Plot summary
 | This section needs expansion. You can help by adding to it. (June 2023) |
| The Big Noise | |
|---|---|
| Directed by | Allan Dwan |
| Written by |
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| Produced by | Allan Dwan |
| Starring | |
| Edited by |
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Production company | |
| Distributed by | First National Pictures |
Release date |
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Running time | 80 minutes |
| Country | United States |
| Languages |
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The Big Noise is a lost [1] 1928 American silent comedy film directed by Allan Dwan and starring Chester Conklin, Alice White and Bodil Rosing. [2] [3]
| | This section needs expansion. You can help by adding to it. (June 2023) |
Allan Dwan was a pioneering Canadian-born American motion picture director, producer, and screenwriter.
Chester Cooper Conklin was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue.
Mr. Fix-It is a 1918 American silent comedy film starring Douglas Fairbanks, Marjorie Daw, and Wanda Hawley, directed by Allan Dwan.
The Good Bad-Man is a 1916 American silent Western film directed by Allan Dwan. The film was written by Douglas Fairbanks, and produced by Fairbanks and the Fine Arts Film Company. It stars Fairbanks and Bessie Love.
Frozen Justice is a 1929 American pre-Code drama film directed by Allan Dwan. The picture starred Lenore Ulric in her first sound film and is based on the 1920 novel, Norden For Lov og Ret, by Ejnar Mikkelsen. A shorter, silent version of the film was also released. The film was set in Nome, Alaska during the Klondike Gold Rush in 1898 and 1899.
South Sea Rose is a 1929 American comedy-drama film distributed by the Fox Film Corporation and produced and directed by Allan Dwan. This picture was Dwan's second collaboration with star Lenore Ulric, their first being Frozen Justice. Much of the cast and crew on Frozen Justice returned for this film.
David Harum is a 1915 American silent comedy-drama romance film written and directed by Allan Dwan, produced by Famous Players Film Company and distributed by Paramount Pictures. It is based on the 1898 novel of the same name by Edward Noyes Westcott and the 1900 Broadway play based on the novel, starring William H. Crane. Crane agreed to star in the film only if the film was written exactly as the play. David Harum is the only film of Dwan's for Famous Players that still survives. A print is preserved at the George Eastman House in Rochester, New York and the Cinémathèque Française in Paris.
McFadden's Flats is a 1927 American silent comedy film directed by Richard Wallace and based on an 1896 play of the same name.
A Kiss In A Taxi is a 1927 American silent comedy film starring Bebe Daniels and directed by Clarence Badger. It is based on a French play, A Kiss in a Taxi, produced on Broadway in 1925. Famous Players–Lasky produced and Paramount Pictures distributed the film.
Big Brother is a 1923 American silent drama film directed by Allan Dwan and written by Rex Beach and Paul Sloane. The film stars Tom Moore, Edith Roberts, Raymond Hatton, Joe King, Mickey Bennett, Charles Henderson, and Paul Panzer. The film was released on December 23, 1923, by Paramount Pictures.
Wages of Virtue is a 1924 American silent drama film directed by Allan Dwan and written by Forrest Halsey and Percival Christopher Wren. The film stars Gloria Swanson, Ben Lyon, Norman Trevor, Ivan Linow, Armand Cortes, Adrienne D'Ambricourt, and Paul Panzer. The film was released on November 10, 1924, by Paramount Pictures. It was shot at the Astoria Studios in New York.
The Food Gamblers is a lost 1917 American silent drama film directed by Al Parker and starring Wilfred Lucas, Russell Simpson, and Elda Millar. The production was supervised by Allan Dwan. The plot involves the manipulation of the prices of food and other goods, similar to the inflation experienced at the time of the American entry into World War I.
The Hidden Woman is a lost 1922 American silent drama film directed by Allan Dwan and starring Evelyn Nesbit in her final full-length feature film. The film was claimed to be made in 1916 and not released until 1922, but this is impossible since Anne Shirley is a cast member and she was born in 1918. Nesbit's son, Russell Thaw, has a role in the film.
Panthea is a 1917 American silent drama film directed by Allan Dwan and starring Norma Talmadge. This was the first film Talmadge made after leaving D. W. Griffith's company to form her own production company with Joseph M. Schenck. It is believed to be a lost film. It was last shown in Venice in 1958.
Cheating Cheaters is a 1919 silent film comedy directed by Allan Dwan and starring Jack Holt and Clara Kimball Young. Young's production company produced. It was released by Select Pictures Corporation.
The Fire Patrol is surviving American 1924 silent melodrama film directed by Hunt Stromberg and starring Anna Q. Nilsson that was based upon the 1891 play of the same name by James W. Harkins and Edwin Barbour. Stromberg also produced the film and released it through Chadwick Pictures.
A Perfect Crime is a 1921 American silent comedy-drama film directed by Allan Dwan and starring Monte Blue, Jacqueline Logan, and Stanton Heck. It is not known whether the film survives which suggests it may be lost.
The Scoffer is a surviving 1920 American silent drama film produced and directed by Allan Dwan and starring Mary Thurman. It was released through Associated First National Pictures.
Public Be Damned is a 1917 American silent drama film directed by Stanner E.V. Taylor and starring Mary Fuller, Charles Richman and Chester Barnett. The film's negative portrayal of food hoarding at a time of increased shortages due to the American entry into World War I led to it being publicly endorsed by Herbert Hoover, who shot a prologue to introduce the film. It was followed shortly afterwards by a similarly-themed production The Food Gamblers by Allan Dwan.
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