Take Out | |
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![]() Theatrical release poster | |
Directed by | |
Written by |
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Produced by |
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Starring |
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Cinematography | Sean Baker [3] |
Edited by |
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Production company | CRE Film |
Distributed by | CAVU Pictures |
Release dates |
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Running time | 90 minutes |
Country | United States |
Languages |
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Take Out is a 2004 American independent drama film directed and written by Sean Baker and Shih-Ching Tsou. Tsou's co-directorial debut feature and Baker's second work, the film follows an undocumented Chinese immigrant working as a deliveryman for a Chinese take-out shop in New York City.
Take Out initially premiered at the Slamdance Film Festival in January 2004, but did not see a wider release until 2008. It received acclaim from critics, and holds a 100% rating on film aggregation website Rotten Tomatoes.
Take Out is a day-in-the-life of Ming Ding, an undocumented Chinese immigrant working as a deliveryman for a Chinese take-out shop in New York City. Ming is behind with payments on his huge debt to the smugglers who brought him to the United States. The collectors have given him until the end of the day to deliver the money that is due. After borrowing most of the money from friends and relatives, Ming realizes that the remainder must come from the day's delivery tips. In order to do so, he must make more than double his average daily income.
In a social-realist style, the camera follows Ming on his deliveries throughout the upper Manhattan neighborhood where social and economic extremes exist side by side.[ citation needed ] Intercutting between Ming's deliveries and the daily routine of the restaurant, Take Out presents a harshly real look at the daily lives of illegal Chinese immigrants in New York City. Baker said, "We were heavily influenced by cinema verite." [4]
Sean has also referenced Lars Von Triers 1998 film The Idiots as an influence, which he has also mentioned often as one of his favourite films, as well as citing the film movement Dogme 95 as well as an influence which was founded by Von Trier and often filmed with digital cameras.[ citation needed ]
Take Out was filmed in and near upper-Manhattan, New York, in the spring of 2003 on a budget of $3000. [5] The film was shot on digital video due to both the cinema vérité style and a non-existent budget with an ensemble cast of both professional and nonprofessional actors [6] while shooting without a full crew in an actual take-out restaurant during operating hours. [7] [8]
Charles Jang is a Korean-American actor born on Long Island who learned Chinese while studying abroad in Taiwan. Shih-Tsing Tsou, who is from Taiwan, assumed that he was from China when he auditioned. [4]
Take Out debuted at the Slamdance Film Festival in January 2004. The film had already been screened in over 25 film festivals when lawyers representing Baker and Tsou sent a cease and desist letter to filmmaker Seth Landau who was planning to release a film with the same name. The case went into arbitration under rules of the Motion Picture Association of America in November 2005. [9]
The film was not given a limited release through CAVU Pictures until 2008. On September 1, 2009, Kino Entertainment released Take Out in the US on a Region 1 DVD. [10] [11] [12] [13] In September 2022, the film was given a Blu-ray release as part of the Criterion Collection. [3]
On the review aggregator website Rotten Tomatoes , 100% of 27 critics' reviews are positive, with an average rating of 7.5/10.The website's consensus reads: "Take Out presents an unvarnished view of one immigrant's experiences as a restaurant deliveryman – and leaves the audience with plenty of food for thought." [14]
On Metacritic the film has a score of 80% based on 10 critics, indicating “generally favourable reviews” [15]
Audience members at a screening assumed the actor who played Ming Ding was in real peril and asked how he was doing, when in reality Jang was working for Google and studying for his M.B.A.. [4]
Take Out was nominated for the John Cassavetes Award at the 2008 Independent Spirit Awards. [16] It also won the Grand Jury Prize at the Nashville Film Festival. [9]
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