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The Black-Man's Burdon | ||||
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Studio album by | ||||
Released | December 1970 | |||
Recorded | 1970 | |||
Studio | Wally Heider Studios, San Francisco | |||
Genre | ||||
Length | 90:08 | |||
Label | MGM | |||
Producer | Jerry Goldstein | |||
Eric Burdon chronology | ||||
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War chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
The Village Voice | D+ [4] |
The Black-Man's Burdon is a double album by American band Eric Burdon and War, released in December 1970 on MGM Records. It was the last album by the group before Burdon left and the remaining band continued as War.
The title is a pun on The Black Man's Burden , an expression which refers to black slavery, used as the title of a book by E. D. Morel (1920) in response to the poem, "The White Man's Burden" (1899) by Rudyard Kipling, which refers to (and champions) western imperialism (including its history of slavery).
The album includes two suites based on songs by other artists: "Paint It Black" by The Rolling Stones, and "Nights in White Satin" by The Moody Blues, augmented by additional sections composed by the group. (Two similar suites appeared on the group's first album.) The extra material is mostly instrumental, except for "P.C. 3" (P.C. referring to Police Constable, a common abbreviation used in the United Kingdom), a risqué poem recited (and probably written) by Burdon over the music. Two other songs include a gospel-style chorus credited as Sharon Scott and the Beautiful New Born Children of Southern California. Richie Unterberger of Allmusic says the album is "Composed mostly of sprawling psychedelic funk jams" and "it does find War mapping out much of the jazz/Latin/soul grooves...".
One single from the album was released: "They Can't Take Away Our Music" backed with "Home Cookin'".
The front cover shows a black man in silhouette, while the back cover shows Burdon and a woman posed together: the woman sitting on a wall with her legs spread far apart, and Burdon (shirtless) resting the back of his head against her pelvis and gripping her ankles. The gatefold photo is somewhat risqué, consisting of the group (mostly shirtless) in a field with two nude women lying in the grass.
The album also came with a numbered 7–inch by 3–inch "war bond" entitling the bearer to $1 off the admission of any War concert. [5]
All tracks written by War (Papa Dee Allen, Harold Brown, Eric Burdon, B.B. Dickerson, Lonnie Jordan, Charles Miller, Lee Oskar, Howard E. Scott) except where noted.
War is an American funk/rock/soul/Latin band from Long Beach, California, known for several hit songs . Formed in 1969, War is a musical crossover band that fuses elements of rock, funk, jazz, Latin, rhythm and blues, psychedelia, and reggae. According to music writer Colin Larkin, their "potent fusion of funk, R&B, rock and Latin styles produced a progressive soul sound", while Martin C. Strong calls them "one of the fiercest progressive soul combos of the '70s". Their album The World Is a Ghetto was Billboard's best-selling album of 1973. The band transcended racial and cultural barriers with a multi-ethnic line-up. War was subject to many line-up changes over the course of its existence, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up; four other members created a new group called the Lowrider Band.
Why Can't We Be Friends? is the seventh studio album by American band War, released on June 16, 1975 by United Artists Records. Two singles from the album were released: the title track backed with "In Mazatlan", and "Low Rider" backed with "So". Both A-sides were nominated for the Grammy Awards of 1976.
The World Is a Ghetto is the fifth album by American band War, released in late 1972 on United Artists Records. The album attained the number one spot on Billboard, and was Billboard magazine's Album of the Year as the best-selling album of 1973. In addition to being Billboard's #1 album of 1973, the album was ranked number 444 on Rolling Stone magazine's original list of the 500 greatest albums of all time. The title track became a gold record.
All Day Music is the fourth album by American band War, released November 1971 on United Artists Records.
Howard E. Scott is an American funk/rock guitarist and founding member of the successful 1970s funk band War.
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Eric Burdon Declares "War" is the first of two original albums by American band Eric Burdon and War, released on MGM Records in April 1970. It peaked at number 18 on record charts in the USA, number 50 in the UK, and number 7 in Australia. The back cover includes this declaration: "We the People, have declared War against the People, for the right to love each other". The album received a gold record award.
"Spill the Wine" is the debut single by singer Eric Burdon and the band War, released in May 1970. It was backed by the non-album track "Magic Mountain", and was War's first Billboard chart hit.
Deliver the Word is the sixth album by War, released in 1973 on United Artists Records.
Guilty! is a 1971 album by Eric Burdon and Jimmy Witherspoon. It was the first release by Burdon after he left War.
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War is the third album by American band War, and their first following the departure of singer Eric Burdon and the group's name change from the original Eric Burdon and War. It was released in March 1971 on United Artists Records, their first for the label.
Platinum Jazz is a double album, the ninth studio album by War, released on Blue Note Records in July 1977.
The Music Band is an album by the American band War, released on MCA Records in 1979. It peaked at No. 41 on the Billboard 200.
The Music Band 2 is an album by the American band War, released on MCA Records in 1979. It peaked at No. 111 on the Billboard 200.
Outlaw is an album by the American band War, released in 1982. The band supported the album with a North American tour. "Cinco de Mayo" became a popular seasonal standard.
The Music Band – Jazz is an album by War, the fifth and final entry in their "Music Band" series, released on MCA Records in 1983. It consists of outtakes from sessions for their 1979 albums The Music Band and The Music Band 2, and features several lineups of the band which existed that year. War were no longer recording for MCA when this album was released, and no singles from the album were issued. Track one was probably recorded/written in 1979 when B. B. Dickerson was still in band and before Charles Miller was murdered. Track two could have been recorded/written anytime up to 1979.
☮ is an album by War, released on Avenue Records in 1994. Its title is a graphic of the peace symbol. It is often referred to as Peace Sign, the title of the first track, though arguably it could also be called Peace, the antonym of the group's name. It was released as a CD and also as a double LP, the latter containing an extra track titled "Africa", and a shorter version of "Peace Sign".
Philharmania is an album produced, arranged and conducted by Mike Batt in 1998. Performers included the Royal Philharmonic Orchestra and guest singers including Roger Daltrey, Marc Almond, Bonnie Tyler, Status Quo, Huey Lewis, Kim Wilde, Lemmy, Justin Hayward, and others. The album was recorded at Abbey Road Studios.
Galaxy is the tenth studio album by American band War. It was their first album released on MCA Records. The album was certified gold.