The Bruford Tapes | ||||
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Live album by | ||||
Released | 1979 | |||
Recorded | 12 July 1979 | |||
Genre | Jazz fusion, progressive rock | |||
Length | 43:37 | |||
Label | E.G. Records CD issued by Winterfold Records | |||
Producer | Michael Billeter | |||
Bruford chronology | ||||
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The Bruford Tapes is a live 1979 album by the British band Bruford, only issued in the United States, Canada and Japan. It was recorded on July 12, 1979 in Roslyn, New York State and originally broadcast on WLIR radio. Shortly before the tour, guitarist Allan Holdsworth left the band and was replaced by his student John Clark (appearing as "the unknown John Clark" on the album sleeve), who had played with the prog group Quasar. The show features extended performances of material from the group's previous two albums Feels Good to Me and One of a Kind .
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [2] |
In a review for AllMusic, Paul Collins wrote: "This is one of the best Bruford albums of this period; those who found the studio releases of these songs to be too cold will be won over by the improvisational intensity of this live show." [1]
The authors of The Penguin Guide to Jazz Recordings called the music "strongly melodic, freewheeling and built round Bruford's ringing percussion." [2]
John Kelman of All About Jazz commented: "The Bruford Tapes, with its combination of high volume intensity, detailed long-form writing and reckless improvisational abandon, does nothing to assuage those looking for easy categorization. It is, however, as fine an example as you're apt to find of the kind of unrestricted exploration and cross-pollination once seen on major labels, but now more often relegated to the small independents." [3]
2005 CD bonus cut
10. "The Age of Information" (Bruford, Dave Stewart)
Floating Point is an album by John McLaughlin, released in 2008 through the record label Abstract Logix. The album reached number fourteen on Billboard's Top Jazz Albums chart.
William Scott Bruford is an English retired drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording and touring with King Crimson (1972–1974), Roy Harper (1975), and U.K. (1978), as well as touring with Genesis (1976). In 1978, he formed his own group, Bruford, which was active until 1980.
Barbara Gaskin is an English singer formerly associated with the UK Canterbury scene.
One of a Kind is the second solo album by the drummer Bill Bruford, and the first proper album by his band Bruford. Released in 1979 on EG Records, it is a collection of instrumentals in a style that can loosely be defined as jazz fusion. Bruford features guitarist Allan Holdsworth, bassist Jeff Berlin, and keyboardist Dave Stewart. "Forever Until Sunday" and "The Sahara of Snow" had originally been performed at 1978 concerts by Bruford and Holdsworth’s previous band U.K. They were intended for a studio album, but were never properly recorded by U.K. as Bruford kept the pieces for himself when he and Holdsworth exited the band. U.K. bandmate Eddie Jobson co-wrote "The Sahara of Snow" and reprises his violin part on "Forever Until Sunday". Stewart's "Hell's Bells" utilizes a fragment penned by his former National Health colleague Alan Gowen. Holdsworth's "The Abingdon Chasp" is the only piece he wrote for Bruford.
Gradually Going Tornado is the third solo album by drummer Bill Bruford and the second and final album by his group Bruford. It was co-produced by Bruford and Ron Malo, the latter known from his work with Weather Report. The music on the album leans closer to progressive rock than the jazz fusion oriented sound of the band’s previous albums. More of Bruford's lyrics are featured as well, for the first time sung by bassist Jeff Berlin. "Land's End" incorporates music keyboardist Dave Stewart had previously composed for the National Health album Of Queues and Cures (1978). Guitarist Allan Holdsworth left the group before recording began, and recommended his guitar student John Clark as his replacement. Clark was listed as “the Unknown John Clark” on the album sleeve as part of a running joke highlighting his obscurity in comparison to Holdsworth.
The Way Up is the eleventh and final studio album by the Pat Metheny Group. It was released in 2005 and won the Grammy Award for Best Contemporary Jazz Album in 2006. It is the last Pat Metheny album to feature long-time collaborator Lyle Mays.
"Starless" is a composition by English progressive rock band King Crimson. It is the final track on their seventh studio album, Red, released on 1 October 1974.
Bill Bruford's Earthworks were a British jazz band led by drummer Bill Bruford. The band recorded several albums for Editions EG, Discipline Global Mobile and Summerfold Records.
Earthworks is the first album by Bill Bruford's Earthworks, a jazz fusion band led by drummer Bill Bruford with keyboardist and trumpeter Django Bates, saxophonist Iain Ballamy, and acoustic bassist Mick Hutton. It was released in 1987 on EG Records and reissued on Summerforld in 2005. The album was co-produced by Bruford's former bandmate Dave Stewart.
Feels Good to Me is the only solo studio album by former Yes and King Crimson drummer Bill Bruford. The band Bruford grew out of the line-up assembled for this album. The album features guitarist Allan Holdsworth, bassist Jeff Berlin, keyboardist Dave Stewart, and ECM stalwart Kenny Wheeler on fluegelhorn. Bruford also enlisted singer-songwriter Annette Peacock and Brand X guitarist John Goodsall. Dave Stewart was a pivotal figure in the music of the Canterbury scene with groups like Egg, Hatfield and the North and National Health, but despite his strong playing presence, the album does not sound much like the Canterbury bands, and is instead closer to contemporaries Brand X.
Stamping Ground is an album of 1992 live recordings at various venues by Bill Bruford's Earthworks, released on EG Records in 1994. It was the final Earthworks album to feature Django Bates, Iain Ballamy and Tim Harries. Four years later, Bruford would form a new version of Earthworks in a more traditional acoustic jazz vein.
Ultimate Zero Tour - Live is a live album by Eddie Jobson and his U-Z Project. The album is compiled from 2009 performances in Poland, Russia, and the United States by various line-ups. Musicians include John Wetton, Tony Levin, Greg Howe, Trey Gunn, Marco Minnemann and Simon Phillips. The album marks the first time Jobson and Wetton publicly collaborated since the breakup of U.K. in 1979.
Dig? is the second album by Bill Bruford's Earthworks, featuring Django Bates, Iain Ballamy and fretless bass guitarist Tim Harries. It was released on EG Records in 1989.
All Heaven Broke Loose is the third album by Bill Bruford's Earthworks, featuring Django Bates, Iain Ballamy and Tim Harries. It was released on EG Records in 1991. It was co-produced by experimental guitarist David Torn, with whom Bruford had played extensively in the 1980s (and would go on to do again in Bruford Levin Upper Extremities in 1998-2000.
Love, Love is an album by American jazz trombonist and composer Julian Priester Pepo Mtoto recorded in two sessions on June 28 and September 13, 1973 and released on ECM the following year.
Music for Piano and Drums is the first studio album by a duo consisting of Swiss keyboardist Patrick Moraz and English drummer Bill Bruford. Both were members of Yes at different times, and the two had played together on Yes bassist Chris Squire's solo album Fish Out of Water in 1975.
Flags is a 1985 album by the duo of keyboardist Patrick Moraz and drummer Bill Bruford. Unlike their debut Music for Piano and Drums, which featured only the two instruments in the album's title, this recording expanded their musical palette by incorporating Kurzweil 250 synthesizer and Simmons electronic percussion. During the recording of this album, Moraz was a member of The Moody Blues, while Bruford's band King Crimson had just begun a hiatus that would last for ten years. Flags features ten original instrumentals, mostly derived from the duo improvising or working with sketches. There is also a drum solo Bruford based on Max Roach's "The Drum Also Waltzes".
Bruford were a band assembled and led by British drummer Bill Bruford, originating in the late 1970s.
Live at the Orpheum is a live album by the band King Crimson, released by Discipline Global Mobile records in 2015. The album was recorded on 30 September and 1 October at the Orpheum Theatre in Los Angeles, California on the band's The Elements of King Crimson US tour of 2014.