The Boys Are Back is the 23rd frontline album by The Oak Ridge Boys. It was released in 2009 under the Spring Hill Music Group label. The album marked the group's return to pop music after a series of gospel, country, and holiday albums. "Seven Nation Army," a cover of The White Stripes song, was the first single.
After joining Spring Hill Music Group in 2001, the group returned to its roots, releasing mostly gospel material. But just as they had focused on country and pop in the late 1970s, the Oak Ridge Boys "recreated" themselves before the album's release, according to band member and co-producer Duane Allen.[1]
The Oak Ridge Boys performing in 2007
Shooter Jennings, the son of the late country music legend Waylon Jennings, asked the Oak Ridge Boys to collaborate on his 2007 album The Wolf. Jennings introduced them to Dave Cobb and invited them to a performance. After being surprised at the reaction of the youth-dominated crowd to "Elvira", Cobb took the Oaks to a studio to experiment with different sounds.[2]
The group recorded the album in a studio formerly used by Waylon Jennings, next door to what had once been the Oak Ridge Boys' office. According to Allen, the album took two weeks to record, with sessions every day until midnight or thereafter.[3]
When asked about the album's content, bass singer Richard Sterban commented, "If there's something I could compare this to, it would be what Johnny Cash did in the later part of his career."[2]
Reception
The record reached #16 on the country album charts, the band's highest ranking since their 1988 album Monongahela. The album also stood at #77 on the Billboard 200, the group's first top 100 activity and highest ranking on the chart since the 1983 album American Made.[4] American Dreams Allmusic gave the album a mixed review. While giving the album three out of five stars, the critic described the group as "overcompensating greatly." The title track was said to be "repetitive." "Seven Nation Army" received the most criticism, for missing "the mark by a mile" and showing "little understanding" of the song. "Boom Boom" also received negative marks from allmusic, who thought that Richard Sterban sounded like a "randy Mr. Ed." The reviewer also described the album as a "fitfully entertaining comeback."[5]
The Times Record News gave the album a B, lauding the vocals on the title track as "rich" and "unique." The publication cited the tracks "Mama’s Table," "Troublin’ Mind," "Live With Jesus" and "Hold Me Closely" (featuring Jessi Colter as the standouts of the record.[6]
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