The Good Bad-Man | |
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Directed by | Allan Dwan |
Written by | Douglas Fairbanks |
Produced by | Douglas Fairbanks |
Starring | Douglas Fairbanks |
Cinematography | Victor Fleming |
Production company | |
Distributed by |
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Release dates |
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Running time | 50 minutes; 5 reels [1] |
Country | United States |
Language | Silent (English intertitles) |
The Good Bad-Man [a] is a 1916 American silent Western film directed by Allan Dwan. The film was written by Douglas Fairbanks and produced by Fairbanks and the Fine Arts Film Company. It stars Fairbanks and Bessie Love.
The film was originally distributed by Triangle Film Corporation and was re-edited and re-released by Tri-Stone Pictures in 1923. [4]
"Passin' Through" (Fairbanks) is a benevolent outlaw who robs trains to provide for fatherless children in the Old West. He knows little of his personal history but is pursued by a U.S. Marshal (Cannon) who does. Along the way, he meets Amy (Love) and falls in love with her. A rival bandit, "The Wolf" (De Grasse), is also competing for Amy's affections, but Passin' and Amy ultimately marry. [1] [3] [5]
No print of the original 1916 release is known to survive, but a print of the 1923 re-release is preserved at the Library of Congress. [7]
On May 31, 2014, a restored print of the 1923 version was screened at the San Francisco Silent Film Festival at the Castro Theatre. [5] This print included an original title card stating it was "Supervised by D. W. Griffith".
At the film's Los Angeles premiere, Bessie Love performed the song "The Rosary" by Ethelbert Woodbridge Nevin. [8]
The film received positive reviews. The cast and direction were particularly praised in contemporaneous trade publications. [1] [3]
Fairbanks biographer Jeffrey Vance considers The Good Bad-Man significant for its insight into Fairbanks's personal life. Vance wrote:
Passin' Through's unresolved relationship with an absent father and concerns of illegitimacy were also central to the identity of the offscreen Fairbanks, born Douglas Ulman. His mother, Ella Fairbanks (née Marsh), had been twice married before meeting attorney H. Charles Ulman, the son of German-Jewish immigrants. An alcoholic and bigamist, Ulman abandoned his new family when Douglas was five years old. At that time, Douglas's mother changed the family's surname to that of her deceased first husband, "Fairbanks." H. Charles Ulman died in 1915 and was undoubtedly in Fairbanks's thoughts in early 1916 when he developed the story of The Good Bad Man. The personal concerns and anxieties Fairbanks felt toward his identity were deeply concealed, which makes their exploration with his film's restless hero fascinating to watch. [5]