Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
The Great Gabbo is a 1929 American Pre-Code early sound musical drama film directed by James Cruze, based on Ben Hecht's 1928 short story "The Rival Dummy", and starring Erich von Stroheim and Betty Compson. The film features songs by Lynn Cowan, Paul Titsworth, Donald McNamee and King Zany.
On with the Show! is a 1929 American pre-Code musical film produced by Warner Bros. Filmed in two-color Technicolor, the film became the first all-talking, all-color feature-length film, and the second color film released by Warner Bros.; the first was the partly color musical The Desert Song (1929).
Catherine Townsend Johnson was an American stage and film actress.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Song of the Flame is a 1930 American pre-Code musical film photographed entirely in Technicolor. Based on the 1925 operetta of the same name, the film features a screenplay by Gordon Rigby adapted from the musical book written by Oscar Hammerstein II and Otto A. Harbach for the operetta. The movies also features many of the songs from the operetta which used lyrics by Hammerstein and Orbach and music by George Gershwin and Herbert Stothart. The film was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway musical of the same name, was nominated for an Academy Award for Sound Recording. It is part of the tradition of operetta films, popular at the time.
Street Girl is a 1929 pre-Code musical film directed by Wesley Ruggles and starring Betty Compson, John Harron and Jack Oakie. It was adapted by Jane Murfin from "The Viennese Charmer", a short story by William Carey Wonderly. While it was the first film made by RKO Radio Pictures, its opening was delayed until after Syncopation, making it RKO's second release. It was very successful at the box office, accounting for almost half of RKO's profits for the entire year.
The Time, the Place and the Girl is a 1946 American Technicolor musical comedy film directed by David Butler and starring Dennis Morgan, Jack Carson, Janis Paige and Martha Vickers. The film was produced and distributed by Warner Brothers. It is unrelated to the 1929 film The Time, the Place and the Girl.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
Synthetic Sin is a 1929 American sound comedy film directed by William A. Seiter, based on a play of the same name. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was released by Warner Bros. and was recorded using the Vitaphone sound system. Only the soundtrack disc for the last reel is known to survive.
To Have and to Hold is a 1922 American silent historical drama film. Based on the 1899 novel of the same name, the film was directed by George Fitzmaurice and starred Bert Lytell and Betty Compson.
Weary River is a 1929 American sound part-talkie romantic drama film directed by Frank Lloyd and starring Richard Barthelmess, Betty Compson, and William Holden. The film was produced and distributed by First National Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
The Isle of Lost Ships is an all-talking 1929 sound film. The picture was produced by Richard A. Rowland and distributed by Warner Bros. Irvin Willat was the director with Jason Robards Sr., Virginia Valli and Noah Beery Sr. in the leads. It is based on the 1909 novel The Isle of Dead Ships by Crittenden Marriott, and is also a remake of Maurice Tourneur's now lost 1923 classic of the same name. A mute copy of this film is preserved at the Library of Congress. The Vitaphone discs which contain the soundtrack to the film are currently lost.
Scarlet Seas is a surviving 1929 American synchronized sound romantic adventure film produced by Richard A. Rowland and distributed by First National Pictures. Although there is no audible dialogue, the film was released with a musical score with sound effects using the Vitaphone sound-on-disc recording process. The picture was directed by John Francis Dillon. It starred Richard Barthelmess, Betty Compson, and a teen-aged Loretta Young. Originally, the film was presumed lost.
So Long Letty is a 1929 American pre-Code musical comedy directed by Lloyd Bacon and starring Charlotte Greenwood, reprising her role from the 1916 Broadway stage play. The story had previously been filmed as a silent under the same title in 1920 with Colleen Moore.
Show Girl is a 1928 American synchronized sound comedy-drama film starring Alice White and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was based on the first of J. P. McEvoy's two Dixie Dugan novels, as was the 1929 musical. It was followed by a sequel, Show Girl in Hollywood (1930).
Skin Deep is a 1929 American pre-Code drama film directed by Ray Enright and starring Monte Blue. It was produced and distributed by the Warner Brothers. It was also released in the U.S. in a silent version for theaters not equipped yet with sound. The film is a remake of a 1922 Associated First National silent film of the same name directed by Lambert Hillyer and starring Milton Sills.
In the Headlines is a 1929 crime drama film directed by John G. Adolfi and starring Grant Withers and Marian Nixon. It was produced and distributed by the Warner Brothers.
Saturday's Children is a 1929 American sound part-talkie romantic-comedy film directed by Gregory La Cava, and starring Corinne Griffith, Grant Withers, Albert Conti, Alma Tell, Lucien Littlefield. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Vitaphone sound-on-disc process. The film was released by Warner Bros. on April 14, 1929. The film is based on the 1927 play Saturday's Children by Maxwell Anderson.
