The A to Z Recordings | ||||
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Live album by | ||||
Released | 24 September 2010 | |||
Recorded | 2004–2010 | |||
Genre | Australian Rock | |||
Length | 378:00 | |||
Label | Gawd Aggie, Universal | |||
Producer | Paul Kelly | |||
Paul Kelly chronology | ||||
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The A to Z Recordings is an eight-volume live album by Australian rock musician, Paul Kelly, which was released on 24 September 2010 on Gawd Aggie Records in Australia and Universal Import in North America. It had been recorded from a series of performances from 2004 to 2010 on Kelly's A to Z Tours in various locations. The tours led to Kelly writing his memoir, How to Make Gravy (named for the song of the same name), also in September 2010. Kelly's A to Z Tours continued until March 2012. Rolling Stone 's Jason Cohen described the release as "a 106-track, eight-CD boxed set culled from Kelly's now-trademark A to Z live performances" and, with the associated memoir, Kelly "might be creating the world's longest CD liner notes" at 568 pages.
The A to Z Recordings originate from a series of acoustic concerts by Australian rock musician, Paul Kelly starting in December 2004 with 100 songs performed alphabetically over four nights at The Famous Spiegeltent in Melbourne. [2] In November–December 2006 Kelly undertook his A to Z Tour at the Brisbane Powerhouse, Melbourne's Spiegeltent, and at the Sydney Opera House. [3] [4] [5] On his A to Z Tours, over subsequent years to 2010, Kelly was often accompanied by his nephew, Dan Kelly, on guitar and vocals and sometimes by his then-girlfriend, Sian Prior, [6] on clarinet and vocals. [7] [8] [9] For some of his North American shows, he cut back his performance to only one or two nights, "the speed-dial version". [1] Kelly would provide anecdotes or background for each song, which led to his writing a memoir, How to Make Gravy (named for the song of the same name), issued in September 2010. [4] The book contains a chapter per song with the lyrics supplied followed by Kelly's description of varied topics. According to Rolling Stone 's Jason Cohen, Kelly "might be creating the world's longest CD liner notes" at 568 pages. [10] It was released in "tandem with The A to Z Recordings, a 106-track, eight-CD boxed set culled from Kelly's now-trademark A to Z live performances". [10] The boxed set was issued on 24 September 2010 by Gawd Aggie Records in Australia and Universal Import in North America. [10] [11] In October that year, the book and boxed set were packaged together and issued as How to Make Gravy: The A to Z Recordings. [12]
In January 2011 The Sydney Morning Herald 's Bernard Zuel caught the first two nights of a four night set, he disputed the "accepted wisdom that acoustic performances were the test of a song's lasting quality" and preferred when Kelly's nephew Dan "add[ed] colour guitar or extra vocals to particular songs" or when Prior "provided scattered 'furnishings', playing clarinet, briefly bringing some operatic vocals to the party and noticeably brightening proceedings". [13] Zuel felt the first night was "lacking some energy, vocal and physical" and that "the show's highlights came in the purely solo songs about or from the perspective of women". [13] Kelly's A to Z Tours continued until March 2012. [10]
In November 2011, The A to Z Recordings were featured in two parts on The Weekend Planet program on Radio National (Australian Broadcasting Corporation) with Doug Spencer presenting tracks "beside another artist's utterly different (often, wordless) take on the same subject, or closely related theme". [14] Spencer described some of the collection's tracks: "Adelaide" is a "21st century 'live' version of a song Paul wrote early in the 1980s, when his former home-city was a fresher 'wound'". [14] For the song Kelly "sings and strums acoustic guitar, with nephew Dan Kelly's electric guitar". [14] "Cities of Texas" is "spare – Paul's voice, [acoustic] guitar and harmonica – in the persona of the wind". [14] Kelly's inspirations are seeing Dallas from the front of a tour bus in 1987 and reading Percy Bysshe Shelley's sonnet Ozymandias . [14] "Don't Explain" is "a deliciously wry song, in persona of an older woman, brushing off her 'toy boy'. Kelly, solo – voice and [acoustic] guitar". [14] It was written as an answer song to Billie Holiday's 1946 track of the same name. [14] "Lately" is "as close to 'croon-ville' as Paul Kelly gets", and is partly inspired by Frank Sinatra's songbook. Kelly's singing and chordal acoustic guitar, is joined by Sian Prior's clarinet. [14] "If I Could Just Start Today Again" is regarded by Kelly "as his 'most precise', most perfectly proportioned song. He says he has no idea how he wrote it, 'without thought or struggle'". [14] For the track he sings and fingerpicks his guitar. [14] On "I Can't Believe We Were Married" he is joined by Dan on harmony vocal. [14] Spencer finds "Dumb Things" is a "very exuberant version, 'live' with [Kelly's] vocal and whooping and [acoustic] guitar, with [Dan] playing up a storm on ripe [electric] guitar". [14]
The second program showcased "Winter Coat" which Spencer declared was "a superbly written, bittersweet song, in which the coat lives on, long after the departure of the lover who bought it for him" with Kelly playing solo. [15] While "You Can Put Your Shoes Under My Bed" addresses "a somewhat errant longtime friend/ former flame" with Kelly providing vocals, piano and harmonica. [15] His rendition of "Maralinga (Rainy Land)" is a "[v]ery good performance of an extraordinary song. It adopts the personae of two of the (many) indigenous Australians who were irradiated when Britain dropped atomic bombs into South Australia's desert country in 1957 and 1958". Kelly is joined by Dan on electric guitar and backing vocals. [15] "Shane Warne" is perceived as a "nicely silly calypso-cricket song about Shane Warne. [Prior] plays the clarinet. [Kelly] borrowed the tune from Lord Kitchener's "London is the Place for Me". [15] "Smoke Under the Bridge" tells the story of its protagonist, 'Banjo' Clark, "a young black man in mid-century rural Australia ... [who, later] was well-known, widely respected and much loved". [15] It was delivered as an "intimate, quiet song, performed solo". [15] "Meet Me in the Middle of the Air" was performed a capella with the title "common to various blues, gospel and spiritual songs. The other words come from Psalm 23". [15] "My Way Is to You" is a "[v]ery haunting song and performance. Kelly sings and plays acoustic guitar. Nephew and co-author Dan plays atmospheric electric guitar. The lyric is – by design – equally open to 'entirely secular' and to 'sacred' interpretations". [15] "Other People's Houses" has the lyrics spoken instead of sung – except the choruses. [15] Spencer feels it is "[b]eautifully written, eventually blurring the 'he' and the 'I' and the 'child, then' and the 'adult, now', still haunted thirty years later". [15]
In a 2002 interview with Debbie Kruger, Kelly indicated that the song, "To Her Door" (1987) took seven years to write. [16] Kelly uses the same protagonist in "Love Never Runs on Time" from 1994's Wanted Man and then in 1996's "How to Make Gravy" from the extended play of the same name. [16] All three tracks appear on The A to Z Recordings. [17]
All tracks are written by Paul Kelly except as shown. [17] [18]
No. | Title | Length |
---|---|---|
1. | "Adelaide" | 3:47 |
2. | "After the Show" | 3:04 |
3. | "Anastasia Changes Her Mind" | 2:33 |
4. | "Be Careful What You Pray For" | 2:54 |
5. | "Beautiful Promise" | 3:02 |
6. | "Before Too Long" | 3:42 |
7. | "Beggar on the Street of Love" | 3:14 |
8. | "Behind the Bowler's Arm" | 3:00 |
9. | "Big Fine Girl" | 2:39 |
10. | "Blues for Skip" | 3:17 |
11. | "Bradman" | 7:10 |
12. | "The Cake and the Candle" | 3:22 |
13. | "Careless" | 3:44 |
14. | "Change Your Mind" | 3:48 |
15. | "Charlie Owen's Slide Guitar" | 3:28 |
16. | "Cities of Texas" | 3:51 |
Total length: | 56:35 |
No. | Title | Length |
---|---|---|
1. | "Coma" | 3:12 |
2. | "Cradle of Love" | 2:50 |
3. | "Deeper Water" | 4:35 |
4. | "Desdemona" | 4:03 |
5. | "Difficult Woman" | 3:49 |
6. | "Don't Explain" | 3:01 |
7. | "Don't Harm the Messenger" | 3:56 |
8. | "Don't Stand so Close to the Window" | 2:56 |
9. | "Don't Start Me Talking" | 2:59 |
10. | "Down to My Soul" | 2:55 |
11. | "Dumb Things" | 3:13 |
12. | "Emotional" | 4:56 |
13. | "Every Fucking City" | 3:52 |
14. | "Everybody Wants to Touch Me" | 2:56 |
15. | "Everything's Turning to White" | 4:49 |
Total length: | 54:02 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Foggy Fields of France" | 3:53 | |
2. | "Foggy Highway" | 3:28 | |
3. | "Forty Miles to Saturday Night" | 2:21 | |
4. | "Forty-Eight Angels" | 3:58 | |
5. | "From Little Things Big Things Grow" | Paul Kelly, Kev Carmody | 6:36 |
6. | "From St Kilda to Kings Cross" | 3:33 | |
7. | "Gathering Storm" | 2:36 | |
8. | "God Told Me To" | 3:30 | |
9. | "The Gift that Keeps on Giving" | 3:31 | |
10. | "Glory Be to God" | 3:09 | |
11. | "Going About My Father's Business" | 2:48 | |
12. | "How to Make Gravy" | 5:40 | |
Total length: | 45:03 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Can't Believe We Were Married" | 2:56 | |
2. | "I Close My Eyes and Think of You" | 4:06 | |
3. | "I Don't Know Anything Anymore" | 2:10 | |
4. | "I Keep on Coming Back for More" | 4:00 | |
5. | "I'd Rather Go Blind" | 3:07 | |
6. | "If I Could Start Today Again" | 2:46 | |
7. | "I Wasted Time" | 2:38 | |
8. | "I Won't Be Your Dog" | 5:09 | |
9. | "Jandamarra/Pigeon" | 2:10 | |
10. | "Jump to Love" | 2:39 | |
11. | "Just About to Break" | 3:10 | |
12. | "King of Fools" | 2:30 | |
13. | "Lately" | 3:32 | |
14. | "Leaps and Bounds" | Paul Kelly, Chris Langman | 3:23 |
Total length: | 44:16 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Little Boy, Don't Lose Your Balls" | 2:09 | |
2. | "Love Is the Law" | 3:58 | |
3. | "Love Never Runs on Time" | 3:06 | |
4. | "Luck" | 3:36 | |
5. | "Maralinga (Rainy Land)" | 3:59 | |
6. | "Meet Me in the Middle of the Air" | 2:08 | |
7. | "Midnight Rain" | 4:23 | |
8. | "My Way Is to You" | Paul Kelly, Dan Kelly | 4:22 |
9. | "No You" | 4:14 | |
10. | "Nothing but a Dream" | 3:52 | |
11. | "The Oldest Story in the Book" | 4:21 | |
12. | "One More Tune" | 4:14 | |
13. | "Other People's Houses" | 3:32 | |
Total length: | 51:05 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Our Sunshine" | Paul Kelly, Michael Thomas | 3:51 |
2. | "Please Myself" | 2:45 | |
3. | "Pretty Place" | 4:14 | |
4. | "The Ballad of Queenie and Rover" | 3:36 | |
5. | "Rally Round the Drum" | Paul Kelly, Archie Roach | 4:41 |
6. | "Randwick Bells" | 4:19 | |
7. | "Saturday Night and Sunday Morning" | 2:58 | |
8. | "Shane Warne" | Paul Kelly, Aldwyn Roberts, Denis Preston, Edmundo Ros | 3:37 |
9. | "Smoke Under the Bridge" | 4:16 | |
10. | "Somebody's Forgetting Somebody" | 3:40 | |
11. | "Somewhere in the City" | 3:37 | |
12. | "South of Germany" | 2:37 | |
Total length: | 43:33 |
No. | Title | Length |
---|---|---|
1. | "Standing on the Street of Early Sorrows" | 4:57 |
2. | "Stolen Apples" | 3:53 |
3. | "Stories of Me" | 2:53 |
4. | "Stupid Song" | 3:37 |
5. | "Summer Rain" | 3:01 |
6. | "Sweet Guy" | 4:20 |
7. | "Sydney from a 747" | 3:06 |
8. | "They Thought I Was Asleep" | 3:30 |
9. | "Thoughts in the Middle of the Night" | 5:11 |
10. | "To Her Door" | 3:37 |
11. | "Until Death Do Them Part" | 3:04 |
Total length: | 41:09 |
No. | Title | Length |
---|---|---|
1. | "When I First Met Your Ma" | 4:42 |
2. | "Winter Coat" | 4:12 |
3. | "Won't You Come Around?" | 2:53 |
4. | "Would You Be My Friend?" | 2:56 |
5. | "You Broke a Beautiful Thing" | 4:51 |
6. | "You Can Put Your Shoes Under My Bed" | 3:55 |
7. | "You Can't Take It with You" | 3:07 |
8. | "Your Little Sister Is a Big Girl Now" | 3:14 |
9. | "Young Lovers" | 3:19 |
10. | "You're 39, You're Beautiful and You're Mine" | 2:48 |
11. | "Your Loving Is on My Mind" | 3:26 |
12. | "Zoe" | 2:54 |
Total length: | 42:17 |
Musicians
Production details
Paul Maurice Kelly is an Australian rock music singer-songwriter and guitarist. He has performed solo, and has led numerous groups, including the Dots, the Coloured Girls, and the Messengers. He has worked with other artists and groups, including associated projects Professor Ratbaggy and Stardust Five. Kelly's music style has ranged from bluegrass to studio-oriented dub reggae, but his core output straddles folk, rock and country. His lyrics capture the vastness of the culture and landscape of Australia by chronicling life about him for over 30 years. David Fricke from Rolling Stone calls Kelly "one of the finest songwriters I have ever heard, Australian or otherwise". Kelly has said, "Song writing is mysterious to me. I still feel like a total beginner. I don't feel like I have got it nailed yet."
Thirsty Merc are an Australian pop rock band formed in 2002 by Rai Thistlethwayte, Phil Stack, Karl Robertson (drums), and Matthew Baker (guitar). In 2004, Baker was replaced by Sean Carey, who was, in turn, replaced by Matt Smith in 2010. Thirsty Merc have released one extended play, First Work, and five studio albums: Thirsty Merc, Slideshows, Mousetrap Heart, Shifting Gears, and Celebration. The band have sold over 200,000 albums, toured extensively around Australia, and received national radio airplay for their tracks.
Wanted Man is a folk rock album by Paul Kelly and was originally released in July 1994. It was issued on Mushroom Records in Australia and was Kelly's first solo studio album after disbanding his previous group, The Messengers. Tracks 1–10 were recorded at three Los Angeles studios while tracks 11–13 were recorded in Melbourne. It was produced by Kelly, Randy Jacobs and David Bridie. The cover art for Wanted Man is a colophon rendering of Australia's legendary outlaw Ned Kelly as a guitarist and was painted by David Band.
Machine Translations is the performing name of Greg James Walker, an Australian singer, songwriter and multi-instrumentalist; who is also a producer as J Walker. Walker started out recording all instruments himself in a home studio and later branched out to include a band.
Stolen Apples is the twenty fifth album by Australian singer-songwriter Paul Kelly and was released in July 2007 on EMI Music. The album was Kelly's first solo album since Ways & Means in 2004, and features religious themes throughout. It peaked at No. 8 on the ARIA Albums Chart.
How to Make Gravy is a four-track EP by Australian singer-songwriter Paul Kelly and was originally released on 4 November 1996 on White Label Records in Australia. The title track was written by Kelly and earned him a 'Song of the Year' nomination at the Australasian Performing Right Association (APRA) Music Awards of 1998. It tells the story of a newly imprisoned man writing a letter to his brother, in which the prisoner laments that he will be missing the family's Christmas celebrations. The same character appears in Kelly's earlier songs, "To Her Door" (1987) and "Love Never Runs on Time" (1994). The gravy recipe is genuine – Kelly learnt it from his first father-in-law. It was covered by James Reyne on the 2003 tribute album, Stories of Me: A Songwriter's Tribute to Paul Kelly and on Reyne's 2005 acoustic album And the Horse You Rode in On. It has also been covered by David Miles, Luca Brasi, From Nowhere, Semicolon, Ghostwriters, Karl Broadie and Lawrence Agar. In September 2010, Kelly titled his memoirs, How to Make Gravy. On 29 September 2012 Kelly performed "How to Make Gravy" and "Leaps and Bounds" at the 2012 AFL Grand Final. A film version is set for release as a Christmas movie by Warner Bros in December, 2023.
Paul Kelly is an Australian rock musician. He started his career in 1974 in Hobart, Tasmania and has performed as a solo artist, in bands as a member or has led bands named after himself. Some backing bands recorded their own material under alternate names, Professor Ratbaggy and Stardust Five, with Kelly as an individual member. As of September 2017, Paul Kelly's current band members are Cameron Bruce on keyboards and piano, Vika and Linda Bull on backing vocals and lead vocals, his nephew Dan Kelly on lead guitar and backing vocals, Peter Luscombe on drums and Bill McDonald on bass guitar.
"To Her Door" is a song by Paul Kelly and the Coloured Girls, released as a single ahead of their second album, Under the Sun. The single was released in September 1987 and reached No. 14 on the Australian singles charts.
"Darling It Hurts" is a song by Australian rock group Paul Kelly and the Coloured Girls released in September 1986 as the second single from their first double album, Gossip. The song, written by Kelly with lead guitarist Steve Connolly, reached No. 25 on the Australian Kent Music Report Singles Chart in October. It was issued in 1987 on A&M Records in the United States, where it reached No. 19 on the Billboard Mainstream Rock Chart. Due to possible racist connotations the band changed its name, for international releases, to Paul Kelly and the Messengers. According to Allmusic's Mike Gagne, "Kelly's pain can be felt as he describes an ex-girlfriend of his who has turned to prostitution."
Sarah Elizabeth Blaskow, known professionally as Sarah Blasko, is an Australian singer, songwriter, musician and record producer. From April 2002, Blasko developed her solo career after fronting Sydney-based band, Acquiesce, between the mid-1990s and 2001. She had performed under her then married name, Sarah Semmens, and, after leaving Acquiesce, as Sorija in a briefly existing duo of that name. As a solo artist Blasko has released six studio albums, The Overture & the Underscore, What the Sea Wants, the Sea Will Have – which peaked at No. 7 on the ARIA Albums Chart, As Day Follows Night – which reached No. 5, I Awake – which made No. 9, Eternal Return, and Depth of Field.
"Dumb Things" or "I've Done all the Dumb Things" is a song by Australian rock group Paul Kelly and the Coloured Girls, released as the fourth single from their second album, Under the Sun. It was released by Mushroom Records imprint White Label Records in January 1989 and reached No. 36 on the Australian Recording Industry Association (ARIA) Singles Chart. In the US, it was released under the band name, Paul Kelly and the Messengers, which reached No. 16 on the Billboard Modern Rock chart. A music video, directed by Larry Williams, was provided for the single – a still from the clip is used as the single's cover.
"Sweet Guy" is a song by Australian rock group Paul Kelly and the Messengers released in June 1989 as the lead single from the studio album, So Much Water So Close to Home. The song was written by Kelly – his first from a woman's point of view. He co-produced the track with Scott Litt. The single was released in June 1989 on the Mushroom Records label. It reached No. 53 on the Australian ARIA Singles Chart and the Top 40 in New Zealand. The song was later covered by Renée Geyer on Difficult Woman (1994), Adalita Srsen on Before Too Long.
"Careless" is a song by Australian rock group Paul Kelly and the Messengers, released in October 1989 as the second single from their 1989 studio album, So Much Water So Close to Home. The song was written by Kelly and co-produced with Scott Litt. The single was released in October 1989 on the Mushroom Records label. It peaked at number 116 on the ARIA singles chart. The song was later covered by Renée Geyer on Difficult Woman (1994), Angie Hart on Women at the Well (2002), and Ozi Batla on Before Too Long (2010).
"Leaps and Bounds" / "Bradman" is a double A-sided single by Australian rock group Paul Kelly and the Coloured Girls released in January 1987. "Leaps and Bounds" is from their debut double album, Gossip (1986). "Bradman" did not appear on a studio album until the international version of Under the Sun (1988). The single reached top 100 in the Australian Kent Music Report Singles Chart. Due to possible racist connotations the band changed its name, for international releases, to Paul Kelly and the Messengers. In 1997, Kelly was inducted into the ARIA Hall of Fame, at the ceremony Crowded House paid tribute to Kelly and performed "Leaps and Bounds". In October 2003, Xanthe Littlemore covered "Leaps and Bounds" for the tribute album, Stories of Me – A Songwriter's Tribute to Paul Kelly. In 2005, rock music writer, Toby Creswell described two of Kelly's songs: "Leaps and Bounds" and "From Little Things Big Things Grow" in his book, 1001 Songs. For the former, Creswell observed "The grand themes of [his] work are all there – Melbourne, football, transcendence and memory... [he] is a detail man – the temperature, the location, foliage". On 26 March 2006 Kelly performed at the Commonwealth Games closing ceremony in Melbourne, singing "Leaps and Bounds" and "Rally Around the Drum". In February 2009 Patience Hodgson, Glenn Richards and Kelly performed "Leaps and Bounds" at the Myer Music Bowl for SBS-TV's concert RocKwiz Salutes the Bowl. On 29 September 2012 Kelly performed "How to Make Gravy" and "Leaps and Bounds" at the 2012 AFL Grand Final although most of the performance was not broadcast on Seven Network's pre-game segment.
Spring and Fall is the nineteenth studio album by Australian folk rock singer-songwriter Paul Kelly which was issued in October 2012 on his own label, Gawd Aggie and distributed via Universal Music. It is due to be issued in Europe and United States in November. The release is his first studio album since Stolen Apples in 2007, and is a concept album as a song cycle "which focuses on a love story told from different points of view". It was produced by Kelly, Dan Kelly, and Greg "J" Walker and was available as a digipak or digital download. The lead single, "New Found Year", was released in early October ahead of the album's release. The album debuted on the ARIA Albums Chart at number eight.
"Last Train to Heaven" is a song written by Paul Kelly for the album, Gossip, which was performed by his group, Paul Kelly & the Coloured Girls. It was re-written as "Last Train", a dance-orientated remake, and is the first single released by Christine Anu. Anu and Kelly performed "Last Train" as a duet, which was issued on 20 September 1993 and peaked at No. 93 on the Australian ARIA Singles Chart in the following month. It was listed at No. 61 on national radio, Triple J's Hottest 100 for 1993.
The Merri Soul Sessions or Paul Kelly Presents: The Merri Soul Sessions is the twentieth studio album by Australian musician, Paul Kelly, which was issued on 12 December 2014 on his own label, Gawdaggie Records, and distributed by Universal Music Australia. Kelly provided lead vocals on two of its eleven tracks, the rest featured vocals by either Clairy Browne, sisters Vika and Linda Bull, Kira Puru, or Dan Sultan. The album debuted at No. 17 on the ARIA Albums Chart.
A Fool Who'll is the third album by Australian folk singer-songwriter Laura Jean. It was released on 29 August 2011 via Chapter Music.
And the Horse You Rode in On is the seventh solo studio album by Australian singer/songwriter James Reyne released on 14 March 2005. It's an acoustic recording of songs taken from his earlier solo work and Australian Crawl songs. It includes two new tracks. Later digital editions renamed this album as Greatest Hits Acoustic.
Seven Sonnets & a Song is the twenty-first studio album by Australian musician, Paul Kelly, which was issued on 22 April 2016 on his own label, Gawdaggie Records, and distributed by Universal Music Australia. Kelly composed music for seven sonnets by William Shakespeare and a poem, "My True Love Hath My Heart", by Philip Sidney. The album debuted at No. 9 on the ARIA Albums Chart, becoming Kelly's fourth top 10. It was nominated for Best Adult Contemporary Album at the ARIA Music Awards of 2016.