The Abysmal Richness of the Infinite Proximity of the Same | ||||
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Studio album by Anthony Coleman's Selfhaters | ||||
Released | 1998 | |||
Recorded | February 13 and April 18, 1997 and February 16, 1998 The Studio and Avatar, NYC | |||
Genre | Jazz | |||
Length | 40:01 | |||
Label | Tzadik TZ 7123 | |||
Producer | Anthony Coleman | |||
Anthony Coleman chronology | ||||
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The Abysmal Richness of the Infinite Proximity of the Same is an album by keyboardist Anthony Coleman's Selfhaters which was released on the Tzadik label in 1998. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
In her review for Allmusic, Joslyn Layne notes that "The follow-up release to Anthony Coleman's Selfhaters , The Abysmal Richness of the Infinite Proximity of the Same finds the Selfhaters Orchestra realizing a music that yields a different experience with each listen... This release is less accessible than the first album (which was mostly live recordings), but is still rewarding". [2]
All compositions by Anthony Coleman except as indicated
James Pugliese is an American percussionist, drummer, composer and international recording artist on over 150 CDs of experimental, jazz and rock music.
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Eye to Ear is a studio album by English guitarist, composer and improvisor Fred Frith. It is a collection of film and theatre music composed and performed by Frith, and was recorded in Germany and the United States between 1992 and 1995. Eye to Ear was Frith's first solo album to be released on John Zorn's Tzadik label.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
Kristallnacht is an album by John Zorn first released in 1993 on the Japanese Eva label and subsequently in 1995 on Zorn's own Tzadik Records label.
Locus Solus is an album of improvisations by John Zorn and other musicians. Originally released as a double vinyl album on Rift records in 1983 it was re-released as a CD with additional tracks on Eva/Wave in 1990 and on Zorn's Tzadik Records label in 1997.
Ganryu Island is an collaborative album by John Zorn and Michihiro Sato. The album was first released on vinyl LP on Yukon Records in 1984 and later re-released on Tzadik Records as a CD with five additional tracks in 1998.
The Bribe: variations and extensions on Spillane is an album by American composer and saxophonist/multi-instrumentalist John Zorn, consisting of music created for three half-hour radio plays produced by Mabou Mines theater company in 1986. It utilizes compositional techniques, source material, and personnel that are similar to Zorn's Spillane.
Filmworks II: Music for an Untitled Film by Walter Hill features the second release of scores for film by John Zorn. The album was originally released on the Japanese Toys Factory label in 1995 and subsequently re-released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for Trespass which director Walter Hill rejected in favour of a score by Ry Cooder.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Filmworks V: Tears of Ecstasy is a film score by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for the movie Tears of Ecstasy (1995) by director Oki Hiroyuki.
Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
Sanctuary is the seventh album by trumpeter Dave Douglas and his second live album. It was released on the Japanese Avant label in 1997 and features performances by Douglas, Cuong Vu, Yuka Honda, Anthony Coleman, Mark Dresser, Hilliard Greene, Chris Speed and Dougie Bowne.
Melt Zonk Rewire is the second album by the New Klezmer Trio, Ben Goldberg - clarinet, Dan Seamans - bass, and Kenny Wollesen - drums, which was released on the Tzadik label in 1995.
Masks and Faces is the debut album by the New Klezmer Trio, Ben Goldberg - clarinet, Dan Seamans - bass, and Kenny Wollesen - drums, which was originally released on the Nine Winds label in 1991 and re-released on the Tzadik label in 1996.
Selfhaters is an album by keyboardist Anthony Coleman which was released on the Tzadik label in 1996.
I Could've Been a Drum is an album by the pianist Anthony Coleman and the saxophonist Roy Nathanson, released on the Tzadik label in 1997.
Music for Violin Alone is an album by violinist Mark Feldman which was released on the Tzadik label in 1995.
Golden Quartet is a studio album by American jazz trumpeter Wadada Leo Smith which was recorded in 2000 and released on Tzadik Records. It was the debut recording by the eponymous ensemble featuring pianist Anthony Davis, bassist Malachi Favors and drummer Jack DeJohnette.