Tears for Dolphy | ||||
---|---|---|---|---|
Studio album by Ted Curson | ||||
Released | 20 December 1964 | |||
Recorded | 1 August 1964 | |||
Genre | Jazz | |||
Length | 61:24 (CD) | |||
Label | Fontana (LP) Black Lion (CD) | |||
Producer | Alan Bates | |||
Ted Curson chronology | ||||
| ||||
Alternative cover | ||||
Tears for Dolphy is a 1964 album by jazz trumpeter Ted Curson. The album's title track, an elegy for Eric Dolphy (who died at the end of June that year), has been used in many films. [1] [2] [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Christgau's Record Guide | B+ [5] |
Penguin Guide to Jazz (9th ed., 2008) | [6] |
The Rolling Stone Jazz Record Guide | [7] |
Brian Morton and Richard Cook, writing for The Penguin Guide to Jazz , give Tears for Dolphy a favorable review, noting "a raw sorrow in the title tune," a robust rhythm section, and the leader's "high, slightly old-fashioned sound." [8] Earlier editions of The Penguin Guide to Jazz give the album a rating of three-and-a-half stars. [6]
Chuck Berg, writing for Down Beat , said Curson and saxophonist Bill Barron's "tough, but highly melodic lines above the steady and crisp rhythmic substructure ably provided by bassist Herb Bushler and drummer Dick Berk." [9]
Scott Yanow of AllMusic asserts that most tracks "manage to be both explorative and surprisingly accessible." [4]
All tracks recorded on August 1, 1964. [4] [10]
The Black Lion CD (1993) appends three tracks from the same recording session, but that originally appeared on the album Flip Top : [4]
Theodore Curson was an American jazz trumpeter.
Svengali is a live album by jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1973 by Evans with an orchestra featuring Ted Dunbar, Howard Johnson, David Sanborn, Billy Harper, Richard Williams, Trevor Koehler, and Hannibal Marvin Peterson. The name of the album is an anagram for Gil Evans.
Mingus at Antibes was originally issued by BYG Records under the title Charles Mingus Live With Eric Dolphy in Japan in 1974. It was recorded at a live 1960 performance at the Jazz à Juan festival at Juan-les-Pins by jazz bassist and composer Charles Mingus; and was re-released by Atlantic Records in more complete form as a double album with the title Mingus In Antibes in the United States in 1979.
Charles Mingus Presents Charles Mingus is an album by the jazz double bassist and composer Charles Mingus, recorded in October 1960 and released in December of the same year. The quartet of Mingus, multi-instrumentalist Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond constituted Mingus' core working band at the time, and had been performing the material on this album for weeks at The Showplace in New York. To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, even admonishing them to not applaud or rattle their glasses. This explains why the recordings on Presents would seemingly give off the illusion of a live album, when in fact it is a studio album.
Ezz-thetics is a studio album by the George Russell sextet, released on Riverside Records in mid-1961.
Fire Music is a studio album by jazz saxophonist Archie Shepp released on Impulse! Records in 1965. "Malcolm, Malcolm Semper Malcolm" is dedicated to Malcolm X, whilst "Los Olvidados" is a homage to the 1950 film of the same name. Featured musicians include trumpeter Ted Curson, trombonist Joe Orange, alto saxophonist Marion Brown, bassist Reggie Johnson and drummer Joe Chambers.
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
Love for Sale is an album by the pianist Cecil Taylor, recorded for the United Artists label in April 1959. The album features performances by Taylor with Buell Neidlinger, and Denis Charles with Bill Barron and Ted Curson added on three tracks.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
Boston Blow–Up! is an album by jazz baritone saxophonist Serge Chaloff. Capitol Records released the album in 1955. It was recorded on April 4 and 5, 1955 at Capitol Studios in New York City. Stan Kenton produced the album as part of his "Kenton Presents" series.
Clubhouse is an album by American jazz saxophonist Dexter Gordon. It was recorded in 1965, but not released until 1979 by Blue Note Records.
Pre-Bird is an album by jazz bassist and composer Charles Mingus consisting of music that was composed before Mingus first heard Charlie Parker, hence the title Pre-Bird. It was released on Mercury Records in September 1961.
Straight Ahead is an album by American jazz vocalist Abbey Lincoln featuring performances recorded in 1961 for the Candid label.
Mingus is an album by the jazz bassist and composer Charles Mingus. The album was recorded in October and November 1960 in New York and released in late 1961 on Nat Hentoff's Candid label.
Ted Curson Plays Fire Down Below is an album by American trumpeter Ted Curson which was recorded in 1962 and released on the Prestige label.
The New Thing & the Blue Thing is an album by American trumpeter Ted Curson which was recorded in 1965 and released on the Atlantic label.
Flip Top is an album by American trumpeter Ted Curson which has one side recorded in the studio in 1964 at the same sessions that produced Tears for Dolphy and one side recorded live at the Seventh Yugoslavia Jazz Festival in Ljubljana which was first released on the Freedom label in 1977.
Quicksand is an album by American trumpeter Ted Curson which was recorded in 1974 and released on the Atlantic label.
The Wizard of Oz and Other Harold Arlen Songs is an album by American jazz trumpeter and arranger Shorty Rogers performing songs composed by Harold Arlen including several from The Wizard of Oz. The album was issued by RCA Victor in 1959.
Modern Windows is an album by saxophonist Bill Barron which was recorded in 1961 and first released on the Savoy label. The album was reissued on CD combined with The Tenor Stylings of Bill Barron in 2000.