Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone was the last major analog sound-on-disc system and the only one that was widely used and commercially successful. The soundtrack was not printed on the film itself, but issued separately on phonograph records. The discs, recorded at 33+1⁄3 rpm and typically 16 inches (41 cm) in diameter, would be played on a turntable physically coupled to the projector motor while the film was being projected. It had a frequency response of 4300 Hz. Many early talkies, such as The Jazz Singer (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound".
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
Sally is a 1929 Hollywood film. It is the fourth all-sound, all-color feature film made, and it was photographed in the Technicolor process. It was the sixth feature film to contain color that had been released by Warner Bros., the first five were The Desert Song (1929), On with the Show! (1929), Gold Diggers of Broadway (1929), Paris (1929), and The Show of Shows (1929).. Although exhibited in a few select theaters in December 1929, Sally went into general release on January 12, 1930.
Thomas Meighan was an American actor of silent films and early talkies. He played several leading-man roles opposite popular actresses of the day, including Mary Pickford and Gloria Swanson. At one point he commanded $10,000 per week.
Queen of the Night Clubs is a 1929 American Pre-Code musical drama film produced and directed by Bryan Foy, distributed by Warner Bros., and starred legendary nightclub hostess Texas Guinan. The picture, which featured appearances by Eddie Foy, Jr., Lila Lee, and George Raft, is now considered a lost film. A still existing vintage movie trailer of this film displays no clip of the feature.
Showgirl in Hollywood is a 1930 American pre-Code all-talking musical film with Technicolor sequences, produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Alice White, Jack Mulhall and Blanche Sweet. It was adapted from the 1929 novel Hollywood Girl by J.P. McEvoy.
Paris is a 1929 American Pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
Chasing Rainbows is a 1930 American Pre-Code romantic musical film directed by Charles Reisner, and released by Metro-Goldwyn-Mayer.
Alias Jimmy Valentine is a 1928 American crime drama film directed by Jack Conway and starring William Haines, Leila Hyams, Lionel Barrymore, and Karl Dane. The film is based on the 1903 O. Henry story "A Retrieved Reformation", which was turned into the 1910 play Alias Jimmy Valentine by Paul Armstrong. The play toured in travelling production companies making it extremely popular. It was revived on Broadway in 1921. Two previous film adaptations had been produced at the old Metro Studios. A 1915 film version was directed by Maurice Tourneur and a 1920 version starring Bert Lytell was directed by Edmund Mortimer and Arthur Ripley.
While London Sleeps is a 1926 Warner Bros. film about a police-dog, Rinty, who helps Scotland Yard defeat a dangerous criminal organisation known as the Mediterranean Brotherhood that operates out of the Limehouse district of London. Walter Morosco wrote the screenplay. It was the first of many films directed by Howard Bretherton, and one of several created for Rin Tin Tin, a German Shepherd dog used in films during the 1920s and 1930s. The film was also released with a Vitaphone sound-on-disc soundtrack with a music score and sound effects, and only the sound discs survive today. The British release prints censored the more horrific aspects of the film.
Honky Tonk is a 1929 American Pre-Code musical film starring Sophie Tucker in her film debut. The film was a flop when released and is now lost, although the Vitaphone soundtrack for the film and for the trailer still exists. Tucker sings a number of songs in the movie, including her theme song "Some of These Days", and "I'm the Last of the Red Hot Mamas", from which she took her billing as "The Last of the Red Hot Mamas".
Tenderloin is a 1928 American part-talkie crime film directed by Michael Curtiz and starring Dolores Costello. While the film was a part-talkie, it was mostly a silent film with a synchronized musical score and sound effects on Vitaphone discs. It was produced and released by Warner Bros. Tenderloin is considered a lost film, with no prints currently known to exist.
Fox Movietone Follies of 1929, also known as Movietone Follies of 1929 and The William Fox Movietone Follies of 1929, is an American black-and-white and color pre-Code musical film released by Fox Film Corporation.
Old San Francisco is a 1927 American silent historical drama film starring Dolores Costello and featuring Warner Oland. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
Ginsberg the Great is a lost 1927 silent film starring George Jessel in the period in which he made films with Warner Bros. The film had a Vitaphone synchronized music score and sound effects.
The Bargain (1931) is an all-talking American pre-Code comedy drama film produced and released by First National Pictures, a subsidiary of Warner Bros., and directed by Robert Milton. The movie stars Lewis Stone, Evalyn Knapp, Charles Butterworth and Doris Kenyon. It was based on the 1923 play You and I by Philip Barry.
Vitaphone Varieties is a series title used for all of Warner Bros.', earliest short film "talkies" of the 1920s, initially made using the Vitaphone sound on disc process before a switch to the sound-on-film format early in the 1930s. These were the first major film studio-backed sound films, initially showcased with the 1926 synchronized scored features Don Juan and The Better 'Ole. Although independent producers like Lee de Forest's Phonofilm were successfully making sound film shorts as early as 1922, they were very limited in their distribution and their audio was generally not as loud and clear in theaters as Vitaphone's. The success of the early Vitaphone shorts, initially filmed only in New York, helped launch the sound revolution in Hollywood.
The Greyhound Limited is 1929 part-talkie crime drama and railroad theme film directed by Howard Bretherton and starring Monte Blue. Warner Bros. produced and distributed releasing the film in the Vitaphone process, with a music score and sound effects. The film is a follow up to the 1927 film The Black Diamond Express.
The Better 'Ole is a 1926 American silent World War I comedy drama film. Released by Warner Bros. Pictures, Inc., this film is the second full-length film to utilize the Vitaphone sound-on-disc process, two months after the first Vitaphone feature Don Juan; with no audible dialogue, the film does have a synchronized musical score and sound effects. This film was also the second onscreen adaptation of the 1917 musical The Better 'Ole by Bruce Bairnsfather and Arthur Elliot. Charlie Chaplin's eldest brother Sydney Chaplin played the main lead as Old Bill in perhaps his best-known film today. This film is also believed by many to have the first spoken word of dialog, "coffee", although there are those who disagree. At one point during the film, Harold Goodwin's character whispers a word to Sydney Chaplin which is also faintly heard. This was discovered by the UCLA's Robert Gitt, during the restoration of the sound discs for the film. The line was recorded in perfect sync, apparently during the orchestra recording sessions rather than live on set, therefore making it the earliest known use of dubbing in a motion picture.
The Argyle Case is a lost 1917 American silent mystery film produced by and starring Robert Warwick and directed by Ralph Ince. It was distributed by Lewis J. Selznick through his Selznick Pictures Corporation.
