Work
Since 1990 Norris' studio practice is multidisciplinary, a hybrid of photography, video and installation. His first one-man show was held at the Boston Center for the Arts at age 25 in 1990. His work has been primarily based on the urban environment. His work has been referred to as dystopian, lo-tech and sterile, engaging postmodern issues of loss, surveillance culture, parallel universe, racism, ego, phobia, and death. Some of Norris' influences have been rumored to be disparate figures in the world of the arts and sciences including J. G. Ballard, Roald Dahl, Emmanuel Levinas and Marcel Duchamp.
Norris has shown in the Americas as well as internationally in Italy, the UK, China, Belgium, and is held in the collections of the Fuller Museum of Art, Museo de la Ciudad, Vanhaerents Art Collection, Amon Carter Museum of American Art and the Kimmel Harding Nelson Center for the Arts as well as numerous private collections. His work has been featured in Photographer's Forum, Art Ltd, Leonardo (journal) (MIT Press), Shades of Grey Magazine (France), The Oregonian, The Boston Globe and Silvershotz (Australia), among others. In the past decade his work has been featured at the Tacoma Art Museum, South Bend Art Museum, and at the Center on Contemporary Art (Seattle). He has developed several collaborations with sound artists and composers such as Scanner (Robin Rimbaud), Asmus Tietchens, Leif Elggren and Christian Renou (Brume) among others. These collaborations led to critical observations about the intersection between sound and visual art. His work has been cited to be influenced by Experimental music and Post-punk.
Michael Kelley was an American artist whose work involved found objects, textile banners, drawings, assemblage, collage, performance, photography, sound and video. He also worked on curatorial projects; collaborated with many other artists and musicians; and left a formidable body of critical and creative writing. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."
Massachusetts College of Art and Design, branded as MassArt, is a public college of visual and applied art in Boston, Massachusetts. Founded in 1873, it is one of the nation's oldest art schools, the only publicly funded independent art school in the United States. It was the first art college in the United States to grant an artistic degree.
Mirosław Rogala is a Polish-born American video artist and interactive artist. He has worked in the areas of interactive art, video installation and live performance, post-photographic transformation, and musical composition.
Raven Chacon is a Diné composer, musician and artist. Born in Fort Defiance, Arizona within the Navajo Nation, Chacon became the first Native American to win a Pulitzer Prize for Music, for his Voiceless Mass in 2022.
Christopher Janney is an American composer, artist, and architect known for his work on the interrelation of architecture and music. Sometimes he attempts to make architecture more like music as in his sound sculptures titled "Urban Musical Instruments", of which "Soundstair" and "Sonic Forest" are examples. Other times, he develops performance projects which make music more like architecture as in his "Physical Music" series which includes "HeartBeat," a piece danced by Mikhail Baryshnikov. Much of Janney's permanent work has sought to create "permanent participatory soundworks for public spaces," including installations for airports in Dallas, Boston, Miami and Sacramento, Atlanta and the New York City Subway.
David Hilliard is an American photographer. A fine arts photographer who works mainly with panoramic photographs, he draws inspiration from his personal life and those around him for his subject matter. Many of the scenes are staged, evoking a performative quality, a middle ground between fact and fiction.
Judy Dunaway is a conceptual sound artist, avant-garde composer, free improvisor and creator of sound installations who is primarily known for her sound works for latex balloons. Since 1990 she has created over thirty works for balloons as sound conduits and has also made this her main instrument for improvisation.
Bora Yoon is a Korean-American experimental electroacoustic composer and musician known for her use of unconventional instruments and musical technology in her music. An interdisciplinary sound artist, vocalist and TED2014 Fellow, she gathers and uses instruments and timbres from various centuries and cultures, to create immersive audiovisual experiences, with architecture, and acoustics. As of 2023, she is an Assistant Professor of Music at Reed College in Portland, Oregon.
Jack Lueders-Booth is an American photographer. He retired from teaching at Harvard in 2000, and continues to live and work in the Boston area.
Kenneth Lee Butler is an American artist and musician, as well as an experimental musical instrument builder. His Hybrid musical instruments and other artworks explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence. The idea of bricolage, essentially using whatever is "at hand", is at the center of his art, encompassing a wide range of practice that combines live music, instrument design, performance art, theater, sculpture, installation, photography, film/video, graphic design, drawing, and collage.
Anna Schuleit Haber is a German-American visual artist. Throughout her career, Schuleit Haber's work has focused on marginalized communities.
Todd Webb was an American photographer notable for documenting everyday life and architecture in cities such as New York City, Paris as well as from the American west. He traveled extensively during his long life and had important friendships with artists such as Berenice Abbott, Walker Evans, Alfred Stieglitz, Georgia O'Keeffe, Ansel Adams, Dorothea Lange, and Harry Callahan.
Avinash Veeraraghavan is an Indian artist who creates graphic books, layered prints, and multichannel video installations based on popular culture.
Ben Aronson is an American painter living in Massachusetts. His work is represented by Tibor de Nagy Gallery in New York, Jenkins Johnson Gallery in San Francisco, LewAllen Galleries in Santa Fe, and Alpha Gallery in Boston.
Polly E. Apfelbaum is an American contemporary visual artist, who is primarily known for her colorful drawings, sculptures, and fabric floor pieces, which she refers to as "fallen paintings". She currently lives and works in New York City, New York.
Harley Gaber was a visual artist and composer known for his minimalist and spectral approaches to time and sound. With his emphasis on quiet sustained sonorities and textures, Gaber is counted among the early American minimalist composers, and considered to be a forerunner of drone and spectralism. His best known recorded composition, The Winds Rise in the North, has been called by musician Keith Fullerton Whitman "one of the holy grails of minimalism in music in the 20th century."
Harvey Goldman is an American artist and educator.
Sage Sohier is an American photographer and educator.
Ellen Rothenberg is an American visual artist and writer whose socio-political art manifests itself in performance, installation, objects, and visual essays.
Jonathan Green is an American writer, historian of photography, curator, teacher, museum administrator, photographer, filmmaker and the founding Project Director of the Wexner Center for the Arts. A recognized authority on the history of American photography, Green’s books Camera Work: A Critical Anthology (1973) and American Photography: A Critical History 1945–1980 (1984) are two notable commentaries and frequently referenced and republished accounts in the field of photography. At the same time Green’s acquisitions, exhibitions and publications consistently drew from the edges of established photographic practice rather than from its traditional center. He supported acquisitions by socially activist artists like Adrian Piper and graffiti artist Furtura 2000, and hosted exhibitions on Rape, AIDS, new feminist art, and the work of photographer, choreographer and dancer Arnie Zane, the Diana camera images of Nancy Rexroth, the Polaroids and imitation biplanes of folk artist Leslie Payne, and the digital photographic work of Mexican photographer Pedro Meyer. This alternative focus help prime Green and the competition jury to choose an unconventional, deconstructive architect, Peter Eisenman, previously known primarily as a teacher and theorist, as the architect for the Wexner Center for the Arts. Green has held professorial and directorial positions at Massachusetts Institute of Technology, Ohio State University, and University of California, Riverside.
