The Franco-Prussian War or Franco-German War, often referred to in France as the War of 1870, was a conflict between the Second French Empire and the North German Confederation led by the Kingdom of Prussia. Lasting from 19 July 1870 to 28 January 1871, the conflict was caused primarily by France's determination to reassert its dominant position in continental Europe, which appeared in question following the decisive Prussian victory over Austria in 1866. According to some historians, Prussian chancellor Otto von Bismarck deliberately provoked the French into declaring war on Prussia in order to induce four independent southern German states—Baden, Württemberg, Bavaria and Hesse-Darmstadt—to join the North German Confederation; other historians contend that Bismarck exploited the circumstances as they unfolded. All agree that Bismarck recognized the potential for new German alliances, given the situation as a whole.
This article contains information about the literary events and publications of 1871.
Military science fiction is a subgenre of science fiction and military fiction that depicts the use of science fiction technology, including spaceships and weapons, for military purposes and usually principal characters who are members of a military organization, usually during a war; occurring sometimes in outer space or on a different planet or planets. It exists in a range of media, including literature, comics, film, television and video games.
Charles Cornwallis Chesney was a British soldier and military writer.
Sir George Tomkyns Chesney was a British Army general, politician, and writer of fiction. He is remembered as the author of the novella The Battle of Dorking (1871), a founding work in the genre of invasion literature.
La Débâcle (1892), translated as The Debacle and The Downfall, is the penultimate novel of Émile Zola's Les Rougon-Macquart series, which first appeared as a serial in La Vie populaire from 21 February to 21 July 1892, before being published in book form by Charpentier.
Invasion literature is a literary genre that was popular in the period between 1871 and the First World War (1914–1918). The invasion novel was first recognised as a literary genre in the UK, with the novella The Battle of Dorking: Reminiscences of a Volunteer (1871), an account of a German invasion of England, which, in the Western world, aroused the national imaginations and anxieties about hypothetical invasions by foreign powers; by 1914 the genre of invasion literature comprised more than 400 novels and stories.
Before Armageddon: An Anthology of Victorian and Edwardian Imaginative Fiction Published Before 1914 is a collection of stories, including invasion literature, and one article, all edited by Michael Moorcock. Originally published in hardback by W.H. Allen in 1975, it was re-issued as a paperback by Star in 1976.
The Great War in England in 1897 was written by William Le Queux and published in 1894.
The Swoop!, or How Clarence Saved England is a short comic novel by P. G. Wodehouse, first published in the United Kingdom by Alston Rivers Ltd, London, on 16 April 1909. Its subtitle is A Tale of the Great Invasion.
The Cardwell Reforms were a series of reforms of the British Army undertaken by Secretary of State for War Edward Cardwell between 1868 and 1874 with the support of Liberal prime minister William Ewart Gladstone. Gladstone paid little attention to military affairs but he was keen on efficiency. In 1870, he pushed through Parliament major changes in Army organisation. The German Empire's stunning triumph over the Second French Empire in the Franco-Prussian War proved that the Prussian system of professional soldiers with up-to-date weapons was far superior to the traditional system of gentlemen-soldiers that Britain used.
The Back Door was an anonymous work of invasion literature serialised in Hong Kong newspaper The China Mail from 30 September through 8 October 1897. The work, written in the form of a historical account, describes an imagined Russian and French landing at Hong Kong's Deep Water Bay, followed by shelling of Victoria Peak, a sea battle in the Sulphur Channel between Hong Kong Island and Green Island, and a last stand at Stonecutters Island in which British forces were decisively defeated. The story was intended as a criticism of the lack of British funding for the defence of Hong Kong; fears of invasion were driven by French expansionism in Southeast Asia and increasing Russian influence in Manchuria. It was speculated, but never proven, that members of the Imperial Japanese Army read the book in preparation for the 1941 Battle of Hong Kong, in which Japanese forces overran Hong Kong in just 18 days. In terms of its style, it follows the model laid out by George Tomkyns Chesney's The Battle of Dorking, but is noteworthy for its attention to detail, even giving real names of individual soldiers and ships; one reviewer described it as "unique" in its verisimilitude, stating that only William Le Queux's The Invasion of 1910 and Cleveland Moffett's The Conquest of America could compare to it.
The Great War of 1892 was a story of the genre termed "Invasion Literature" written by Admiral Philip Howard Colomb and six co-authors, intended to warn Britain about what he saw as the weakness of the Royal Navy. It was published in Black and White, a weekly magazine which focused on the exploits of Britain's Army and Navy. The fictional story was a collaboration between Colomb and several experienced journalists and officers and had been prompted by the success of the 1871 novella The Battle of Dorking by George Tomkyns Chesney.
The Angel of the Revolution: A Tale of the Coming Terror (1893) is a science fiction novel by the English writer George Griffith. It was his first published novel and remains his most famous work. It was first published in Pearson's Weekly and was prompted by the success of "The Great War of 1892" in Black and White magazine, which was itself inspired by The Battle of Dorking.
The Invasion of 1910 is a 1906 novel written mainly by William Le Queux. It is one of the most famous examples of invasion literature. It is viewed by some as an example of pre-World War I Germanophobia. It can also be viewed as prescient, as it preached the need to prepare for war with Germany.
The term invasion of England may refer to the following planned or actual invasions of what is now modern England, successful or otherwise.
The War of the Worlds is a science fiction novel by English author H. G. Wells. It was written between 1895 and 1897, and serialised in Pearson's Magazine in the UK and Cosmopolitan magazine in the US in 1897. The full novel was first published in hardcover in 1898 by William Heinemann. The War of the Worlds is one of the earliest stories to detail a conflict between humankind and an extraterrestrial race. The novel is the first-person narrative of an unnamed protagonist in Surrey and his younger brother who escapes to Tillingham in Essex as London and southern England is invaded by Martians. It is one of the most commented-on works in the science fiction canon.
Belgium was not a belligerent in the Franco-Prussian War (1870–1871), as the country was neutral throughout the war, but was heavily influenced by the social and political effects of the conflict. An invasion of Belgian territory by either side was widely feared in 1870 and the Belgian Army was mobilised. The inadequacies which this revealed in Belgium's military and defensive preparations led to calls to reform the system of conscription and for a programme of fortification-building which would greatly influence the early phases of World War I.
William Blackwood and Sons was a Scottish publishing house and printer founded by William Blackwood in 1804. It played a key role in literary history, publishing many important authors, for example John Buchan, George Tomkyns Chesney, Joseph Conrad, George Eliot, E. M. Forster, John Galt, John Neal, Thomas De Quincey, Charles Reade, Margaret Oliphant, John Hanning Speke and Anthony Trollope, both in books and in the monthly Blackwood’s Magazine.
Ignatius Frederick "Ian" Clarke was a British scholar and professor of English, known for his work on science fiction as a bibliographer, historian and editor, and also, with his wife Margaret, as a translator of early French science fiction.
