The Book of Eli marked the feature film score composition debut of Atticus Ross,even before his popularity before his Academy Award-winning score for The Social Network (2010). Atticus previously worked with Hughes brothers' on the American TV series Touching Evil (2004) and a segment of New York,I Love You (2008),directed by Allan. He also worked with his wife Claudia Sarne and brother Leopold Ross,for the film score.[1] The compositions were written at their home studio in Burbank,before recording it at the Abbey Road Studios with an 80-piece orchestra.[1]
Reception
Thom Jurek of AllMusic wrote "The cues,whether they be adorned by strings,synths,guitars,drums,or operatic voices,are equally balanced and utilized not simply as workmanlike devices for furthering the story in the film,but to adorn a work that can be widely enjoyed apart from its cinematic counterpart."[2]Todd McCarthy of Variety wrote "The strange and varied electronic score by Atticus Ross,Claudia Sarne and Leopold Ross is a welcome departure from the musical norm."[3]Manohla Dargis of The New York Times found the score to be "thrilling".[4]
Kirk Honeycutt of The Hollywood Reporter called it "an energetic,pulsating score from Atticus Ross (assisted by Claudia Sarne and Leopold Ross)."[5] Chris of We Are Movie Geeks wrote "There’s much to be said for simplicity,but Ross is nothing if not a deft conjurer of appealing and appalling sound so here he brings that to the table in spades."[6] Ray Pride of Newcity wrote "The best that can be said about the outsized score is that Atticus Ross composes in the key of self-parody."[7]
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