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 Front cover, designed by Lynd Ward | |
| Author | Lynd Ward |
|---|---|
| Illustrator | Lynd Ward |
| Country | United States |
| Genre | Children's book |
| Published | 1952 by Houghton Mifflin Harcourt |
The Biggest Bear is a children's picture book by Lynd Ward, first published in 1952. It was illustrated using casein paint, and won the Caldecott Medal for illustration in 1953. [1]
The Biggest Bear was the first children's picture book for which Ward was both author and illustrator. He rendered the illustrations in casein paint. [2]
Ward set the story in the backwoods of Northern Ontario, an area he was familiar with [3] as his parents had taken him to Sault Ste. Marie when he was a boy so he could recover from tuberculosis. [4] Thereafter the family summered at a lake near Echo Bay, not far from the US–Canada border. [3]
Johnny Orchard, a young boy, is jealous because his neighbors have bear pelts hanging on their barns, so he takes a rifle and goes hunting for the biggest bear in the valley. However, when he finds only a male bear cub, he befriends him by feeding him maple sugar and brings the bear home as a pet. As he grows, the bear becomes a nuisance to Johnny's family and the neighbors due to his enormous appetite. After the neighbors complain to his father, Johnny tries three times to return the bear to the woods. Each time the bear follows Johnny back home. Finally, Johnny and his father decide the only way to solve the problem is to shoot the bear. Johnny takes the bear far into the woods, but while loading his rifle, the bear runs off and into a live trap that has maple sugar in it. Men who had set the trap to capture animals for the zoo soon come. They take Johnny's bear to a zoo where Johnny can visit him anytime he wants to.
In The Denial of Death, Ernest Becker cited The Biggest Bear as an example of how the innate human fear can become manifested in literature. [5] [ page needed ]
William Sherman Pène du Bois was an American writer and illustrator of books for young readers. He is best known for The Twenty-One Balloons, published in April 1947 by Viking Press, for which he won the 1948 Newbery Medal. He was twice a runner-up for the Caldecott Medal for illustrating books written by others, and the two Caldecott Honor picture books, which he also wrote.
Ernest Becker was an American cultural anthropologist and author of the 1974 Pulitzer Prize-winning book, The Denial of Death.
Randolph Caldecott was a British artist and illustrator, born in Chester. The Caldecott Medal was named in his honour. He exercised his art chiefly in book illustrations. His abilities as an artist were promptly and generously recognised by the Royal Academy. Caldecott greatly influenced illustration of children's books during the nineteenth century. Two books illustrated by him, priced at a shilling each, were published every Christmas for eight years.
Lynd Kendall Ward was an American artist and novelist, known for his series of wordless novels using wood engraving, and his illustrations for juvenile and adult books. His wordless novels have influenced the development of the graphic novel. Although strongly associated with his wood engravings, he also worked in watercolor, oil, brush and ink, lithography and mezzotint. Ward was a son of Methodist minister, political organizer and radical social activist Harry F. Ward, the first chairman of the American Civil Liberties Union on its founding in 1920.
Leo Lionni was an Italian-American writer and illustrator of children's books. Born in the Netherlands, he moved to Italy and lived there before moving to the United States in 1939, where he worked as an art director for several advertising agencies, and then for Fortune magazine. He returned to Italy in 1962 and started writing and illustrating children's books. In 1962, his book Inch by Inch was awarded the Lewis Carroll Shelf Award.
Feodor Stepanovich "Rojan" Rojankovsky, also known as Rojan, was a Russian émigré illustrator. He is well known both for children's book illustration and for erotic art. He won the 1956 Caldecott Medal for U.S. picture book illustration from the American Library Association, recognizing Frog Went A-Courtin' by John Langstaff.
Alvin Tresselt was an American children's book author and graphic designer. His book White Snow, Bright Snow won the Caldecott Medal. One of his most popular books was his retelling of the Ukrainian folktale The Mitten, illustrated by Yaroslava Mills.
Song Without Words: A Book of Engravings on Wood is a wordless novel of 1936 by American artist Lynd Ward (1905–1985). Executed in twenty-one wood engravings, it was the fifth and shortest of the six wordless novels Ward completed, produced while working on the last and longest, Vertigo (1937). The story concerns the anxiety an expectant mother feels over bringing a child into a world under the threat of fascism—anxieties Ward and writer May McNeer were then feeling over McNeer's pregnancy with the couple's second child.
Michael McCurdy was an American illustrator, author, and publisher. He illustrated over 200 books in his career, including ten that he authored. Most were illustrated with his trademark black and white wood engravings, with occasional color illustrations. His illustrations often have historical or natural themes.
A Sick Day for Amos McGee is a 2010 children's picture book written by Philip C. Stead and illustrated by Erin E. Stead. The book depicts a zookeeper who has bonded with the animals he cares for and who come and visit him one day when he gets sick. Phillip Stead wrote the book hoping his wife Erin would illustrate it after a period where she had become discouraged with her art. The book was well reviewed, and Erin won the 2011 Caldecott Medal for her illustrations. The book received praise for its woodblock illustrations and for its message about what friends will do to help and support each other.
Gods' Man is a wordless novel by American artist Lynd Ward (1905–1985) published in 1929. In 139 captionless woodblock prints, it tells the Faustian story of an artist who signs away his soul for a magic paintbrush. Gods' Man was the very first American wordless novel, and is considered a precursor of the graphic novel, whose development it influenced.
Prelude to a Million Years: A Book of Wood Engravings is a 1933 wordless novel consisting of thirty wood engravings by American artist Lynd Ward (1905–1985). It was the fourth of Ward's six wordless novels, a genre Ward discovered while studying wood engraving in Europe, and delved into under the influence of the works of Frans Masereel and Otto Nückel. The symbol-rich story tells of a sculptor who, in his quest for ideal beauty, neglects the reality of the struggles of his neighbors in the depths of the Great Depression. The engravings are done in a softer Art Deco style in contrast to the German Expressionism-influenced artwork of Ward's earlier works.
Wild Pilgrimage is the third wordless novel of American artist Lynd Ward (1905–1985), published in 1932. It was executed in 108 monochromatic wood engravings, printed alternately in black ink when representing reality and orange to represent the protagonist's fantasies. The story tells of a factory worker who abandons his workplace to seek a free life; on his travels he witnesses a lynching, assaults a farmer's wife, educates himself with a hermit, and upon returning to the factory leads an unsuccessful workers' revolt. The protagonist finds himself battling opposing dualities such as freedom versus responsibility, the individual versus society, and love versus death.
Madman's Drum is a wordless novel by American artist Lynd Ward (1905–1985), published in 1930. It is the second of Ward's six wordless novels. The 118 wood-engraved images of Madman's Drum tell the story of a slave trader who steals a demon-faced drum from an African he murders, and the consequences for him and his family.
Vertigo is a wordless novel by American artist Lynd Ward (1905–1985), published in 1937. In three intertwining parts, the story tells of the effects the Great Depression has on the lives of an elderly industrialist and a young man and woman. Considered his masterpiece, Ward uses the work to express the socialist sympathies of his upbringing; he aimed to present what he called "impersonal social forces" by depicting the individuals whose actions are responsible for those forces.
Destiny is the only wordless novel by German artist Otto Nückel. It first appeared in 1926 from the Munich-based publisher Delphin-Verlag. In 190 wordless images the story follows an unnamed woman in a German city in the early 20th century whose life of poverty and misfortune drives her to infanticide, prostitution, and murder.
The Sun is a wordless novel by Flemish artist Frans Masereel (1889–1972), published in 1919. In sixty-three uncaptioned woodcut prints, the book is a contemporary retelling of the Greek myth of Icarus.
The Silver Pony: A Story in Pictures is an illustrated children's book by American artist Lynd Ward, published in 1973.
Juliet Kepes, née Appleby, (1919–1999) was a British illustrator, painter and sculptor.
Finding Winnie: The True Story of the World's Most Famous Bear is a 2015 children's book written by Canadian author Lindsay Mattick and illustrated by Sophie Blackall. The non-fiction book is framed as a story Mattick is telling to her son. Her great-grandfather, Harry Colebourn bought a bear on his way to fight in World War I, donating the bear to a zoo where it became the inspiration for the character of Winnie-the-Pooh. Finding Winnie was thoroughly researched by both Blackall and Mattick. The book's writing and illustrations were well reviewed and it won the 2016 Caldecott Medal.
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