Back Door Blues

Last updated
Back Door Blues
Back Door Blues.jpg
Studio album by
Released1962
RecordedSeptember 19, 1961 and February 14, 1962
Studio
Genre Blues, Jazz
Length36:59
Label Riverside
RLP 3502
Producer Julian Adderley, Orrin Keepnews
Eddie "Cleanhead" Vinson chronology
Clean Head's Back in Town
(1957)
Back Door Blues
(1962)
Cherry Red
(1967)
Cannonball Adderley chronology
The Cannonball Adderley Sextet in New York
(1961)
Back Door Blues
(1962)
Cannonball in Europe!
(1962)

Back Door Blues is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet recorded in Chicago in late 1961 and New York in early 1962 and released by the Riverside label. [1] [2] [3] [4] The album was partially rereleased with additional recordings and alternate takes as Cleanhead & Cannonball on CD by Landmark Records in 1988 and the complete recordings issued on Fresh Sound in 2013. [5] [6]

Contents

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [5]
The Penguin Guide to Blues Recordings Star full.svgStar full.svgStar full.svgStar empty.svg [7]

AllMusic reviewer Thom Jurek stated: "Cleanhead sings his ass off and plays some alto with Cannonball. These dates reveal an anomaly in jazz at the time: The recordings are the place on the map where jazz and R&B meet head on, bringing the full force of their respective traditions and neither giving an inch. And it works so well ... Cannonball is excellent throughout; the R&B and blues idioms are all meat and potatoes for him, and he feels confident settling inside the groove without the need to push the boundary. Ironically, it's Vinson who compensates in that way. And the anchor in all of this is Zawinul, leading the rhythm section, condensing both musics to their most essential harmonics and tonalities, and building them out with a swinging style and cadence that are nothing short of remarkable ... Highly recommended". [5] The Penguin Guide to Blues Recordings wrote that "the Adderley band of that period was very well suited to accompanying a blues singer like Vinson, and its approach is an elegant alternative to the jump-blues setting of his earlier recordings". [7]

Track listing

All compositions by Eddie "Cleanhead" Vinson except where noted

  1. "Bright Lights, Big City" (Jimmy Reed) − 2:14
  2. "This Time" (Vinson, Ollie Jones) − 2:32
  3. "Hold It" − 4:15 Edited to 2:23 on original LP
  4. "Arriving Soon" − 6:27
  5. "Kidney Stew" (Vinson, Leona Blackman) − 4:15
  6. "Back Door Blues" − 2:16
  7. "Person to Person" − 2:44
  8. "Just a Dream" (Big Bill Broonzy) − 2:59
  9. "Audrey" − 4:41
  10. "Vinsonology" − 3:59
  11. "Cannonizing" − 6:28 Additional track on CD reissue
  12. "Bernices Bounce" − 6:18 Additional track on CD reissue
  13. "Kidney Stew" [Alternate Take #3] − 4:13 Additional track on CD reissue
  14. "Back Door Blues" [Alternate Take Unedited] − 3:33 Additional track on CD reissue
  15. "Vinsonology" [Alternate Take #2] − 4:03 Additional track on CD reissue

Personnel

Related Research Articles

<i>Milestones</i> (Miles Davis album) 1958 studio album by Miles Davis

Milestones is a studio album by Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records.

<i>Mercy, Mercy, Mercy! Live at "The Club"</i> 1967 live album by Cannonball Adderley

Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021.

<i>Cannonball in Japan</i> 1966 live album by The Cannonball Adderley Quintet

Cannonball in Japan is a live recording by the Cannonball Adderley Quintet at the Sankei Hall in Tokyo which was first released on the Japanese Capitol label in 1966 before being more widely released on CD in 1990.

Landmark Records was an American jazz record company and label founded in 1985 by Orrin Keepnews. Landmark's releases included music by Donald Byrd, Jack DeJohnette, Jimmy Heath, Vincent Herring, Bobby Hutcherson, Mulgrew Miller, Buddy Montgomery, and reissues of Cannonball Adderley.

<i>Why Am I Treated So Bad!</i> 1967 studio album by The Cannonball Adderley Quintet

Why Am I Treated So Bad! is an album by the Cannonball Adderley Quintet, recorded at the Capitol Studios in Hollywood in 1967.

<i>Portrait of Cannonball</i> 1958 studio album by Cannonball Adderley

Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.

<i>Things Are Getting Better</i> 1959 studio album by Cannonball Adderley With Milt Jackson

Things Are Getting Better is the 11th album by jazz saxophonist Cannonball Adderley, and his second release on the Riverside label, featuring performances with Milt Jackson, Wynton Kelly, Percy Heath and Art Blakey. Recorded in October 1958, the album was released in early 1959.

<i>Plus</i> (Cannonball Adderley Quintet album) 1961 studio album by The Cannonball Adderley Quintet

Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.

<i>The Cannonball Adderley Sextet in New York</i> 1962 live album by Cannonball Adderley

The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.

<i>Nippon Soul</i> 1964 live album by Cannonball Adderley

Nippon Soul is a live album by jazz saxophonist Cannonball Adderley recorded at the Sankei Hall in Tokyo during his 1963 Japanese tour and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The CD release added a bonus track recorded the previous week and originally released on The Japanese Concerts (1975).

<i>Live Session!</i> 1964 live album by Cannonball Adderley & Ernie Andrews

Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.

<i>Cannonball Adderleys Fiddler on the Roof</i> 1964 studio album by Cannonball Adderley

Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.

<i>African Waltz</i> 1961 studio album by Cannonball Adderley

African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.

<i>Domination</i> (Cannonball Adderley album) 1965 studio album by Cannonball Adderley

Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.

<i>Person to Person</i> (Mildred Anderson album) 1960 studio album by Mildred Anderson

Person to Person is the debut album by jazz vocalist Mildred Anderson featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1960 and released on the Bluesville label.

<i>Go</i> (Paul Chambers album) 1959 studio album by Paul Chambers

Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.

<i>Hold It Right There!</i> 1984 live album by Eddie "Cleanhed" Vinson and the Muse Allstars

Hold It Right There! is a live album by saxophonist/vocalist Eddie "Cleanhed" Vinson which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1984.

<i>I Want a Little Girl</i> 1981 studio album by Eddie "Cleanhead" Vinson

I Want a Little Girl is an album by saxophonist/vocalist Eddie "Cleanhead" Vinson. It was recorded and released by the Pablo label in 1978.

<i>Kidney Stew Is Fine</i> 1969 studio album by Eddie "Cleanhead" Vinson

Kidney Stew Is Fine is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded in France in 1969, and originally released by the French Black & Blue label as Wee Baby Blues, before being re-released by the Delmark label in the United States.

<i>Clean Heads Back in Town</i> 1957 studio album by Eddie "Cleanhead" Vinson

Clean Head's Back in Town, subtitled Eddie Vinson Sings, is an album by the American saxophonist and vocalist Eddie "Cleanhead" Vinson. Recorded in 1957, it was released by Bethlehem Records.

References

  1. Jazzdisco: Riverside Records Catalog: 3500 series accessed November 7, 2019
  2. Both Sides Now: Discography of the Delmar(k) Label accessed November 7, 2019
  3. Jazzdisco: Cannonball Adderley catalog accessed November 7, 2019
  4. The Cannonball Adderley Rendez-vous: album details accessed November 7, 2019
  5. 1 2 3 Jurek, Thom. Eddie "Cleanhead" Vinson: Cleanhead & Cannonball – Review at AllMusic . Retrieved November 7, 2019.
  6. Blue Sounds: album details accessed November 7, 2019
  7. 1 2 Russell, Tony; Smith, Chris (2006). The Penguin Guide to Blues Recordings. London: Penguin. p. 671. ISBN   978-0-140-51384-4.