Natasha Yar | |
---|---|
Star Trek character | |
First appearance | "Encounter at Farpoint" (1987) |
Last appearance | "All Good Things..." (1994) |
Created by | Gene Roddenberry D. C. Fontana |
Portrayed by | Denise Crosby |
In-universe information | |
Species | Human |
Affiliation | United Federation of Planets Starfleet |
Children | Sela |
Posting | USS Enterprise-D (Season 1) |
Position | Chief Security Officer |
Rank | Lieutenant |
Natasha "Tasha" Yar is a fictional character that mainly appeared in the first season of the American science fiction television series Star Trek: The Next Generation . Portrayed by Denise Crosby, Yar is chief of security aboard the Starfleet starship USS Enterprise-D and carries the rank of lieutenant.
The character first appeared in the series' pilot episode, "Encounter at Farpoint". After Crosby decided to leave the series, Yar was killed in the episode "Skin of Evil" near the end of the series' first season. She was written back into the series for a guest appearance in the third season episode "Yesterday's Enterprise", in which her character was still alive in an alternate timeline, and again in the final episode of the series "All Good Things...", which included events set prior to the pilot.
Yar was described as a forerunner to other strong women in science fiction, such as Kara Thrace from the 2004 version of Battlestar Galactica , while providing a step between the appearances of female characters on The Original Series to the command positions they have on Star Trek: Deep Space Nine and Voyager . Questions were raised over the sexuality of the character, and it was thought that the events in the episode "The Naked Now" were designed to establish her heterosexuality.
The manner of Yar's first death was received with mostly negative reviews. One critic called it typical of the death of a Star Trek security officer, and the scene was also included in a list of tasteless sci-fi deaths.
Inspired by Vasquez in Aliens , the character was initially named "Macha Hernandez" and was the tactical officer of the Enterprise . [1] [2] This had been changed by the first casting call—issued on December 10, 1986—when she was given the position of security chief. [2] The producers considered Jenette Goldstein, who had played Vasquez, for the role, but writer Dorothy Fontana pointed out that the actress "is not Latina. She is petite, blue-eyed, freckle-faced". [3] The character was subsequently renamed "Tanya" around March 13. [1]
Lt. Natasha "Tasha" Yar
The starship Security Chief, Tasha, who performs that same function both aboard ship and on away missions. Born at a "failed" Earth colony of renegades and other violent undesirables, she escaped to Earth in her teens and discovered Starfleet, which she still "worships" today as the complete opposite of all the ugliness she once knew.
Gene Roddenberry, Tasha Yar's description, Star Trek: The Next Generation Writer/Director's Guide, March 23, 1987. [4]
By the time that the writers' and directors' guide for the series was published, dated March 23, 1987, the character was named Natasha "Tasha" Yar. [4] Her surname was suggested by Robert Lewin, drawing inspiration from the Babi Yar atrocities in Ukraine during the Second World War. [1] Her biography stated that she was 28 years old, and confirmed her Ukrainian descent. She was planned to have a friendship with teenager Wesley Crusher, and was described in the guide as "treat[ing] this boy like the most wonderful person imaginable. Wes is the childhood friend that Tasha never had." [5]
In April 1987, Lianne Langland, Julia Nickson, Rosalind Chao, Leah Ayres, and Bunty Bailey were each listed as being in contention for the role. Chao was a favorite candidate, while Denise Crosby was described as "the only possibility" for the character of Deanna Troi. [6] The production staff were not keen on having two actresses in the bridge crew roles with similar physical types and hair colors, and so the team took account of the casting of the two roles together. [7] The writers and directors guide described Yar as having a muscular but very feminine body type, and being sufficiently athletic to defeat most other crew members in martial arts. [5] After Crosby and Marina Sirtis had each auditioned for Troi and Yar respectively, Gene Roddenberry decided to switch the actresses and cast Crosby as Tasha Yar. [3] He felt that Sirtis' appearance was better suited to the "exotic" Troi. [7]
Before the end of the first season, Crosby asked to be released from her contract as she was unhappy that her character was not being developed. She later said "I was miserable. I couldn't wait to get off that show. I was dying". [8] Roddenberry agreed to her request and she left on good terms. [9] The final episode she filmed was "Symbiosis", which was completed after Yar's death in "Skin of Evil". Her last scene was during the final act of the episode, in which a holographic farewell recording of her is played for the bridge crew. After her departure, archive footage of Crosby as Yar was used in the episodes "The Schizoid Man" and "Shades of Gray". [10] [11]
Crosby was happy to return in "Yesterday's Enterprise" due to the strength of the script, saying that "I had more to do in that episode than I'd ever had to do before". [9] Prior to the episode being aired, the media had to be reassured that Yar was not returning in a dream sequence. [12] Following her appearance in that episode, Crosby pitched the idea of Yar's daughter, Sela, to the producers. [9] She made her first appearance in this role in the two-part "Redemption" and appeared once more in another two-part episode, "Unification". [8] Denise returned twice more in the non-canon Star Trek universe. In 2007, she appeared as an ancestor of Tasha Yar, Jenna Yar, in "Blood and Fire", an episode of the fan-produced series Star Trek: New Voyages . [13] Tasha Yar was written into Star Trek Online as part of the third anniversary celebration in 2013. Denise Crosby recorded audio for the game, in scenes set after those in "Yesterday's Enterprise". [14]
Natasha Yar's origins are explained in the season four episode "Legacy". She was born on the planet Turkana IV in 2337. She had a younger sister named Ishara, who was born five years after her. Shortly after Ishara's birth, the girls' parents were killed and they were taken in by other people; however, they were subsequently abandoned and Tasha was required to look after her sister on her own. [15] The government on the planet had collapsed, and the sisters were forced to scavenge for food while avoiding rape gangs. [16] In 2352, aged 15, Tasha managed to leave Turkana IV. She never saw Ishara again; the latter joined the "Coalition", one of the factions on the planet before Tasha left. Tasha refused to join the cadres on the planet, blaming them for her parents' deaths. [15]
Yar appeared for the first time in the pilot episode of Star Trek: The Next Generation as the Security and Tactical Officer on board the USS Enterprise-D. When Captain Picard orders an emergency saucer separation, Yar is one of the bridge crew to accompany him to the battle bridge. She is amongst the crew abducted by Q, and later serves on the away team to Farpoint Station. [17] In "The Naked Now", while the crew are under the influence of an alien ailment, she initiates a sexual encounter with the android Data. [18] In "Code of Honor" Yar is abducted by Lutan, the leader of the planet Ligon II, after she demonstrates her combat skills on the holodeck. She kills Lutan's wife Yareena in ritual combat to the death, though Yareena is revived on the Enterprise by Doctor Crusher. [19] During the events of "Where No One Has Gone Before", Yar begins to hallucinate that she is back on Turkana IV and running for her life. [16] In "The Arsenal of Freedom", Yar and Data are trapped together on the surface of the planet Minos and are attacked by a series of sentry probes that adapt to Data and Yar's phasers. The situation is resolved by Captain Picard, who is trapped elsewhere on the planet's surface with Dr. Crusher. [20]
Yar forms part of the away team that beams down to Vagra II to rescue Deanna Troi from a crashed shuttlecraft in "Skin of Evil". She is killed by the creature Armus in a display of his power. The crew hold a memorial service for her on the holodeck, and Worf replaces her as chief tactical and security officer. [21] After her death it is revealed that Data keeps a small hologram of her in his quarters. [22] Despite Data's lack of emotions, he is described by reviewers as being sentimentally attached to her image. [23] During the court hearing on Data's stature as a sentient being in "The Measure of a Man", he explains that he and Yar were intimate and that she was special to him. [22]
After the USS Enterprise-C emerges from a rift in space-time in "Yesterday's Enterprise", the timeline is changed and Yar is once again alive and in her former position on the Enterprise-D. She works with the older Enterprise's helmsman, Richard Castillo, and the two become close. Guinan, who has some awareness of the timeline that would be restored by the Enterprise-C returning into the rift, confides in Yar that she believes that Yar died senselessly in that timeline. Based on that advice, Yar transfers to the Enterprise-C and returns with it to two decades into the past, and its expected destruction at the hands of the Romulans while defending the Klingon outpost Narendra III. [24] The alternative universe version of Yar traveled back in time on board the Enterprise-C, and into the main timeline. This process was later described as "world jumping" rather than a typical timeline travel story by critics. [25]
Yar's half-Romulan daughter Sela explains in "Redemption" that several members of the Enterprise-C crew were captured by the Romulans when it returned through the rift, including Yar. A Romulan general offered to spare the crew's lives if she became his consort. After a year, Yar gave birth to Sela. When Sela was four, Yar attempted to escape but Sela screamed to prevent her from being taken away from her father. After she was caught, Yar was executed. [26]
The series finale "All Good Things..." includes Yar's final appearance, in scenes that take place prior to and in the early parts of "Encounter at Farpoint". As most of the bridge crew are yet to join the Enterprise-D in the scenes, Yar is one of the senior members of the crew under Captain Picard in the earliest of the three timeframes in the episode. She needs to be convinced by Picard to put the ship in danger in order to destroy the temporal anti-time anomaly that threatens to prevent life from evolving on Earth. [27]
Yar appeared for a brief but prominent moment of Picard, Season 3, episode 8 "Surrender" as a visual representation of Commander Data's memory.
The loss of Yar is unfortunate. While it's true the character as portrayed didn't live up to the character as envisioned—Yar was the most interesting person in the TNG bible—that's also true of a lot of characters. Denise Crosby has never been the best actor in the universe, but Michael Dorn, Jonathan Frakes, and Marina Sirtis weren't any great shakes in the first season, either, and their characters didn't blow the doors off. They got better with time, and there's every reason to believe the same would've been true for Crosby had she remained.
Keith DeCandido, July 25, 2011 [28]
Science fiction writer Keith DeCandido considered Yar the most interesting role to appear in the "writer's bible", [28] while Hal Boedeker characterized her as "forceful" in an article on women in Star Trek for Knight Ridder . [29] A Den of Geek article by Martin Anderson also about women in Star Trek described the character as a predecessor to Kara "Starbuck" Thrace in the 2004 re-imagining of Battlestar Galactica . [30] A Post-Tribune review of the series following the pilot described Yar as a "tough cookie" and the reviewer's favorite crew member. [31] Frank Oglesbee, in his article on Deep Space Nine 's Kira Nerys, outlined the progression of female roles in "gender assumptions" from The Original Series where women were on the bridge, through Tasha Yar in The Next Generation where they were in command positions, to Deep Space Nine and Voyager where women were in lead roles. He noted specifically that women appeared in command positions more regularly as main and supporting characters, and were portrayed as more assertive and combative, with leading roles in action sequences. [32]
Reviewers have questioned the character's sexuality since the end of the series. Curve magazine speculated that Yar was a "closeted" lesbian. [33] In the book Science Fiction Audiences: Watching Doctor Who and Star Trek, the authors describe her as "an obvious bisexual", [34] but that "she should be a lesbian". [34] Referring to the events in "The Naked Now", the authors explain "when they decided to straighten her, they used an android. So we ended up heterosexualizing two perfectly wonderful characters". [34] The authors of the book Deep Space and Sacred Time: Star Trek in the American Mythos also thought that having Data and Yar consummate sexually was a means to state early on in the series the heterosexuality of the two most androgynous characters in the show. [35]
Fans responded negatively to the departure of Yar as they felt that the character had potential for future expansion. [36] Reviewers were also critical of the manner of Yar's death. Keith DeCandido called it "pointless", but thought that it was no worse than the deaths of other security officer "redshirts" throughout the history of Star Trek. [28] He said that he preferred her death in "Skin of Evil" to the "clichéd-up-the-wazoo" death she experienced in "Yesterday's Enterprise". [28] Gary Westfahl, in his book Space and Beyond: The Frontier Theme in Science Fiction, described Yar's death as one of the most notable ones in Star Trek, alongside that of Spock in Star Trek II: The Wrath of Khan and James T. Kirk in Star Trek Generations . [37] SFX magazine included her first death in a 2012 list of the top 21 "Naff Sci-Fi Deaths", [38] while the Chicago Sun-Times described her death in "Yesterday's Enterprise" as a "hero's death". [39]
In 2017, IndieWire ranked Tasha as the 15th best character on Star Trek: The Next Generation. [40]
Star Trek: The Next Generation (TNG) is an American science fiction television series created by Gene Roddenberry. It originally aired from September 28, 1987, to May 23, 1994, in syndication, spanning 178 episodes over seven seasons. The third series in the Star Trek franchise, it was inspired by Star Trek: The Original Series. Set in the latter third of the 24th century, when Earth is part of the United Federation of Planets, it follows the adventures of a Starfleet starship, the USS Enterprise (NCC-1701-D), in its exploration of the Alpha quadrant and Beta quadrant in the Milky Way galaxy.
Deanna Troi is a main character in the science-fiction television series Star Trek: The Next Generation and related TV series and films, portrayed by actress Marina Sirtis. Troi is half-human, half-Betazoid, and has the psionic ability to sense emotions. She serves as the ship's counsellor on USS Enterprise-D. Throughout most of the series, she holds the rank of lieutenant commander. In the seventh season, Troi takes the bridge officer's examination and is promoted to the rank of commander, but continues as counsellor.
Guinan is a recurring character in the Star Trek franchise, portrayed by American actress Whoopi Goldberg. The character first appeared in the television series Star Trek: The Next Generation and went on to appear in Star Trek: Picard and the films Star Trek Generations and Star Trek: Nemesis. She was also played as a child by Isis Carmen Jones in the episode "Rascals" and a younger version of the character by Ito Aghayere in Picard.
"Encounter at Farpoint" is the pilot episode and series premiere of the American science fiction television series Star Trek: The Next Generation, which premiered in syndication on September 28, 1987. It was written by D. C. Fontana and Gene Roddenberry and directed by Corey Allen. Roddenberry was the creator of Star Trek, and Fontana was a writer on the original series. It was originally aired as a two-hour TV movie, and subsequent reruns typically split the episode into two parts.
"Redemption" is a two-part episode of the American science fiction television series Star Trek: The Next Generation. Parts I and II of "Redemption" comprise the 100th and 101st episodes of the series, also being the fourth season finale and the fifth season premiere.
Denise Michelle Crosby is an American actress and model known for portraying Security Chief Tasha Yar mainly in season one of Star Trek: The Next Generation, and Yar's daughter, the half-Romulan Commander Sela, in subsequent seasons. She is also known for her numerous film and television roles, and for starring in and producing the film Trekkies.
"The Naked Now" is the third episode of the first season of the American science-fiction television series Star Trek: The Next Generation, originally aired on October 5, 1987, in broadcast syndication in the United States. Directed by Paul Lynch, the episode was written by D. C. Fontana, under the pseudonym of "J. Michael Bingham", based on an unfinished teleplay by Gene Roddenberry. It is a sequel to the original series Star Trek episode "The Naked Time" (1966), and that episode's writer John D. F. Black also received a writing credit on this episode for his role in devising the plot's origins.
"Code of Honor" is the fourth episode of the first season of the American science fiction television series Star Trek: The Next Generation, originally aired on October 12, 1987, in broadcast syndication. The episode was written by Katharyn Powers and Michael Baron and was directed by Russ Mayberry. Mayberry was replaced part way through the filming of the episode with first assistant director Les Landau.
"Justice" is the eighth episode of the first season of the American science fiction television series Star Trek: The Next Generation. The episode first aired in broadcast syndication on November 9, 1987. Directed by James L. Conway, writer John D. F. Black originally pitched the story, but after Worley Thorne and Gene Roddenberry modified it, Thorne wrote the script. Because of the changes to the story, Black chose to receive his credit under the pseudonym Ralph Wills.
"Yesterday's Enterprise" is the 63rd episode of the American science fiction television series Star Trek: The Next Generation. It is the 15th episode of the third season, first airing in syndication in the week of February 19, 1990. Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In this episode, the ship's crew must decide whether to send the time-travelling Enterprise-C back through a temporal rift to its certain destruction, to prevent damaging changes to their timeline.
"Hide and Q" is the tenth episode of the first season of the American science fiction television series Star Trek: The Next Generation, and originally aired on November 23, 1987, in broadcast syndication. The story was originally written by Maurice Hurley but went under numerous re-writes by the show's creator Gene Roddenberry. The episode was directed by Cliff Bole, and saw the return of John de Lancie as Q.
"The Arsenal of Freedom" is the twenty-first episode of the American science fiction television series Star Trek: The Next Generation, originally aired on April 11, 1988, in broadcast syndication. The teleplay was written by Richard Manning and Hans Beimler, based on a story by Beimler. The episode was directed by Les Landau.
"Symbiosis" is the twenty-second episode of the American science fiction television series Star Trek: The Next Generation. It first aired on April 18, 1988, in broadcast syndication. The teleplay was written by Robert Lewin, Richard Manning, and Hans Beimler, based on a story by Lewin, and the episode was directed by Win Phelps.
"Skin of Evil" is the 23rd episode of the first season of the American science fiction television series Star Trek: The Next Generation; it first aired on April 25, 1988, in broadcast syndication. The story premise was written by Joseph Stefano, whose teleplay was re-written by Hannah Louise Shearer. The episode was directed by Joseph L. Scanlan.
"The Mind's Eye" is the 98th episode of the American syndicated science fiction television series Star Trek: The Next Generation, the 24th episode of the fourth season. David Livingston made his directoral debut at the helm of this episode.
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The first season of the American television science fiction series Star Trek: The Next Generation commenced airing in broadcast syndication in the United States on September 28, 1987, and concluded on May 16, 1988, after 26 episodes were broadcast. Set in the 24th century, the series follows the adventures of the crew of the Starfleet starship Enterprise-D. It was the first live-action television series in the franchise to be broadcast since Star Trek: The Original Series was cancelled in 1969, and the first to feature all new characters. Paramount Television eventually sought the advice of the creator of Star Trek, Gene Roddenberry, who set about creating the new show with mostly former The Original Series staff members. An entirely new cast were sought, which concerned some members of The Original Series crew, as Roddenberry did not want to re-tread the same steps as he had in the first series to the extent that well-known Star Trek aliens such as Vulcans, Klingons and Romulans were banned at first.
The third season of the American science fiction television series Star Trek: The Next Generation commenced airing in broadcast syndication in the United States on September 25, 1989 and concluded on June 18, 1990 after airing 26 episodes. Set in the 24th century, the series follows the adventures of the crew of the Starfleet starship Enterprise-D. This season featured the return of Gates McFadden as Dr. Beverly Crusher after she was replaced by Diana Muldaur for the second season. The season also saw the debut of several actors who would reappear in the same roles and others throughout the franchise, such as Dwight Schultz as Lt. Reginald Barclay, and Tony Todd as Kurn.
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