The Birth of a Race | |
---|---|
Directed by |
|
Produced by | Emmett Jay Scott |
Cinematography | Herbert Oswald Carleton |
Music by | Joseph Carl Breil |
Distributed by | Gardiner Syndicate |
Release date |
|
Country | United States |
Language | Silent (English intertitles) |
The Birth of a Race is a 1918 American silent drama film directed by John W. Noble. It was made as a response to the 1915 film The Birth of a Nation , and was meant to discredit the negative stereotypes perpetuated by the film. Initially, it was intended to be a short answer film that could be appended to The Birth of a Nation in 1915 but a combination of weak financial backing and growing ambitions delayed its completion for more than two years. [1] [2] [3]
When finally released in December 1918, following the end of World War I, The Birth of a Race was a two-hour feature-length film, portraying the achievements of black people through history. [4] It premiered in Chicago in December, 1918, to great ballyhoo but was a commercial and critical failure. [5]
This film is preserved at the Library of Congress. [6]
Following the "Birth of the Human Race" section, the film had epic scenes of Ancient Egypt with Nubian soldiers and the rescue of infant Moses in the river. A later scene portrayed Simon of Cyrene helping Jesus carry his cross on the Via Dolorosa and the signing of the Declaration of Independence. [4]
The film then shifted to World War I, with two white brothers in a German-American family going to war on the Western Front, one ("George") fighting for the United States, and the other ("Oscar") fighting for Germany. George is wounded, and at the hospital defends it from a German attack, killing Oscar in the process. George is sent home to America, where he rescues his wife from a German spy.
Principal filming took place in Chicago and Tampa, Florida. Several outdoor scenes were filmed in Tampa in January, 1918, including ancient Egypt and the rescue of the infant Moses from a river and Simon of Cyrene helping Jesus carry his cross on the Via Dolorosa. [4]
Critics complained that the screenplay was muddled about two white brothers fighting on opposite sides in WWI. Birth of a Race also suffered at the box office due to its release just weeks after the end of World War I; audiences were no longer interested in seeing a war film. [4]
The Birth of a Nation, originally called The Clansman, is a 1915 American silent epic drama film directed by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from Thomas Dixon Jr.'s 1905 novel and play The Clansman. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken.
The Big Parade is a 1925 American silent war drama film directed by King Vidor, starring John Gilbert, Renée Adorée, Hobart Bosworth, Tom O'Brien, and Karl Dane. Written by World War I veteran Laurence Stallings, the film is about an idle rich boy who joins the U.S. Army's Rainbow Division, is sent to France to fight in World War I, becomes a friend of two working-class men, experiences the horrors of trench warfare, and finds love with a French girl. A sound version of the film was released in 1930. While the sound version of the film has no audible dialog, it featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
The submarine film is a subgenre of war film in which the majority of the plot revolves around a submarine below the ocean's surface. Films of this subgenre typically focus on a small but determined crew of submariners battling against enemy submarines or submarine-hunter ships, or against other problems ranging from disputes amongst the crew, threats of mutiny, life-threatening mechanical breakdowns, or the daily difficulties of living on a submarine.
Hearts of the World is a 1918 American silent World War I propaganda film written, produced and directed by D. W. Griffith. In an effort to change the American public's neutral stance regarding the war, the British government contacted Griffith due to his stature and reputation for dramatic filmmaking.
Noah's Ark is a 1928 American sound part-talkie epic and disaster film directed by Michael Curtiz and starring Dolores Costello and George O'Brien. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The story is by Darryl F. Zanuck. The film was released by the Warner Bros. studio. Most scenes are silent with a synchronized music score and sound effects, in particular the biblical ones, while some scenes have dialogue.
Carmen is a 1915 American silent drama film directed by Cecil B. DeMille. The film is based on the novella Carmen by Prosper Mérimée. The existing versions of this film appear to be from the re-edited 1918 re-release.
Australia's Peril is a 1917 Australian silent film directed by Franklyn Barrett. It is considered a lost film.
Woman, also known by its french title L'Éternelle Tentatrice is a 1918 American silent drama film directed by Maurice Tourneur, an allegorical film showcasing the story of women through points in time. Popular in its day, the film was distributed in the State's Rights plan as opposed to a major distributor, like Paramount Pictures or Universal Pictures.
The Wonderful Chance is a 1920 American silent crime drama film produced by Lewis Selznick and released by Select Pictures. This picture stars Eugene O'Brien in a dual role and was directed by George Archainbaud. While this film survives today in several archives, it is best known for featuring Rudolph Valentino in a villain role rather than the hero. In the 1960s scenes from the film were used in the documentary The Legend of Rudolph Valentino (1961) narrated by Graeme Ferguson.
The Hell Cat is a 1918 American silent Western film produced and distributed by Goldwyn Pictures. Reginald Barker directed and Geraldine Farrar starred. It is not known whether the film currently survives.
The Curse of Iku is a 1918 American drama film directed by Frank Borzage and featuring Borzage, Tsuru Aoki, and Thomas Kurihara in lead dual roles.
George Le Guere was an American stage and screen actor, he was sometimes credited as George LeGuere.
The Pride of New York is a lost 1917 American silent war drama film directed by Raoul Walsh and starring his brother George Walsh. It was produced by and distributed through the Fox Film Corporation.
(for the American sound film on Edith Cavell, see Nurse Edith Cavell)
My Four Years in Germany is a 1918 American silent war drama film directed by William Nigh, based on the experiences of real life U. S. Ambassador to Germany James W. Gerard as described in his book. It is notable as being the first film produced by the four Warner Brothers, Harry, Sam, Albert and Jack, although the title card clearly reads "My Four Years In Germany Inc. Presents ...". The film was produced during the height of World War I and is generally considered a prime example of war propaganda.
A Son of the Sahara is a 1924 American silent drama film produced and directed by Edwin Carewe and co-directed with René Plaissetty. It stars Claire Windsor and Bert Lytell. First National handled the distribution of the film.
The Gambling Fool is a 1925 silent Western film directed by J. P. McGowan starring Franklyn Farnum.
Roi Cooper Megrue was an American playwright, producer, and director active on Broadway from 1914 to 1921.
Greater Than a Crown is a 1925 American silent romantic comedy film directed by Roy William Neill and starring Edmund Lowe, Dolores Costello, and Margaret Livingston. It was based on a 1918 novel The Lady from Long Acre by the British writer Victor Bridges. The novel had previously been adapted as the 1921 film The Lady from Longacre.
The Roughneck is a 1924 American silent romantic adventure film directed by Jack Conway and written by Charles Kenyon. It is based on the 1923 novel The Roughneck by Robert W. Service. The film stars George O'Brien, Billie Dove, Harry T. Morey, Cleo Madison, Charles Sellon, and Anne Cornwall. The film was released on November 30, 1924, by Fox Film Corporation.