Plot
As described in a film magazine, [3] Prunella (Clark), who lives in a garden with her three aunts Prim (Berwin), Prude (Harris) and Privacy (Cecil), is carefully guarded from the outside world until the day a troupe of travelling players comes to town. Pierrot (Raucourt), the leader, creeps into the garden and captivates Prunella's heart. She runs off with him and becomes his Pierrette. For two years they wander from country to country. Pierrot tires of his marriage vows and runs away. He finds what a miserable thing life is without her, and he returns to the Dutch gardens and finds her, is forgiven, and they live on, presumably in blissful happiness.
This is an overview of 1923 in film, including significant events, a list of films released and notable births and deaths.
The year 1920 in film involved some significant events.
The year 1919 in film involved some significant events.
The year 1918 in film involved some significant events.
The year 1916 in film involved some significant events.
Laurence Housman was an English playwright, writer and illustrator whose career stretched from the 1890s to the 1950s. He studied art in London and worked largely as an illustrator during the first years of his career, before shifting focus to writing. He was a younger brother of the poet A. E. Housman and his sister and fellow activist in the women's suffrage movement was writer/illustrator Clemence Housman.
Alice Geraldine Farrar was an American lyric soprano who could also sing dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice." In the 1910s, she also found success as an actress in silent films. She had a large following among young women, who were nicknamed "Gerry-flappers".
Mary Miles Minter was an American actress, and one of the leading ladies who established the early Hollywood star system. She appeared in 53 silent films from 1912 to 1923.
The Blue Bird is a 1908 play by Belgian playwright and poet Maurice Maeterlinck. It premiered on 30 September 1908 at Konstantin Stanislavski's Moscow Art Theatre, and was presented on Broadway in 1910. The play has been adapted for several films and a TV series. The French composer Albert Wolff wrote an opera based on Maeterlinck's original play, and Maeterlinck's inamorata Georgette Leblanc produced a novelization.
Lewis J. Selznick was an American producer in the early years of the film industry. After initial involvement with World Film at Fort Lee, New Jersey, he established Selznick Pictures in California.
Mae Marsh was an American film actress whose career spanned over 50 years.
Sarah Blanche Sweet was an American silent film actress who began her career in the early days of the motion picture film industry.
Helen Marguerite Clark was an American stage and silent film actress. As a movie actress, at one time Clark was second only to Mary Pickford in popularity. With a few exceptions and some fragments, most of Clark's films are considered lost.
Anita Stewart was an American actress and film producer of the early silent film era.
Gareth Hughes was a Welsh stage and silent screen actor. Usually cast as a callow, sensitive hero in Hollywood silent films, Hughes got his start on stage during childhood and continued to play youthful leads on Broadway.
Dorothy Minto was a prominent actress on the London stage between 1905 and the mid-1930s, notably appearing in the first runs of several plays written by George Bernard Shaw. She also featured in a small number of films between 1916 and 1936. While her early stage career concentrated on classical plays and serious new work, from 1912 onwards she devoted herself more to musicals and comedies.
John F. Hines was an American actor who had numerous film roles during the silent era, including many starring ones. He appeared in more than 50 films and numerous film shorts. But he did not succeed in transitioning well into talking pictures in the late 1920s, and had only six roles in the 1930s. He last appeared in a bit part in Magnificent Doll (1946).
Ben Carré (1883–1978) was a French art director and painter who settled in the United States. He designed sets for dozens of Hollywood films including The Blue Bird, The Phantom of the Opera, Don Juan, The Jazz Singer, and A Night at the Opera. He was a founding member of the Academy of Motion Picture Arts and Sciences.
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Many cultural movements found him amenable to their respective causes: Decadents turned him into a disillusioned foe of idealism; Symbolists saw him as a lonely fellow-sufferer; Modernists converted him into a Whistlerian subject for canvases devoted to form and color and line.
Jules Raucourt, born on May 8, 1890, in Brussels, Belgium and died on January 30, 1967, in Los Angeles, California, was a Belgian film actor. He acted in Belgian, French and American film productions.
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