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Maurice Félix Thomas, known as Maurice Tourneur, was a French film director and screenwriter.
John van den Broek was a Dutch born cinematographer. He is remembered primarily for his work on the films of Maurice Tourneur. Van den Broek died at 23 while filming the Tourneur directed film Woman in 1918. According to Tourneur's biographer Harry Waldman, Van den Broek was on a cliff in Maine filming some large waves when he got caught in a series of waves that carried him out to sea. His body was never recovered.
In the Name of the Law is a 1932 French crime film directed by Maurice Tourneur and starring Marcelle Chantal, Régine Dancourt and Gabriel Gabrio. It was based on a novel by Paul Bringuier. The film was well received by critics. Variety considered Marcelle Chantal's performance "her best so far in talkers".
Departure is a 1931 French drama film directed by Maurice Tourneur and starring Jean Marchat, Simone Cerdan and Ginette d'Yd. It was based on a novel by Roland Dorgelès. An opera singer travelling with her company on a passenger ship for a tour of French Indochina, encounters a mysterious young man who she falls in love with.
Fun in the Barracks is a 1932 French comedy film directed by Maurice Tourneur and starring Raimu, Jean Gabin and Fernandel. It was based on a play by Georges Courteline and Edouard Nores. Tourneur was remaking the story, having previously filmed a silent version in 1913. The film was one of the most expensive made by Tourneur and was a popular commercial hit.
The Velvet Paw is a 1916 American silent drama film directed by Maurice Tourneur and starring House Peters, Gail Kane and Ned Burton. The film offers a critical view of rampant corruption in American politics.
The Foolish Matrons is a 1921 American silent drama film directed by Clarence Brown and Maurice Tourneur and starring Hobart Bosworth, Doris May, and Mildred Manning. It is also known by the alternative title of Is Marriage a Failure?.
The Rail Rider is a 1916 American silent drama film directed by Maurice Tourneur and starring House Peters, Bertram Marburgh, and Henry West. Prints and/or fragments were found in the Dawson Film Find in 1978.
The Hand of Peril is a 1916 American silent crime film directed by Maurice Tourneur and starring House Peters, June Elvidge and Ralph Delmore.
The Butterfly on the Wheel is a lost 1915 American silent drama film directed by Maurice Tourneur and starring Holbrook Blinn, Vivian Martin and George Relph.
The Ivory Snuff Box is a 1915 American silent mystery film directed by Maurice Tourneur and starring Holbrook Blinn, Alma Belwin and Norman Trevor.
Dilemma of Two Angels is a 1948 French comedy crime film directed by Maurice Tourneur and starring Paul Meurisse, Simone Signoret and Marcel Herrand. It was the final film directed by Tourneur in a career that stretched back to the silent era and included nearly a hundred films.
The Crew is a 1928 French silent drama film directed by Maurice Tourneur and starring Jean Dax and Camille Bert.
The Secret of the Well is a 1914 French silent film directed by Maurice Tourneur.
Monsieur Lecoq is a 1914 French silent mystery film directed by Maurice Tourneur and starring Harry Baur.
The Gaieties of the Squadron is a 1913 French silent comedy film directed by Joseph Faivre and Maurice Tourneur and starring Edmond Duquesne, Henry Roussel and Henri Gouget. It is a military-based farce adapted from the popular play by Georges Courteline. Tourneur later remade it as a sound film Fun in the Barracks (1932).
Tricks of Love is a 1913 French silent comedy film directed by Maurice Tourneur and starring Renée Sylvaire.
The Last Pardon is a 1913 French silent comedy film directed by Maurice Tourneur.
The Cameo is a 1913 French silent drama film directed by Maurice Tourneur and starring Emmy Lynn, Henry Roussel and Alexandre Arquillière.
Cecile Is Dead is a 1944 French crime film directed by Maurice Tourneur and starring Albert Préjean, Santa Relli and Germaine Kerjean. It is based on the 1942 novel of the same title by Georges Simenon featuring his detective Jules Maigret.
References
- ↑ Waldman p.50
