| That's What You Get Babe | ||||
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| Studio album by | ||||
| Released | February 1980 | |||
| Recorded | 1980 | |||
| Studio | Vineyard Studios, UK | |||
| Genre | Rock | |||
| Length | 32:22 | |||
| Label | Harvest | |||
| Producer | Graham Preskett | |||
| Kevin Ayers chronology | ||||
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| Singles from That's What You Get Babe | ||||
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| Review scores | |
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| Source | Rating |
| Allmusic |    [1] |
That's What You Get Babe is the ninth studio album by Kevin Ayers and his final recording for Harvest.
Ayers had retired to Deià, Spain directly after 1978's Rainbow Takeaway and That's What You Get Babe was his first public appearance in two years. It was arranged and produced by multi-instrumentalist Graham Preskett who had been instructed by Harvest to give the album a more mainstream production, resulting in the offbeat and eccentric presence of Ayers and sidekick Ollie Halsall sounding rather absent from the proceedings.
Although the polished arrangements of the LP met with some hostile responses from fans and critics on release in 1980, it has been reassessed and noted to contain a strong selection of Ayers compositions. The production dichotomy perhaps best exemplified in the lyrics of the title song: "That's what you get for following dreams / Never turn out how they should it seems / That what you get for losing yourself / That's what you get, babe."
'Money Money Money' was released as a single in the UK backed with 'Stranger in Blue Suede Shoes' and Ayers performed shows in New York and London to promote the LP. However, he quickly withdrew to more sympathetic audiences in France and Spain, in the latter of which he released a single of non-LP tracks 'Animals'/'Don't Fall In Love With Me' on Columbia Records.
It would be three and a half years before Ayers would release his next album, Diamond Jack and the Queen of Pain in June 1983.
All tracks composed by Kevin Ayers
Kevin Ayers was an English singer-songwriter who was active in the English psychedelic music movement. Ayers was a founding member of the psychedelic band Soft Machine in the mid-1960s, and was closely associated with the Canterbury scene. He recorded a series of albums as a solo artist and over the years worked with Brian Eno, Syd Barrett, Bridget St John, John Cale, Elton John, Robert Wyatt, Andy Summers, Mike Oldfield, Nico and Ollie Halsall, among others. After living for many years in Deià, Mallorca, he returned to the United Kingdom in the mid-1990s before moving to the south of France. His last album, The Unfairground, was released in 2007. The British rock journalist Nick Kent wrote: "Kevin Ayers and Syd Barrett were the two most important people in British pop music. Everything that came after came from them."
GRIMMS was an English pop rock, comedy, and poetry group, originally formed as a merger of The Scaffold with core members of the Bonzo Dog Band and the Liverpool Scene for two concerts in 1971 at the suggestion of John Gorman.
June 1, 1974 is a live album of songs performed at the Rainbow Theatre in London on the titular date. The album is officially attributed to all principal performers Kevin Ayers, John Cale, Brian Eno and Nico, although other well-known musicians, including Mike Oldfield, Robert Wyatt, and Ollie Halsall, also contributed to the concert.
Peter John "Ollie" Halsall was an English guitarist best known for his role in the Rutles, the bands Timebox, Patto and Boxer, and for his contribution to the music of Kevin Ayers. He is also notable as one of the few players of the vibraphone in rock music. He was known by his childhood nickname 'Olly' or 'Ollie' which was simply a corruption of his surname. The Ollie Halsall Archive was established in 1998, with the aim of documenting and promoting his work.
"Falling in Love Again " is the English language name for a 1930 German song composed by Friedrich Hollaender as "Ich bin von Kopf bis Fuß auf Liebe eingestellt". The song was originally performed, in the 1930 film Der Blaue Engel, by Marlene Dietrich, who also recorded the most famous English version, which became her anthem. Dietrich is backed by the Friedrich Hollaender Orchestra.
Tempest was a British progressive rock band active from 1972 to 1974. Its core members were Jon Hiseman on drums and Mark Clarke on bass. They released two studio albums before breaking up.
As Close As You Think is the twelfth studio album by Kevin Ayers, released on Illuminated Records in 1986. It was his release of newly recorded material in three years.
Shooting at the Moon is the second solo album of Kevin Ayers, on Harvest Records. David Ross Smith of AllMusic writes:
A snapshot of the era, the album is saturated with original ideas, experimentation, and lunacy, all powered by the bottled grape.
Whatevershebringswesing is the third solo album by Kevin Ayers, on Harvest Records.
Sweet Deceiver is the sixth studio album by Kevin Ayers and his last for Island Records. It is one of Ayers’ more rock-oriented productions, with the first side featuring the progressive material, while the second was more mainstream. Guitarist Ollie Halsall was now a key foil for Ayers and his playing on the opening track “Observations” is a clear demonstration of his dexterity. Elton John also joined the sessions, contributing some outstanding piano work to several tracks, including “Circular Letter” and “Toujours Le Voyage”.
Yes We Have No Mañanas is the seventh studio album by Kevin Ayers, released in June 1976. This LP marked Kevin Ayers' return to the leftfield Harvest label. Producer Muff Winwood employed a straightforward pop production that clipped some of Ayers' usual eccentricities from the tapes.
Rainbow Takeaway is the eighth studio album by Kevin Ayers. The core band is essentially the same as its predecessor, Yes We Have No Mañanas . Rainbow Takeaway marks the close of the 1970s Ayers progressive sound, with Billy Livsey’s synthesizer flourishes on "A View from the Mountain" providing a final coda to that era. Soul and Country elements are also present on Rainbow Takeaway coupled with the reggae rhythms on the standout track "Beware of the Dog II". The eccentric Ayers mélange is in full effect on the chaotic closer "Hat Song". Ayers retired to Deià, Spain shortly after the album’s release.
Diamond Jack and the Queen of Pain is the tenth solo album by Kevin Ayers, a founding member of Soft Machine.
Deià...Vu is the eleventh studio album by Kevin Ayers, recorded in December 1980 and released in Spain after a remix in August 1984. It was recorded at Estudios Maller, Palma de Mallorca, with his local backing band led by Joan Bibiloni, and includes his musical partner Ollie Halsall. The title refers to the Spanish village Deià, Majorca.
Falling Up is the thirteenth studio album by Kevin Ayers, released on Virgin Records in 1988.
Still Life with Guitar is the fourteenth studio album by Kevin Ayers. It was the final recording to feature guitarist Ollie Halsall, who died shortly after its release. Ayers would not record another album of new material for fifteen years.
"Star" was the second Kevin Ayers single issued to promote his 1976 album, Yes We Have No Mañanas . Both songs were featured on the LP. Ayers would not release another single in the UK for three years.
"Money Money Money" was a Kevin Ayers single issued to promote his 1980 album, That's What You Get Babe. By this time fiscal realities were obviously shadowing the naiveté of his psychedelic youth as he ruefully notes; “You get moonlight in the evening / Sunshine by day / That's all you get for nothing / You want more?” The B-side is his 1971 single ‘Stranger in Blue Suede Shoes’.
"Mr Cool" was Kevin Ayers' USA promotional single issued to publicize his album, Yes We Have No Mañanas . It featured a mono mix of the song on one side coupled with a stereo mix on the flip side.
Nothing to Do with Us was the third LP record released by The Goodies. All songs were written by Bill Oddie. As with their previous albums, the music was performed mainly by session musicians. For this album, The Goodies were signed to Island Records which had worldwide distribution rights except for the United States.
