page-title-main">Bass amplifier</span> Electronic amplifier for musical instruments

A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.

An exciter is an audio signal processing technique used to enhance a signal by dynamic equalization, phase manipulation, harmonic synthesis of (usually) high frequency signals, and through the addition of subtle harmonic distortion. Dynamic equalization involves variation of the equalizer characteristics in the time domain as a function of the input. Due to the varying nature, noise is reduced compared to static equalizers. Harmonic synthesis involves the creation of higher order harmonics from the fundamental frequency signals present in the recording. As noise is usually more prevalent at higher frequencies, the harmonics are derived from a purer frequency band resulting in clearer highs. Exciters are also used to synthesize harmonics of low frequency signals to simulate deep bass in smaller speakers.

<span class="mw-page-title-main">Guitar tech</span>

A guitar technician is a member of a music ensemble's road crew who maintains and sets up the musical equipment for one or more guitarists. Depending on the type and size of band, the guitar tech may be responsible for stringing, tuning, and adjusting electric guitars and acoustic guitars, and maintaining and setting up guitar amplifiers and other related electronic equipment such as effect pedals.

<span class="mw-page-title-main">Distortion (music)</span> Type of electronic audio manipulation

Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, grunge and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".

Re-amping is a process often used in multitrack recording in which a recorded signal is routed back out of the editing environment and run through external processing using effects units and then into a guitar amplifier and a guitar speaker cabinet or a reverb chamber. Originally, the technique was used mostly for electric guitars: it facilitates a separation of guitar playing from guitar amplifier processing—a previously recorded audio program is played back and re-recorded at a later time for the purpose of adding effects, ambiance such as reverb or echo, and the tone shaping imbued by certain amps and cabinets. The technique has since evolved over the 2000s to include many other applications. Re-amping can also be applied to other instruments and program, such as recorded drums, synthesizers, and virtual instruments.

<span class="mw-page-title-main">Audio mixing (recorded music)</span> Audio mixing to yield recorded sound

In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.

<span class="mw-page-title-main">Record (software)</span>

Record is a music software program developed by Swedish software developers Propellerhead Software. Designed for recording, arrangement and mixing, it emulates a recording studio, with a mixing desk, a rack of virtual instruments and effects and an audio and MIDI sequencer. Record can be used either as a complete virtual recording studio in itself, or together with Propellerhead Software's Reason.

TC Group was a Danish multinational corporation specializing in audio related products for musicians, installers, producers, engineers, broadcasters, audio consultants and contractors. Its individual brands include Lab.gruppen, Lake, Tannoy, TC-Applied Technologies, TC Electronic and TC-Helicon. Overall, the company organizes itself around four market verticals: Musician, Install & Tour, Broadcast & Production, and Residential. TC Group was acquired by Music Tribe in 2015.

<span class="mw-page-title-main">Professional audio store</span> Retail business

A professional audio store is a retail business that sells, and in many cases rents, sound reinforcement system equipment and PA system components used in music concerts, live shows, dance parties and speaking events. This equipment typically includes microphones, power amplifiers, electronic effects units, speaker enclosures, monitor speakers, subwoofers and audio consoles (mixers). Some professional audio stores also sell sound recording equipment, DJ equipment, lighting equipment used in nightclubs and concerts and video equipment used in events, such as video projectors and screens. Some professional audio stores rent "backline" equipment used in rock and pop shows, such as stage pianos and bass amplifiers. While professional audio stores typically focus on selling new merchandise, some stores also sell used equipment, which is often the equipment that the company has previously rented out for shows and events.

<span class="mw-page-title-main">Manley Laboratories</span> American audio equipment manufacturer

Manley Laboratories, Inc. is an American manufacturer of pro audio and high-end audio equipment located in Chino, California.

References

  1. Hunter, Dave (2004). Guitar Effects Pedals: The Practical Handbook. Hal Leonard. p. 125. ISBN   9780879308063 . Retrieved 23 January 2013.
  2. "TC Electronic and TC Helicon acquired by Behringer owner".
  3. https://sonicstate.com/news/2021/03/18/system-6000-in-software/
  4. https://www.gearnews.com/tc-electronic-system-6000-native-series-system-6000-effects-for-your-daw/
  5. https://tapeop.com/reviews/gear/43/system-6000-dynamics-and-effects-processor/
  6. https://musictech.com/reviews/software-instruments/tc-electronic-finalizer/
  7. http://www.tcelectronic.com/testpilot.asp - Test Pilot section on TC Electronics's official web site
  8. Kirin, Peter. "TC PowrCore DSP Range is Dead, long live PowerCore; UAD-2 Crossgrade Offer". Create Digital Music. Retrieved 22 May 2012.