The Chargesheet: Innocent or Guilty | |
---|---|
Genre | Crime,Drama |
Based on | Murder of Syed Modi [1] |
Written by | Priyanka Ghatak |
Directed by | Shashant Shah Ravit Kumar Tyagi |
Starring | |
Music by | Salim–Sulaiman |
Composer | Salim–Sulaiman |
Country of origin | India |
Original language | Hindi |
No. of seasons | 1 |
No. of episodes | 8 |
Production | |
Executive producer | Rohit Hippalgaonkar |
Producers | Ashoke Pandit Roshan Kanal |
Cinematography | Santosh Thundiyil Amar Kamble |
Editor | Jeetu Rall |
Production companies | Ashoke Pandit Production Daytee Pictures |
Release | |
Original network | Zee5 |
Original release | 1 January 2020 |
The Chargesheet: Innocent or Guilty? is a 2020 Indian Hindi-language crime drama streaming television series written by Priyanka Ghatak and directed by Shashant Shah and Ravit Kumar Tyagi and Shashant Shah. Its stars Arunoday Singh, Ashwini Kalsekar, Hrishitaa Bhatt, Kishori Shahane, Tridha Choudhury, Satish Kaushik, Shakti Anand, Sikandar Kher, Shiv Panditt, and others. [2] [3] [4]
Shiraz Malik, an eight-time national badminton champion, served as the inspiration for this television series. It details every action that led to this expert shuttler being shot and killed as he left a stadium following a normal practise. The CBI began the investigation and found evidence pointing at a prominent politician and he was arrested. However, the conspiracy, the conspirators and the motive behind the murder are far more complicated than is apparent on the surface. [5] [6]
The series was premiered on 1 January 2020 on OTT platform Zee5. [7]
Hindustan Times wrote "A few colourless comments by Sikander’s subordinate look like a forced attempt to add some humour but in vain. The forever silent brother of the late sportsman, who watches the court proceedings with moist eyes leaves the viewer with a similar expression." [8]
Critic Deepa Gahlot listed the series one out of ten political dramas on OTT. [9]
Amar Ujala rated the series 3.5 stars out of 5. [10]
Binged gave a negative opinion and wrote "The courtroom sequences feel so over the top and narratively inconsistent. The writing also gets weaker towards the end where it (the writing) becomes very crucial to engage." [11]
The Envoy Web wrote "An absorbing and sensational story-line could not be converted into an interesting fare by director Shashant Shah. He has faltered maybe owing to the need of balancing a true story with fictional liberties." [12]
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