Alexis Andrew Nicholas Koerner, known professionally as Alexis Korner, was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues". A major influence on the sound of the British music scene in the 1960s, he was instrumental in the formation of several notable British bands including The Rolling Stones and Free.
John Symon Asher “Jack” Bruce was a Scottish musician, singer, songwriter and composer. He gained popularity as the primary lead vocalist and bassist of rock band Cream. After the group disbanded in 1968, he pursued a solo career and also played with several bands.
Harold McNair was a Jamaican-born saxophonist and flautist.
Reg Strikes Back is the 21st studio album by English musician Elton John. Released in 1988, it was his self-proclaimed comeback album, and his own way of fighting back against bad press. The "Reg" in Reg Strikes Back refers to John's birth name, Reginald Kenneth Dwight.
Instant Replay is the seventh studio album by the Monkees. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
CCS, sometimes written as C.C.S., was a British musical group, led by blues guitarist Alexis Korner. The name was derived as an abbreviation of Collective Consciousness Society.
George Bruno Money is an English vocalist, keyboardist and bandleader. He is best known for his playing of the Hammond organ and association with his Big Roll Band. Inspired by Jerry Lee Lewis and Ray Charles, he was drawn to rock and roll music and became a leading light in the vibrant music scene of Bournemouth and Soho during the 1960s. He took his stage name 'Zoot' from Zoot Sims after seeing him in concert.
Richard Edwin Morrissey was a British jazz musician and composer. He played the tenor saxophone, soprano saxophone and flute.
Believe You Me is the third studio album by English synth-pop duo Blancmange, released on 11 October 1985 by London Records. A remastered edition was released by Edsel Records in 2008 which featured the album along with four bonus tracks.
Colin Hodgkinson is a British rock, jazz and blues bassist, who has been active since the 1960s.
Peter Eiberg Thorup was a Danish guitarist, singer, composer and record producer. He was one of the most important blues musicians in Denmark, and he was known outside his own country, when in the late 1960s he met Alexis Korner and the two formed the bands New Church, The Beefeaters, CCS, and later Snape.
B.B. King in London is a studio album by B.B. King, recorded in London in 1971. He is accompanied by US session musicians and various British rock- and R&B musicians, including Ringo Starr, Alexis Korner and Gary Wright, as well as members of Spooky Tooth and Humble Pie, Greg Ridley, Steve Marriott, and Jerry Shirley.
Rocket 88 is an album recorded live in Germany in 1981 by the boogie-woogie band Rocket 88. The band had a casual line-up, and founder/producer/band-member Ian Stewart in his liner notes makes reference to the other "permanent" band-members who were not present for that particular recording. Although it is rumoured that there are numerous bootleg live takes from other concerts, it is the band's only officially released album. It was recorded using the Rolling Stones Mobile Studio.
All Killer, No Filler: The Anthology is a 1993 box set collecting 42 songs by rock and roll and rockabilly pioneer Jerry Lee Lewis from the mid-1950s to the 1980s, including 27 charting hits. The album has been critically well received. In 2003, Rolling Stone listed the album at #245 in its list of "Rolling Stone's 500 Greatest Albums of All Time", maintaining its rating in a 2012 revised list, and dropping to #325 in the 2020 update. Country Music: The Rough Guide indicated that "[t]his is the kind of full-bodied, decades-spanning treatment that Lewis's long, diverse career more than well deserves."
The Glitter Band are a glam rock band from England, who initially worked as Gary Glitter's backing band under that name from 1973, when they then began releasing records of their own. They were unofficially known as the Glittermen on the first four hit singles by Gary Glitter from 1972 to 1973.
C.C.S. was the first studio album of the British blues outfit CCS, led by guitarist Alexis Korner. To avoid confusion with the group's second album with the same name, the album is often called "Whole Lotta Love", due to the inclusion of the Led Zeppelin song. In the UK, "Boom Boom" was issued as the A-side of the single, however "Whole Lotta Love" charted at number 13 on the UK Official Charts. In the US, the single charted at number 58 on the Billboard Hot 100, while the album only charted at number 197 on the Billboard 200.
C.C.S. was the second studio album of the British blues and jazz outfit CCS, led by guitarist Alexis Korner. This album is usually called C.C.S. 2 to avoid confusion with the first, eponymous album, even though that title cannot be found anywhere on the record or sleeve.
The Party Album, also known as The Party LP is a 1978 live blues recording by Alexis Korner. The double album features Alexis Korner and various guest musicians singing a mix of both classic blues songs as well as some of Korner's own. The concert was a celebration of Korner's 50th birthday.
We Can Do It is the second studio album by the English pop band The Rubettes, released on the State Records label in March 1975. The album reached no 41 in the UK charts and contained two UK top 10 hits – "I Can Do It" and "Juke Box Jive".
Wear It's 'At is the debut album by English pop band The Rubettes assembled in 1973 by the songwriting team of Wayne Bickerton, then the head of A&R at Polydor Records, and his co-songwriter, Tony Waddington, after their doo-wop and 1950s American pop-influenced songs had been rejected by a number of existing acts. Tracks from this album also exhibited the doo-wop style. The album title was a reference to the group's wearing trademark white suits and white cloth caps on stage, a white cap being shown on the album front cover.
