The "Clean" Machine | ||||
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Studio album by | ||||
Released | 1978 | |||
Recorded | February 22, 1978 | |||
Studio | Wally Heider Recording Studio, Los Angeles, CA | |||
Genre | Jazz | |||
Label | Muse MR 5116 | |||
Producer | Joe Fields | |||
Eddie "Cleanhead" Vinson chronology | ||||
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The "Clean" Machine is an album by saxophonist Eddie "Cleanhead" Vinson, recorded and released by the Muse label in 1978. [1] [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Bay State Banner wrote that "Vinson can play jump blues or swing with anyone, and his technique proves excellence is not confined only to the intricate or the avant-garde." [4]
The AllMusic review by Scott Yanow stated: "What makes this album different from many of Eddie 'Cleanhead' Vinson's is that four of the seven selections are taken as instrumentals. Vinson's alto playing has long been underrated due to his popularity as a blues singer, so this release gives one the opportunity to hear his bop-influenced solos at greater length. With the assistance of a strong rhythm section ... Vinson is in excellent form throughout this enjoyable set". [3]
All compositions by Eddie Vinson except where noted
Eddie "Cleanhead" Vinson was an American jump blues, jazz, bebop and R&B alto saxophonist and blues shouter. He was nicknamed Cleanhead after an incident in which his hair was accidentally destroyed by lye contained in a hair straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter. Music critic Robert Christgau has called Vinson "one of the cleanest—and nastiest—blues voices you'll ever hear."
Lawrence Bernard Gales was an American jazz double-bassist.
Oscar Peterson + Harry Edison + Eddie "Cleanhead" Vinson is an album by the jazz pianist Oscar Peterson accompanied by trumpeters Harry "Sweets" Edison and the alto saxophonist Eddie "Cleanhead" Vinson that was recorded in 1986.
Person to Person is the debut album by jazz vocalist Mildred Anderson featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1960 and released on the Bluesville label.
Brother Jack Meets the Boss is an album by the organist Jack McDuff and the saxophonist Gene Ammons recorded in 1962 and released on the Prestige label.
Swiss Suite is a live album by American jazz composer/arranger Oliver Nelson featuring performances by a big band with soloists Gato Barbieri and Eddie "Cleanhead" Vinson. The album was recorded at the Montreux Jazz Festival in 1971 for the Flying Dutchman label.
Blues for Duke is an album by saxophonist Sonny Stitt featuring selections associated with Duke Ellington, recorded in 1975 and released on the Muse label in 1978.
Red, White and Blues is an album by trumpeter Red Rodney which was recorded in 1978 and released on the Muse label.
Live at Sandy's is a live album by saxophonist Buddy Tate which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1980.
Live at Sandy's! is a live album by saxophonist Arnett Cobb which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1980. The 1996 CD reissue included tracks from More Arnett Cobb and the Muse All Stars Live at Sandy's!, while omitting one track from the original album due to time constraints.
Hold It Right There! is a live album by saxophonist/vocalist Eddie "Cleanhed" Vinson which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1984.
Live at Sandy's is a live album by saxophonist/vocalist Eddie "Cleanhed" Vinson which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1981.
Eddie "Cleanhead" Vinson & Roomful of Blues is an album by saxophonist/vocalist Eddie "Cleanhead" Vinson and blues big band Roomful of Blues which was recorded and released by the Muse label in 1978.
I Want a Little Girl is an album by saxophonist/vocalist Eddie "Cleanhead" Vinson. It was recorded and released by the Pablo label in 1978.
Kidney Stew Is Fine is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded in France in 1969, and originally released by the French Black & Blue label as Wee Baby Blues, before being re-released by the Delmark label in the United States.
Cherry Red is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded in New York in 1967 and released by the BluesWay label.
Back Door Blues is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet recorded in Chicago in late 1961 and New York in early 1962 and released by the Riverside label. The album was partially rereleased with additional recordings and alternate takes as Cleanhead & Cannonball on CD by Landmark Records in 1988 and the complete recordings issued on Fresh Sound in 2013.
Clean Head's Back in Town, subtitled Eddie Vinson Sings, is an album by the American saxophonist and vocalist Eddie "Cleanhead" Vinson. Recorded in 1957, it was released by Bethlehem Records.
The Original Cleanhead is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded in Los Angeles in 1969 and originally released by the BluesTime label.
You Can't Make Love Alone is a live album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded at the Montreux Jazz Festival in 1971 and originally released by Mega Records on their Flying Dutchman Series.