| Tears of Joy | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1971 | |||
| Recorded | May 20–23, 1971 at Basin Street West in San Francisco [1] | |||
| Genre | Jazz | |||
| Length | 81:19 | |||
| Label | Columbia G 30927 | |||
| Producer | Phil Macy | |||
| Don Ellis chronology | ||||
| ||||
Tears of Joy is a live double album by trumpeter/bandleader Don Ellis recorded in 1971 and released on the Columbia label. [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| All About Jazz |  [4] |
| The Penguin Guide to Jazz | [5] |
| The Rolling Stone Jazz Record Guide | [6] |
Thom Jurek of Allmusic said "Tears of Joy is a Don Ellis classic. The sheer musical strength of this ensemble is pretty much unparalleled in his career. The trumpeter/leader had backed off—a bit—from some of his outlandish and beautifully excessive use of strange and unconventional time signatures, though there is no lack of pioneering experimentalism in tone, color, arrangement, or style. ...Ultimately, Tears of Joy stands as a singular achievement in a career full of them by a musical auteur whose creativity seemingly knew few if any bounds". [3] On All About Jazz, Jim Santella observed "Tears of Joy marked a subtle change in the Don Ellis big band. The trumpeter was gradually drifting toward popular music, and he was beginning to use the new electronic technology to its best advantage. However, he continued to load each arrangement with the kinds of musical features that have always left their unique stamp on his undertakings. Ellis and his other soloists stretch out with virtuosity while complex rhythms and dense counterpoint fill the air, and the band's sections taunt each other with adventurous forays. ...Highly recommended, Tears of Joy represents vintage Don Ellis big band excitement at its best" [4] The Penguin Guide to Jazz said "Tears of Joy is regarded by some as the best Don Ellis album. It's certainly bold and expansive". [5]
All compositions by Don Ellis except as indicated
Side One:
Side Two:
Side Three:
Side Four:
Donald Johnson Ellis was an American jazz trumpeter, drummer, composer, and bandleader. He is best known for his extensive musical experimentation, particularly in the area of time signatures. Later in his life he worked as a film composer, contributing a score to 1971's The French Connection and 1973's The Seven-Ups.
Jukebox Ella: The Complete Verve Singles, Vol. 1 is a 2003 compilation album by the American jazz singer Ella Fitzgerald. The album contains all the singles Fitzgerald recorded for Verve Records label between 1956 and 1965.
With Respect to Nat is a 1965 studio album by jazz pianist Oscar Peterson, recorded in tribute to Nat King Cole, who had died earlier that year. Peterson sings on all tracks except "Easy Listening Blues".
Don Ellis at Fillmore is a live double-LP by big band leader Don Ellis which was released in 1970.
Keep the Customer Satisfied is a 1970 live album by the Buddy Rich Big Band, recorded at the Tropicana Resort & Casino in Las Vegas.
Buddy & Soul is a 1969 live album by the Buddy Rich Big Band, recorded at the Whisky a Go Go club in West Hollywood, California.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans. With the almost identical repertoire of recorded songs –though in another order– and following Evans' original scores it is a celebratory re-recording of their previous collaboration from 30 years ago for Merrill's album Dream of You, released in 1957 also on EmArcy. The one exception is the opener, "Summertime" from Porgy and Bess, that Evans recorded with Miles Davis in 1958, it replaces "You're Lucky to Me". Like Dream of YouCollaboration was recorded on three consecutive recording sessions each with a different line-up, one with woodwinds and trombone for most songs, featuring soprano saxophonist Steve Lacy on two tracks, one session with brass and another with a string section and woodwind.
Don Ellis Orchestra 'Live' at Monterey! is a live album by trumpeter Don Ellis recorded in 1966 at the Monterey Jazz Festival and released on the Pacific Jazz label.
Live in 3⅔/4 Time is a live album by trumpeter Don Ellis recorded in 1966 at the Pacific Jazz Festival and Shelly's Manne-Hole in 1967 and released on the Pacific Jazz label. The title comes from the composition "Upstart", which is in 11
8 time with a 3+3+3+2 feel, cheekily referred to as 3+2⁄3
4 time.
Electric Bath is an album by trumpeter Don Ellis recorded in 1967 and released on the Columbia label.
Shock Treatment is an album by trumpeter Don Ellis recorded in 1968 and released on the Columbia label.
Autumn is an album by trumpeter Don Ellis recorded in 1968 and released on the Columbia label.
Soaring is an album by trumpeter Don Ellis recorded in 1973 and released on the MPS label. The album features Hank Levy's composition which provided the title for, and was featured in, the 2014 film Whiplash.
Connection is an album by trumpeter/bandleader Don Ellis recorded in 1972 and released on the Columbia label. The album features big band arrangements of pop hits of the day along with Ellis' "Theme from The French Connection" which won him a Grammy Award for Best Instrumental Arrangement in 1973
The New Don Ellis Band Goes Underground is an album by trumpeter/bandleader Don Ellis recorded in 1969 and released on the Columbia label.
Don Ellis Live at Montreux is a live album by trumpeter/bandleader Don Ellis recorded in 1977 and released on the Atlantic label.
Music from Other Galaxies and Planets is an album by trumpeter/bandleader Don Ellis, recorded in 1977 and released on the Atlantic label. The album features Ellis' recording of the "Theme from Star Wars" which was released as a single.
Pieces of Eight: Live at UCLA is a live double CD by trumpeter/bandleader Don Ellis' Octet recorded in 1967 and released on the Wounded Bird label in 2006.
Gloomy Sunday and Other Bright Moments is an album by jazz trombonist and arranger Bob Brookmeyer recorded in 1961 for the Verve label. Brookmeyer said: "I consider it my pride and joy. I took many creative risks here, most based on the heels of working with Bill [Finegan]. I used woodwinds, double reeds and other instrument configurations I hadn't used before. My attitude toward the orchestration was really a big step forward in my development".
Stan Kenton Conducts the Los Angeles Neophonic Orchestra is an album by bandleader Stan Kenton recorded in 1965 by Capitol Records.
