William Scott Bruford is an English retired drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording and touring with King Crimson (1972–1974), Roy Harper (1975), and U.K. (1978), as well as touring with Genesis (1976). In 1978, he formed his own group, Bruford, which was active until 1980.
The Yes Album is the third studio album by English progressive rock band Yes, released on 19 February 1971 by Atlantic Records. It was the band's first album to feature guitarist Steve Howe, who replaced Peter Banks in 1970, as well as their last to feature keyboardist Tony Kaye until 1983's 90125.
One of a Kind is the second solo album by the drummer Bill Bruford, and the first proper album by his band Bruford. Released in 1979 on EG Records, it is a collection of instrumentals in a style that can loosely be defined as jazz fusion. Bruford features guitarist Allan Holdsworth, bassist Jeff Berlin, and keyboardist Dave Stewart. "Forever Until Sunday" and "The Sahara of Snow" had originally been performed at 1978 concerts by Bruford and Holdsworth’s previous band U.K. They were intended for a studio album, but were never properly recorded by U.K. as Bruford kept the pieces for himself when he and Holdsworth exited the band. U.K. bandmate Eddie Jobson co-wrote "The Sahara of Snow" and reprises his violin part on "Forever Until Sunday". Stewart's "Hell's Bells" utilizes a fragment penned by his former National Health colleague Alan Gowen. Holdsworth's "The Abingdon Chasp" is the only piece he wrote for Bruford.
Patrick Philippe Moraz is a Swiss musician, film composer and songwriter, best known for his tenures as keyboardist in the rock bands Yes and the Moody Blues.
Gradually Going Tornado is the third solo album by drummer Bill Bruford and the second and final album by his group Bruford. It was co-produced by Bruford and Ron Malo, the latter known from his work with Weather Report. The music on the album leans closer to progressive rock than the jazz fusion oriented sound of the band’s previous albums. More of Bruford's lyrics are featured as well, for the first time sung by bassist Jeff Berlin. "Land's End" incorporates music keyboardist Dave Stewart had previously composed for the National Health album Of Queues and Cures (1978). Guitarist Allan Holdsworth left the group before recording began, and recommended his guitar student John Clark as his replacement. Clark was listed as “the Unknown John Clark” on the album sleeve as part of a running joke highlighting his obscurity in comparison to Holdsworth.
The Ultimate Yes: 35th Anniversary Collection is a compilation album by the English progressive rock band Yes. It was originally released on 2 CDs on 28 July 2003 by Warner Music in the United Kingdom. A 3 CD edition with additional material, including new recordings from October 2003, was released in the US on 27 January 2004 by Rhino Records.
Bill Bruford's Earthworks were a British jazz band led by drummer Bill Bruford. The band recorded several albums for Editions EG, Discipline Global Mobile and Summerfold Records.
Beginnings is the debut studio album by English guitarist and songwriter Steve Howe, released in October 1975 by Atlantic Records. It was recorded and released during a break in activity from the progressive rock band Yes, after they agreed for each member to produce a solo album. Howe employed various guest musicians, including past and present Yes bandmates Bill Bruford, Alan White and Patrick Moraz, plus members of Gryphon.
The Steve Howe Album is Yes guitarist Steve Howe's second solo album. It was released in 1979. The album features Yes band members Alan White, Bill Bruford and Patrick Moraz. Also featured is Jethro Tull's former drummer Clive Bunker on percussion on Cactus Boogie. Ronnie Leahy is also featured on keyboards for two songs; he would later play with Jon Anderson on his second solo album, Song of Seven in 1980.
Earthworks is the first album by Bill Bruford's Earthworks, a jazz fusion band led by drummer Bill Bruford with keyboardist and trumpeter Django Bates, saxophonist Iain Ballamy, and acoustic bassist Mick Hutton. It was released in 1987 on EG Records and reissued on Summerforld in 2005. The album was co-produced by Bruford's former bandmate Dave Stewart.
Live at Montreux 2003 is a 2007 live album and video from the English progressive rock band Yes. It is a live recording of the group's headlining concert at the Montreux Jazz Festival on 14 July 2003. The performance was filmed and is also available on DVD/Blu-ray.
Feels Good to Me is the only solo studio album by former Yes and King Crimson drummer Bill Bruford. The band Bruford grew out of the line-up assembled for this album. The album features guitarist Allan Holdsworth, bassist Jeff Berlin, keyboardist Dave Stewart, and ECM stalwart Kenny Wheeler on fluegelhorn. Bruford also enlisted singer-songwriter Annette Peacock and Brand X guitarist John Goodsall. Dave Stewart was a pivotal figure in the music of the Canterbury scene with groups like Egg, Hatfield and the North and National Health, but despite his strong playing presence, the album does not sound much like the Canterbury bands, and is instead closer to contemporaries Brand X.
The Sound of Surprise is a studio album by Bill Bruford's Earthworks recorded November 2000. It was the second Earthworks album to feature saxophonist Patrick Clahar, pianist Steve Hamilton and acoustic bassist Mark Hodgson. Unlike previous Earthworks albums, it showcases a more traditional acoustic jazz quartet sound. It was released on Robert Fripp's Discipline Global Mobile label in 2001.
Stamping Ground is an album of 1992 live recordings at various venues by Bill Bruford's Earthworks, released on EG Records in 1994. It was the final Earthworks album to feature Django Bates, Iain Ballamy and Tim Harries. Four years later, Bruford would form a new version of Earthworks in a more traditional acoustic jazz vein.
Dig? is the second album by Bill Bruford's Earthworks, featuring Django Bates, Iain Ballamy and fretless bass guitarist Tim Harries. It was released on EG Records in 1989.
All Heaven Broke Loose is the third album by Bill Bruford's Earthworks, featuring Django Bates, Iain Ballamy and Tim Harries. It was released on EG Records in 1991. It was co-produced by experimental guitarist David Torn, with whom Bruford had played extensively in the 1980s (and would go on to do again in Bruford Levin Upper Extremities in 1998-2000.
Flags is a 1985 album by the duo of keyboardist Patrick Moraz and drummer Bill Bruford. Unlike their debut Music for Piano and Drums, which featured only the two instruments in the album's title, this recording expanded their musical palette by incorporating Kurzweil 250 synthesizer and Simmons electronic percussion. During the recording of this album, Moraz was a member of The Moody Blues, while Bruford's band King Crimson had just begun a hiatus that would last for ten years. Flags features ten original instrumentals, mostly derived from the duo improvising or working with sketches. There is also a drum solo Bruford based on Max Roach's "The Drum Also Waltzes".
The Bruford Tapes is a live 1979 album by the British band Bruford, only issued in the United States, Canada and Japan. It was recorded on July 12, 1979 in Roslyn, New York State and originally broadcast on WLIR radio. Shortly before the tour, guitarist Allan Holdsworth left the band and was replaced by his student John Clark, who had played with the prog group Quasar. The show features extended performances of material from the group's previous two albums Feels Good to Me and One of a Kind.
New Monastery is an album by American guitarist Nels Cline performing compositions by Andrew Hill which was released in September 2006 on the Cryptogramophone label.
Live in Concert Newcastle City Hall 1974 is a live album by the British progressive rock group Refugee, recorded on 16 June 1974 onto cassette straight from the soundboard. It was released under the Voiceprint Records in 2007. The album includes The Nice song "The Diamond Hard Blue Apples of the Moon" and a cover of Bob Dylan's "She Belongs to Me", all songs from the debut album and the four-minute "Refugee Jam".
