"The Champ" | |
---|---|
Single by The Mohawks | |
from the album The Champ | |
A-side | The Champ [1] |
B-side | Sound of the Witchdoctors [1] |
Released | 1968 [1] |
Recorded | 1968 [1] |
Genre | [1] |
Length | 2:42 (The Champ) [1] 2:50 (Sound of the Witchdoctors) [1] |
Label | |
Songwriter(s) | Harry Palmer |
Producer(s) | Harry Palmer |
"The Champ" is a song by The Mohawks, a group of session musicians assembled by Alan Hawkshaw. It was originally released in 1968 but failed to chart. However, a re-release made #58 on the UK Singles Chart in 1987 [2] after being sampled many times. The song is based on "Tramp", a 1967 Lowell Fulson record that was covered extensively after its release. [3] Specifically, it is built on Otis Redding and Carla Thomas' cover. The song chants the word "Tramp" rather than "Champ".
The song is perhaps better known for its usage as a sample in over 800+ songs; [4] It has been widely sampled and emulated (but not exclusively) in hip hop music. Most people who sample it either sample the chant at the beginning or the organ riff of the choruses. [5] Songs to have sampled or interpolated it include:
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Lowell Fulson was an American blues guitarist and songwriter, in the West Coast blues tradition. He also recorded for contractual reasons as Lowell Fullsom and Lowell Fulsom. After T-Bone Walker, he was the most important figure in West Coast blues in the 1940s and 1950s.
Carla Venita Thomas is an American singer, who is often referred to as the Queen of Memphis Soul. She is best known for her 1960s recordings for Atlantic and Stax including the hits "Gee Whiz " (1960), "B-A-B-Y" (1966) and "Tramp" (1967), a duet with Otis Redding. She is the daughter of Rufus Thomas.
Kent Records was a Los Angeles–based record label, launched in 1958 by the Bihari brothers. It was a subsidiary of Crown Records Corporation. Kent was a follow-up to Modern Records, which ceased operations in 1958. The label reissued Modern's singles, including recordings by B.B. King. By 1964, Kent had signed acts such as Ike & Tina Turner and released new material. Other acts signed to the label included Z.Z. Hill, Johnny Otis, and Lowell Fulsom. Modern Records was revived in 1964 with successful singles from the Ikettes.
"It Takes Two" is a hit single recorded in late 1965 by American singer-songwriter Marvin Gaye and American soul singer Kim Weston, released in 1966 on Motown's Tamla label.
Eddie Lee Floyd is an American R&B and soul singer and songwriter, best known for his work on the Stax record label in the 1960s and 1970s, including the No. 1 R&B hit song "Knock on Wood".
The Dock of the Bay is the first of a number of posthumously released Otis Redding albums, and his seventh studio album. It contains a number of singles, B-sides, and previously released album tracks dating back to 1965, including one of his best known songs, the posthumous hit "(Sittin' On) The Dock of the Bay". His final recordings were finished just two days before Redding's death in a plane crash on December 10, 1967. In 2003, the album was ranked number 161 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list.
"7" is a song by American musicians Prince and the New Power Generation, released on November 17, 1992 as the third single from their Love Symbol Album. Featuring a sample of the 1967 Lowell Fulson song "Tramp", the track showcases a distinct Middle Eastern tone underscored by heavy drums and bass in an acoustic style, a Hindu reincarnation theme, and an opera-like chorus which features Prince's multi-tracked vocals. The ambiguous lyrics, which have religious and apocalyptic themes, can be interpreted in many ways, as the "7" mentioned in the chorus could be referring to the Seven Deadly Sins, the seven Archon of Gnosticism, or the seven names of God in the Old Testament. The song received positive reviews and became the most successful single from the album in the United States, also peaking within the top forty in many of its major international markets.
"Respect" is a song written and originally recorded by American soul singer Otis Redding. It was released in 1965 as a single from his third album Otis Blue/Otis Redding Sings Soul and became a crossover hit for Redding.
"Knock on Wood" is a 1966 hit song written by Eddie Floyd and Steve Cropper and originally performed by Floyd. The song has become covered by later artists, most notably Amii Stewart in 1979. Stewart's disco version was the most successful on weekly music charts.
James David Walker Jr., better known by his stage name Jimmy McCracklin, was an American pianist, singer, and songwriter. His style contained West Coast blues, Jump blues, and R&B. Over a career that spanned seven decades, he said he had written almost a thousand songs and had recorded hundreds of them. McCracklin recorded over 30 albums, and earned four gold records. Tom Mazzolini of the San Francisco Blues Festival said of him, "He was probably the most important musician to come out of the Bay Area in the post-World War II years."
King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
"How I Could Just Kill a Man" is the debut single by hip hop group Cypress Hill from their eponymous debut album, Cypress Hill, and was their first major hit in 1991. It was released as a double A-side to "The Phuncky Feel One". The song was also in the movie Juice (1992). It was re-released in 1999 with Spanish lyrics and a new video. It is featured as the first track on their greatest hits compilation Greatest Hits from the Bong. It was voted number 79 in About.com's Top 100 Rap Songs.
"Time 4 Sum Aksion" is a song written, co-produced and performed by American rapper Redman. It was released on January 12, 1993, through Rush Associated Labels as the second single from his debut studio album Whut? Thee Album. The recording sessions took place at North Shore Soundworks in Commack and Ian London Studios in East Islip. Erick Sermon produced the song utilising samples from Cypress Hill's "How I Could Just Kill a Man" and Zapp's "Playin' Kinda Ruff".
"Lovey Dovey" is a popular American rhythm and blues song originating in the 1950s and written by Eddie Curtis and Ahmet Ertegun, with the latter usually credited using his songwriter's pseudonym "Nugetre". The song's initial recording by The Clovers remains the best known version, reaching No. 2 for five weeks on the R&B charts in 1954.
A tramp is a long-term homeless person who travels from place to place as an itinerant vagrant, traditionally walking or hiking.
"Tramp" is a soul blues song with funk elements, written by West Coast blues artists Lowell Fulson and Jimmy McCracklin. First recorded by Fulson in 1967, it was his highest-charting single since "Reconsider Baby" in 1954. It reached #56 in Canada. The song was covered by Otis Redding in a duet with Carla Thomas, and this version reached No. 2 on Billboard R&B chart.
Otis Ray Redding Jr. was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His vocal style influenced many other soul artists of the 1960s.
"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. Redding recorded it twice in 1967, including just three days before his death in a plane crash on December 10, 1967. It was released on Stax Records' Volt label in 1968, becoming the first posthumous #1 single in the US. It reached #3 on the UK Singles Chart.
Marjorie Hendrix was an American rhythm and blues singer and founding member of the Raelettes, who were the backing singers for Ray Charles, the father of her child, Charles Wayne Hendrix.