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George Simon Kaufman was an American playwright, theater director and producer, humorist, and drama critic. In addition to comedies and political satire, he wrote several musicals for the Marx Brothers and others. He won the Pulitzer Prize for Drama for the musical Of Thee I Sing in 1932, and won again in 1937 for the play You Can't Take It with You. He also won the Tony Award for Best Director in 1951 for the musical Guys and Dolls.
Moss Hart was an American playwright, librettist, and theatre director.
Merrily We Roll Along is a play by George S. Kaufman and Moss Hart. It concerns a man who has lost the idealistic values of his youth. Its innovative structure presents the story in reverse order, with the character regressing from a mournful adult to a young man whose future is filled with promise.
Broadway theatre, or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.
Jubilee is a musical comedy with a book by Moss Hart and music and lyrics by Cole Porter. It premiered on Broadway in 1935 to rapturous reviews. Inspired by the recent silver jubilee of King George V of Great Britain, the story is of the royal family of a fictional European country. Several of its songs, especially "Begin the Beguine" and "Just One of Those Things", became independently popular and have become part of the American Songbook.
The Skin of Our Teeth is a play by Thornton Wilder that won the Pulitzer Prize for Drama. It opened on October 15, 1942, at the Shubert Theatre in New Haven, Connecticut, before moving to the Plymouth Theatre on Broadway on November 18, 1942. It was produced by Michael Myerberg and directed by Elia Kazan with costumes by Mary Percy Schenck. The play is a three-part allegory about the life of mankind, centering on the Antrobus family of the fictional town of Excelsior, New Jersey. The epic comedy-drama is noted as among the most heterodox of classic American comedies — it broke nearly every established theatrical convention.
The Man Who Came to Dinner is a comedy play by George S. Kaufman and Moss Hart. It debuted on October 16, 1939, at the Music Box Theatre in New York City, where it ran until 1941, closing after 739 performances. It then enjoyed a number of New York and London revivals. The first London production was staged at The Savoy Theatre starring Robert Morley and Coral Browne. In 1990, Browne stated in a televised biographical interview, broadcast on UK Channel 4, that she bought the rights to the play, borrowing money from her dentist to do so. When she died, her will revealed that she had received royalties for all future productions and adaptations.
Pal Joey is a 1940 musical with a book by John O'Hara and music and lyrics by Richard Rodgers and Lorenz Hart. The musical is based on a character and situations O'Hara created in a series of short stories published in The New Yorker, which he later published in novel form. The title character, Joey Evans, is a manipulative small-time nightclub performer whose ambitions lead him into an affair with the wealthy, middle-aged and married Vera Simpson. It includes two songs that have become standards: "I Could Write a Book" and "Bewitched, Bothered and Bewildered".
Face the Music is a musical, the first collaboration between Moss Hart (book) and Irving Berlin. Face the Music opened on Broadway in 1932, and has had several subsequent regional and New York stagings. The popular song "Let's Have Another Cup of Coffee" was introduced in the musical by J. Harold Murray.
Lawrence Riley (1896–1974) was a successful American playwright and screenwriter. He gained fame in 1934 as the author of the Broadway hit Personal Appearance, which was turned by Mae West into the film Go West, Young Man (1936).
Once in a Lifetime is a play by Moss Hart and George S. Kaufman, the first of eight on which they collaborated in the 1930s.
Of Mice and Men is a play adapted from John Steinbeck's 1937 novel of the same name. The play, which predates the Tony Awards and the Drama Desk Awards, earned the 1938 New York Drama Critics' Circle Best Play.
Park Avenue is a musical with a book by George S. Kaufman and Nunnally Johnson, music by Arthur Schwartz and lyrics by Ira Gershwin. It was produced by Max Gordon with costumes by Tina Leser. The plot focused on the many divorces and marriages of the rich and "black tie" set. The production performed poorly and was Gershwin's last work for Broadway.
Sam Henry Harris was a Broadway producer and theater owner.
Act One is a 1963 American film directed and screenwritten by Dore Schary and starring George Hamilton. It is the film version of the 1959 autobiographical book Act One by playwright Moss Hart. A play based on the book premiered on Broadway in 2014.
Act One is a play written by James Lapine, based on Moss Hart's 1959 autobiography of the same title. The play premiered on Broadway in 2014.
The Man Who Came to Dinner is a 1972 American TV adaptation of the 1939 play The Man Who Came to Dinner by George S. Kaufman and Moss Hart. It was directed by Buzz Kulik for Hallmark Hall of Fame. The film was broadcast on November 29, 1972.
The Fabulous Invalid is a 1938 stage play by George S. Kaufman and Moss Hart following the oscillating fortunes of a fictitious Broadway theater, the Alexandria, in the period between 1900 and 1930. The play's title has since entered the vernacular as a synonym for the theater.
Fine and Dandy is a musical comedy in two acts with a book by Donald Ogden Stewart, music by Kay Swift and lyrics by Paul James. It was produced on Broadway in 1930.
Light Up the Sky is a three-act play written by the American playwright Moss Hart. It is a character driven satire with the fast-pacing of a farce, a simple plot, medium-sized cast, and only one setting. The action is concerned with the interrelations of theater people before and after a first night tryout, when they experience nervous anticipation, perceived failure, and unexpected success in sequence. The play became known before its premiere as well-founded rumors suggested some characters were modelled on actual theatre personalities. There are allusions to figures from the larger world of New York shows, including Belasco and George Jean Nathan, as well as topical references to the late 1940s stage scene. The most egregious of these was Hart's mention of real drama critics then active in Boston, attributing to them spurious quotes for the fictional tryout.
References
- ↑ The American Way at the Internet Broadway Database
- ↑ "Actor Scott McKay Dies at 71". Los Angeles Times . March 20, 1987. Retrieved March 19, 2022.
- ↑ Atkinson, Brooks. "Life and Death of an American in a Cavalcade by George S. Kaufman and Moss Hart", New York Times, January 23, 1939
- ↑ "The American Way", Variety, January 25, 1939
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