The Tea Party is a Canadian rock band. Active throughout the 1990s and up until 2005, the band re-formed in 2011. The Tea Party released eight albums on EMI Music Canada, selling over three million records worldwide, including four double-platinum awards, one platinum and four gold albums in Canada. Between 1996 and 2016, The Tea Party was the 35th best-selling Canadian artist in Canada.
"The Bazaar" is a song by Canadian rock band The Tea Party. It was released as a promotional single in Australia, Canada, the Netherlands, and the USA. The music video was shot in Istanbul, and its Grand Bazaar. An acoustic version was recorded also and released on Alhambra as "The Grand Bazaar".
Chicago 13 is the eleventh studio album by American rock band Chicago, released on August 13, 1979, by Columbia Records. Chicago 13 was the band's final release featuring lead guitarist Donnie Dacus, who had followed the late founding member, guitarist Terry Kath. All band members contributed to the songwriting.
Survival is the fourth studio album by American rock band Grand Funk Railroad, released in April 1971 by Capitol Records. Recorded at Cleveland Recording Company, the album was produced by Terry Knight. Drummer Don Brewer was not happy with the drum sound on the album, due to Knight's insistence of having Brewer cover his drum heads with tea-towels, after seeing Ringo Starr use the technique in the Beatles' film Let It Be (1970).
Jeffrey Scott Martin is a Canadian guitarist and singer, best known for fronting the rock band The Tea Party. He began his career as a solo artist in 2005, when The Tea Party went on hiatus.
Stuart Chatwood, is a Canadian musician, best known as the bass guitar and keyboard player for the rock band The Tea Party. The Tea Party are known for fusing together musical styles of both the Eastern and Western worlds, in what they call "Moroccan roll". In 2001, Chatwood won a Juno Award for the best artwork for a Tea Party album. Stuart Chatwood is also a composer of video game soundtracks. He composed music that has appeared on the soundtracks for eight Prince of Persia games developed by Ubisoft Montreal: Prince of Persia: The Sands of Time (2003), Warrior Within (2004), The Two Thrones (2005), Battles of Prince of Persia (2005), Revelations (2005), Rival Swords (2007), Prince of Persia (2008), and The Fallen King (2008). The series has been very successful, selling in excess of ten million copies worldwide. He also composed the soundtrack for Darkest Dungeon (2016) and its sequel Darkest Dungeon II.
The Edges of Twilight is the third album by Canadian rock band The Tea Party, released in 1995. The album features many instruments from around the world, giving various songs a strong world music flavour in addition to the rock/blues influences evident in the band's earlier releases. Jeff Burrows explained that "basically we wanted to expand upon the initial idea that we tried on Splendor Solis, which was trying to incorporate different styles of world music into our music. So with this album we became more familiar with many more instruments. In our minds we were trying to do for a rock album what Peter Gabriel does to pop by infusing various cultures, percussion and exotic sounds into it."
Jeffrey John Burrows is the drummer and percussionist for Canadian rock band Crash Karma, and The Tea Party.
Transmission is the fourth album recorded by the Canadian band The Tea Party, released in 1997. The band expanded on the mix of rock, blues and world music found in their previous albums by adding electronic instruments and recording techniques to their repertoire.
Splendor Solis is the second album by Canadian rock band The Tea Party, released in 1993 as their first major label release on EMI Music Canada. The album sold very well in Canada, reaching #20 on the Canadian album chart and achieving platinum status in 1994 and earning a Juno nomination for Best Hard Rock Album. The band was also nominated for Best New Group.
Triptych is The Tea Party's fifth album, released in 1999. It has the trio blending the major influences found on their previous albums: the earthy rock of Splendor Solis, the world music inspired arrangements of The Edges of Twilight, and the industrial edge of Transmission.
The Interzone Mantras is the sixth album by Canadian rock group The Tea Party, released in 2001. Named after William S. Burroughs' book of short stories Interzone and the band's interest in eastern mysticism and esoteric philosophies, the songwriting on The Interzone Mantras builds on the subtle electronica and ballads of Triptych, whilst returning to the familiar territory of their earlier albums with 1970s rock and world music influences. Jeff Martin explained that the album was a return to basics:
"The last two records, Transmission and Triptych, were very much creations of the studio - meticulously built. With this record we felt that we wanted to put a spark of passion underneath our asses.
"So many people have told us that we're this great live rock band, and I just wanted to see if, as producer, I could capture that on this record. I put us in a rehearsal space, the three of us, faced each other with just guitar, bass and drums - no toys - and, you know, 'let's Rock!'" The new approach fired the band up to such an extent that the album was recorded in just twenty days - "unheard of" for The Tea Party, Martin says.
Martin has special praise for drummer Jeff Burrows, who he proudly proclaims to be "THE best rock drummer going", and who did every drum track in one take.
The Tea Party (1991) is the first album by the Canadian rock group The Tea Party. It was originally recorded as a demo which the band submitted to several record companies. However, the trio was not signed to any recording contract and decided to release the album independently. The album production is relatively lo-fi and the band re-recorded several of the songs for their major label follow-up Splendor Solis. Only 3,500 copies of the album were made, some of which were cassettes, making the recording collectible to fans. On December 10, 2021, a deluxe remastered edition of the album was released.
Alhambra (1996) is an EP by The Tea Party and was used as a bridge between The Edges of Twilight and Transmission albums. It includes four intricately re-worked acoustic songs from The Edges of Twilight and two others; the first a song entitled "Time" with Roy Harper on vocals, the second a remix of "Sister Awake" by Rhys Fulber.
"Fire in the Head" is a song by Canadian rock band The Tea Party. It was released as a single in Australia and a promotional single in Canada, the UK and the USA. The music video, directed by Dean Karr, was shot in Los Angeles while the band were recording The Edges of Twilight.
"The River" is a song by Canadian rock band The Tea Party. It was released as a single in Australia and the UK, where it reached #79 in the UK Singles Chart, #99 in Australia, and was a promotional single in Canada and the USA. The music video was shot in Toronto, directed by Floria Sigismondi and features a cameo by Roy Harper.
"Save Me" is a song by Canadian rock band The Tea Party. It was released as a promotional single in Canada. The music video was shot in Toronto, directed by Floria Sigismondi.
"A Certain Slant of Light" is a song by Canadian rock band The Tea Party. It was released as a single in Australia, where it peaked at #60 on the ARIA singles chart in May 1994, and as a promotional single in Canada. The music video was shot in the Sydney suburbs of Kurnell and Kings Cross, was directed by Floria Sigismondi, and features some of The Tea Party's Australian tour management personnel.
"Touch" is a song by Canadian rock band The Tea Party. It was released as a promotional single in Australia and Canada and a single in Germany then withdrawn, prior to the release of the European Triptych Tour Edition 2000 album. The German single features a remix of "Temptation" by Rhys Fulber and, "Turn The Lamp Down Low " recorded during The Edges of Twilight sessions.
"Gyroscope" is a song by Canadian rock band The Tea Party. It was released as a promotional single in Australia, Canada and the USA. It received airplay on Australian radio station Triple J.
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