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Watchmen (Music from the HBO Series) is the original score for the HBO superhero drama limited series Watchmen , composed by Trent Reznor and Atticus Ross. The score was released in three volumes on vinyl and digital services over the course of the series' broadcast in 2019, with Volume 1 on November 6, Volume 2 on November 27, and Volume 3 on December 18.
Watchmen is Reznor and Ross' first collaborative soundtrack for scripted television following their work on a number of award-winning films (beginning with The Social Network in 2010), as well as the documentary series The Vietnam War in 2017. The score combines the duo's signature electronic and dark ambient sounds with jazz and blues compositions, a piano cover of David Bowie's "Life on Mars," and a number of interludes containing in-world content from the series' universe, including dialogue excerpts and fictional advertisements.
The score was critically acclaimed, with many reviewers considering it Reznor and Ross' best work to date. Particular praise was given to the album's stylistic range, as well as its role in crafting the series' distinct atmosphere. The score earned Reznor and Ross the Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie or Special (Original Dramatic Score) in 2020. [1]
Following their experimental lean towards dark ambient on Ghosts I–IV (2008), composers Trent Reznor and Atticus Ross of the industrial rock band Nine Inch Nails have collaborated on scoring a number of successful films, beginning with soundtracks to David Fincher's three consecutive films including The Social Network (2010), The Girl with the Dragon Tattoo (2011), and Gone Girl (2014). The duo made their television debut with the score for the PBS documentary series The Vietnam War in 2017, but had never composed music for a scripted series prior to their work on Watchmen.
Reznor, a personal fan of both the original Watchmen comic series by Alan Moore and Dave Gibbons as well as the work of Damon Lindelof, creator of the television series, reached out to Lindelof offering to score the series alongside Ross after HBO greenlit the project; the duo were officially announced as the series' composers in September 2018. [2] Reznor stated that he admired the creative risk Lindelof undertook in approaching the Watchmen property, remarking, "It would be a lot easier for Damon to make something that was not called Watchmen than it is to make something for fans that are unpleasable. (...) Just taking on the IP doesn't feel safe, so Atticus and I are all in with this show." [3] The duo began composing the series' score after meetings with Lindelof in which he pitched them the series' concept and presented a rough cut of the pilot episode. [3]
Reznor and Ross experimented with various styles and genres for the Watchmen soundtrack, combining their signature electronic and dark ambient sound with jazz, blues, and gospel influences. [4] Reznor noted that some of the score's stylistic range was informed by the tonal shifts of the pilot script, which he and Ross read before filming had commenced. He remarked, "We’d read the script for the first episode, (...) and it was tough to tell, is the tone of this dead serious? Is it self-aware? Is there any humor? Is it pitch black? When we saw the first cut, which wasn’t perfected yet, it really defined what it was. There’s a playfulness to this, which we hadn’t expected." The two created "about 12 pieces" based on the pilot script prior to viewing any footage from the series. [4]
Several pieces on the album springboarded from the track "How the West Was Really Won," which was said to have "captivated" Lindelof. [5] Ross stated that many pieces on the album were crafted using a similar approach to what he and Reznor took to their work as Nine Inch Nails, particularly on electronic tracks like "How the West Was Really Won" and "Nun With a Motherfucking Gun," which serves as the theme for protagonist Angela Abar/Sister Night. [4] [6] The duo also introduced orchestral elements for pieces containing in-universe content, such as the theme for the fictional series American Hero Story, which functioned both as a parody of the American Horror Story franchise as well as a way for Lindelof to lightheartedly "troll the Marvel movies," according to Ross. [4]
Furthermore, Reznor and Ross incorporated the series' historical themes and period settings into the score, particularly on the track "The Way It Used to Be," a jazz composition inspired by music from the 1940s. The piece is used in the episode "This Extraordinary Being," which is largely set in the 1940s, during a sequence where a character is lynched; Reznor recalled that the producers initially intended to use a track by Doris Day for the sequence, but that the record's publishers denied their request due to the context of the scene. This led to Reznor and Ross composing an original, period-authentic track for the episode. [6] Reznor noted that it was the first time he and Ross had attempted a jazz record. [7] The duo additionally created a cover of David Bowie's "Life on Mars", which is used in the end credits for the episode "An Almost Religious Awe". Reznor, who was personal friends with Bowie prior to the latter's death in 2016, remarked that composing the cover was a daunting task, but that he and Ross were ultimately "very proud" of the end result. [6] In addition to the Bowie cover, the track "No Rhythm" contains an interpolation of Wham!'s "Careless Whisper". [8]
The score for Watchmen was released in three volumes over the series' broadcast, with a new volume released every three episodes. The three albums collectively span 39 tracks. [9] The first volume was released on November 4, [10] the second on November 25, and the third on December 16, 2019. [11] Reznor reasoned that releasing all the tracks as part of one volume would exceed the "short attention span[s]" of general audiences, and that splitting the score into three volumes would allow it to "be part of the [series'] story." [12]
The albums were released in both physical and digital formats, with the vinyl editions containing various pieces of faux artwork, track titles and credits referencing in-world content from the series, as well as supplemental material written by Lindelof and Jeff Jensen. [13] [14] On the vinyl versions, Volume 1 is credited to the in-universe band the Sons of Pale Horse, with the faux title The Book of Rorschach; [15] Volume 2 is given the faux title Soundtrack to the Original Series American Hero Story: Minutemen (a show-within-a-show); [16] while Volume 3 is given the faux title The Manhattan Project, packaged as "the final album" for a fictional band called The Nine Inch Nails [ sic ]. [17]
Review scores | |
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Source | Rating |
Pitchfork | 7.6/10 [8] |
Consequence of Sound | A− [18] |
The score for Watchmen received widespread acclaim from critics, who praised its stylistic diversity and its contribution to creating a distinct atmosphere for the series. Sean T. Collins of Pitchfork gave the record a 7.6 out of 10, calling it Reznor and Ross' "strongest and most direct" work since their score for The Social Network. Collins singled out "How the West Was Really Won," calling it the album's best track and praising the usage of its melody as a leitmotif in several other tracks on the album. He also remarked on how the three volumes display the duo's "considerable range" with tracks "alternately paranoid and plaintive." [8] Angie Piccirillo of Consequence of Sound gave the album an A−, praising tracks like "Nun With a Motherfucking Gun" for utilizing the "iconic driving synths and electronic production that [Reznor and Ross] are known for." Piccirillo also praised the interlude monologues, such as "Garryowen" and "Trigger Warning", for providing "a backbone to the soundtrack as a whole, allowing for it to be able to tell the same story as the series — without even having to watch." She was less positive about tracks such as "The Brick" and "Absent Friends and Old Ghosts", which she felt represented the album's "expected moments of traditional underscore" and questioned their place on the record. [18] James Whitbrook of io9 wrote that the score was "just oozing with style, a soundscape that is almost off-putting in the uneasy tension its rhythmic pacing evokes—and yet at the same time it’s weirdly hypnotic, lulling you with a false sense of security with its slick beats (and even slicker basslines) as it burrows its way into your head." [19]
At the 72nd Primetime Creative Arts Emmy Awards, Reznor and Ross won the award for Outstanding Music Composition for a Limited Series for their work on Watchmen. Additionally, the track "The Way It Used to Be" was nominated for Outstanding Original Music and Lyrics. [20] At the 2020 Society of Composers & Lyricists Awards, Reznor and Ross were nominated for Outstanding Original Score for a Television or Streaming Production. [21]
All tracks written by Trent Reznor and Atticus Ross, except where noted.
No. | Title | Length |
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1. | "How the West Was Really Won" | 3:44 |
2. | "Orphans of Krypton" | 1:56 |
3. | "Garryowen" | 1:17 |
4. | "Nun with a Motherf*&*ing Gun" | 3:17 |
5. | "Objects in Mirror (Are Closer than They Appear)" | 1:38 |
6. | "Kattle Battle" | 1:42 |
7. | "American Promo Story" | 0:48 |
8. | "I'll Wait" | 3:24 |
9. | "Trigger Warning" | 0:55 |
10. | "The Brick" | 4:01 |
11. | "Never Surrender" | 2:08 |
12. | "Müller Time" | 2:25 |
13. | "Owl Hunts Rat" | 2:37 |
14. | "Absent Friends and Old Ghosts" | 3:29 |
15. | "Watch Over This Boy" | 3:38 |
Total length: | 37:05 |
No. | Title | Length |
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1. | "Trust in the Law" | 2:03 |
2. | "He Was Never Here" | 3:54 |
3. | "Kicked in the Balls Again" | 3:24 |
4. | "A Traveller from an Antique Land" | 4:22 |
5. | "Losing Face" | 1:22 |
6. | "Squid Pro Quo" | 3:27 |
7. | "Your Name Is Angela Abar" | 0:57 |
8. | "Nostalgia Blues" | 3:28 |
9. | "Pay No Attention to the Cactus" | 4:09 |
10. | "Seven Years of Bad Luck" | 2:19 |
11. | "The Dark Knut Returns" | 2:48 |
12. | "Ghraib Me a Terrorist" | 2:48 |
13. | "Dreamland Jazz" | 3:17 |
Total length: | 38:25 |
No. | Title | Length |
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1. | "Doomsday Prepper" | 4:47 |
2. | "Clockmaker" | 3:49 |
3. | "A Man Walks Into an Intrinsic Field" | 1:34 |
4. | "Splice of Life" | 0:36 |
5. | "No Rhythm" | 1:06 |
6. | "The Waiting Sky" | 3:56 |
7. | "The Way It Used to Be" | 3:41 |
8. | "The Elephant in the Room" | 1:08 |
9. | "Worthy of the Badge" | 2:05 |
10. | "Which Came First" | 2:18 |
11. | "Stupid Panties" | 3:45 |
12. | "A Stronger, Loving World" | 3:55 |
13. | "Nothing Ever Ends" | 7:23 |
14. | "Lincoln Tunnel" | 4:04 |
15. | "Life on Mars?" (David Bowie) | 2:53 |
Total length: | 47:08 |
Notes
Sample credits
Credits adapted from the album's liner notes. [13]
Musicians
Technical
Chart (2019) | Peak position |
---|---|
UK Soundtrack Albums (OCC) [25] | 22 |
US Top Album Sales (Billboard) [26] | 62 |
US Soundtrack Albums (Billboard) [27] | 21 |
US Top Tastemaker Albums (Billboard) [28] | 15 |
US Vinyl Albums (Billboard) [29] | 15 |
Michael Trent Reznor is an American musician, singer, songwriter, record producer, and composer. He came to prominence as the founder, lead vocalist, multi-instrumentalist, and primary songwriter of the industrial rock band Nine Inch Nails. The band's line-up has constantly changed, with Reznor being its only official member from its creation in 1988 until 2016, when he added English musician and frequent collaborator Atticus Ross as its second permanent member.
Atticus Matthew Cowper Ross is an English musician, record producer, composer, and audio engineer. Along with Trent Reznor, he won the Academy Award for Best Original Score for The Social Network in 2010. In 2013, the pair won a Grammy Award for Best Score Soundtrack for Visual Media for their soundtrack to The Girl with the Dragon Tattoo. In 2021, alongside Jon Batiste, they won the Golden Globe and Academy Award for the soundtrack for Pixar's Soul.
Michael David Garson is an American pianist, who has worked with David Bowie, Nine Inch Nails, St. Vincent, Duran Duran, Free Flight, The Smashing Pumpkins, Melissa Auf der Maur and The Pretty Reckless.
The Social Network is the score album for David Fincher's 2010 film of the same name, composed by Trent Reznor and Atticus Ross. It was released on September 28, 2010, through The Null Corporation. On September 17, a five-track sampler was also made available for free. The score bears a similar sound to the previous Reznor/Ross 2008 collaboration, Ghosts I–IV, and even features two slightly reworked tracks from Ghosts; the track "Magnetic" and "A Familiar Taste".
The Girl with the Dragon Tattoo is the score album for David Fincher's 2011 film of the same name, composed by Trent Reznor and Atticus Ross. It was released on December 9, 2011, through The Null Corporation in the US and Mute Records outside North America. This is the second soundtrack that Reznor and Ross have worked on together, following the Oscar-winning The Social Network, also for Fincher.
Gone Girl is the score album for David Fincher's 2014 film of the same name, composed by Trent Reznor and Atticus Ross. The album was released on September 30, 2014, through Columbia Records. It marks as third time that Reznor and Ross have collaborated with Fincher, following 2010's Oscar-winning The Social Network and 2011's The Girl with the Dragon Tattoo. The soundtrack was nominated for the 2015 Grammy Award for Best Compilation Soundtrack for Visual Media, and also for the 2014 Golden Globe Award for Best Original Score.
Before the Flood is a collaboration soundtrack album by Trent Reznor, Atticus Ross, Mogwai and Gustavo Santaolalla for Fisher Stevens's film of the same name. It was originally made available as an Apple Music exclusive on October 21, 2016 and received a wide digital release on October 28. A CD release is scheduled for December 16, 2016 with a vinyl release to follow. The song "A Minute to Breathe" was first made available as a digital single on October 7, 2016. The album was released on Lakeshore Records.
Watchmen is a 2019 American superhero drama limited series based on the 1986 DC Comics series of the same title created by Alan Moore and Dave Gibbons. The TV series was created for HBO by Damon Lindelof, who also served as an executive producer and writer. Its ensemble cast includes Regina King, Don Johnson, Tim Blake Nelson, Yahya Abdul-Mateen II, Andrew Howard, Jacob Ming-Trent, Tom Mison, Sara Vickers, Dylan Schombing, Louis Gossett Jr. and Jeremy Irons. Jean Smart and Hong Chau joined the cast in later episodes.
Patriots Day is the score album for Peter Berg's 2016 film of the same name, composed by Trent Reznor and Atticus Ross. The album was released digitally on January 13, 2017, through Lakeshore Records. It is the fifth film score composed by the duo.
The Vietnam War (Original Score) is an electronic soundtrack album by Trent Reznor and Atticus Ross for Ken Burns and Lynn Novick's television documentary series The Vietnam War which first aired on PBS in September 2017. The album was released on vinyl, CD and digitally on September 15, 2017 by Universal Music Enterprises and Reznor's own label The Null Corporation.
Mid90s (Original Music from the Motion Picture) is a soundtrack EP by Trent Reznor and Atticus Ross for Jonah Hill's film of the same name. It was released digitally on October 19, 2018 through Reznor's label The Null Corporation. It peaked at number 41 on the Billboard Independent Albums chart.
"If You Don't Like My Story, Write Your Own" is the fourth episode of the HBO superhero drama miniseries Watchmen, based on the 1986 DC Comics series of the same name by Alan Moore and Dave Gibbons. The episode was written by Damon Lindelof and Christal Henry and directed by Andrij Parekh, and aired on November 10, 2019. The episode introduces the character of Lady Trieu, played by Hong Chau, a wealthy industrialist that had bought out Adrian Veidt's enterprises on his death.
"An Almost Religious Awe" is the seventh episode of the HBO superhero drama miniseries Watchmen, based on the 1986 DC Comics series of the same name by Alan Moore and Dave Gibbons. The episode was written by Stacy Osei-Kuffour and Claire Kiechel, directed by David Semel, and aired on December 1, 2019. The episode charts the aftermath of Angela's prolonged Nostalgia trip through her grandfather's memories, while also providing glimpses into her childhood in Vietnam.
Ghosts V: Together is the tenth studio album by the American industrial rock band Nine Inch Nails. It was released as a free download on March 26, 2020, as a show of solidarity with the band's fans during the COVID-19 pandemic. It is a follow-up to the 2008 instrumental album Ghosts I–IV, and released simultaneously with their eleventh album, Ghosts VI: Locusts.
Ghosts VI: Locusts is the eleventh studio album by the American industrial rock band Nine Inch Nails. It was released as a free download on March 26, 2020, as a show of solidarity with the band's fans during the COVID-19 pandemic. It was released simultaneously with the tenth Nine Inch Nails album, Ghosts V: Together, and is the third release of the Ghosts series.
Soul: Original Motion Picture Soundtrack is the soundtrack to the 2020 Disney-Pixar film Soul. The soundtrack is a compilation of all 23 score pieces by Trent Reznor and Atticus Ross from the Soul: Original Motion Picture Score vinyl album as well as 16 original songs by Jon Batiste from the Music from and Inspired by Soul vinyl album. All three albums were released through Walt Disney Records on December 18, 2020.
Mank (Original Music Score) is the score album for David Fincher's 2020 film of the same name, composed by Trent Reznor and Atticus Ross. It was released by The Null Corporation label on December 4, 2020, coinciding with the worldwide release on Netflix. The film marks Fincher's fourth collaboration with Reznor and Ross after the Academy Award-winning score for The Social Network (2010), The Girl with the Dragon Tattoo (2011) and Gone Girl (2014). Both Reznor and Ross used period-authentic instrumentation from the 1930s and 40s, instead of their synth-heavy style. The orchestral sections were performed by each members at their homes, due to the COVID-19 pandemic lockdown.
Bones and All (Original Score) is the score album to the 2022 film of the same name, directed by Luca Guadagnino and starring Taylor Russell and Timothée Chalamet. The film's score was composed by Trent Reznor and Atticus Ross and was released on November 18, 2022, on Reznor's label The Null Corporation. It features 23 score tracks, along with the original song, "(You Make Me Feel Like) Home". The score features acoustic music representing the Midwestern United States, and draws inspiration from classical Americana songs, that depicts the relationship between the leading characters, despite the horror setting.
Bird Box (Original Score) is the score album for the 2018 film of the same name, composed by Trent Reznor and Atticus Ross. The score was published by Maisie Music Publishing, which accompanied the music catalogue for Netflix, the film's distributor and released by Reznor's The Null Corporation label on January 7, 2019, two weeks after the film's release through the band's website and later received a wide release on January 25. While the original album consisted only 10 tracks, the album was issued in a special edition vinyl box set on November 22, 2019, which contained 13 additional tracks.
Teenage Mutant Ninja Turtles: Mutant Mayhem is the soundtrack to the 2023 film of the same name, directed by Jeff Rowe and featuring original music by Trent Reznor and Atticus Ross. Reznor and Ross aimed to give some of the tracks a garage band feel. The soundtrack was released on July 28, 2023, by Reznor's label, The Null Corporation, and received a largely positive critical response.