The Countdown | ||||
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Studio album by | ||||
Released | 1989 | |||
Recorded | August 15–16, 1988 | |||
Studio | Fantasy Studios, Berkeley, CA. | |||
Genre | Jazz | |||
Length | 49:54 | |||
Label | Landmark Records LLP-1519 | |||
Producer | Orrin Keepnews | |||
Mulgrew Miller chronology | ||||
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The Countdown is the fifth studio album by American jazz pianist Mulgrew Miller. The album was released in 1988 by Landmark Records. [1] [2] [3] [4] [5] For this record Miller teamed with Ron Carter on bass, Joe Henderson on tenor sax, and Tony Williams on drums. Initially, the album contained seven compositions, but later it was re-released with the bonus track "1684".
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Scott Yanow of Allmusic noted that the album "is a particularly strong all-star date, teaming the pianist with tenor saxophonist Joe Henderson (who sits out on two of the seven numbers), bassist Ron Carter and drummer Tony Williams. Other than a surprisingly effective 'What the World Needs Now Is Love', the repertoire is composed of originals by Miller (four) and one apiece from Williams and Henderson ('Tetragon'). A high-quality advanced hard bop set." [7]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Countdown" | Miller | 8:16 |
2. | "Exact Change" | Miller | 5:19 |
3. | "What the World Needs Now Is Love" | Burt Bacharach, Hal David | 7:27 |
4. | "1684" | Ron Carter | 5:51 |
5. | "Tetragon" | Joe Henderson | 6:42 |
6. | "Crystal Palace" | Tony Williams | 5:39 |
7. | "Ambrosia" | Miller | 4:42 |
8. | "August Afternoon" | Miller | 5:58 |
Total length: | 49:54 |
Musicians
Production
Mulgrew Miller was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on.
Power to the People is an album by jazz saxophonist Joe Henderson, released on Milestone in 1969, his first to feature an electric instrument.
Tetragon is the second album by jazz saxophonist Joe Henderson released on the Milestone label. It was recorded on September 27, 1967 and May 16, 1968 and features performances by Henderson with Don Friedman, Jack DeJohnette, Kenny Barron, Ron Carter and Louis Hayes. The Allmusic review by Scott Yanow states that "Highlights of this album include the title track, "I've Got You Under My Skin" and "Invitation."".
Living Time is an album by the Bill Evans George Russell Orchestra recorded in 1972 and released on the Columbia label, featuring performances by Evans with an orchestra conducted by Russell.
Sweet Honey Bee is an album by American jazz pianist and composer Duke Pearson, released on the Blue Note label in 1967. The woman on the cover was Pearson's fiancee Betty.
The Essential Miles Davis is a 2-CD compilation album by Miles Davis released by Columbia Legacy on May 15, 2001. It belongs to Sony Music Entertainment's "The Essential" series, not to the series "Essentials," established by WEA International, and was released as part of Sony's Miles 75 Anniversary program. In 2008, The Essential Miles Davis 3.0 was released as a limited edition album featuring a bonus third disc that added five more songs to the original track list.
All Blues is an album by bassist Ron Carter recorded at Van Gelder Studio in New Jersey in 1973 and released on the CTI label.
Live at Kimball's is a live album recorded on April 13, 1985 at Kimball's in San Francisco by Art Blakey and the Jazz Messengers.
Mirror Mirror is an album by American jazz saxophonist Joe Henderson recorded in 1980 and released on the German MPS label.
Pinnacles is an album by jazz trombonist and arranger J. J. Johnson recorded in 1979 for the Milestone label.
Keys to the City is the debut studio album by American jazz pianist Mulgrew Miller, released on June 28, 1985 by Landmark Records.
Work! is the second studio album by American jazz pianist Mulgrew Miller, recorded together with Charnett Moffett on bass and Terri Lyne Carrington on drums. The album was released in April 1986 by Landmark Records. The album is named after the song "Work" by Thelonious Monk and Sonny Rollins from their 1954 album Thelonious Monk and Sonny Rollins.
Wingspan is the third studio album by American jazz pianist Mulgrew Miller with a quintet of other musicians. The album was released on May 11, 1987 by Landmark Records.
Time and Again is a 1991 studio album by American jazz pianist Mulgrew Miller together with Peter Washington on bass and Tony Reedus on drums. This is his eighth album as a leader and sixth for Landmark Records label.
Hand in Hand is a studio album by American jazz pianist Mulgrew Miller with Kenny Garrett on alto saxophone, Joe Henderson on tenor saxophone, Eddie Henderson on trumpet, Steve Nelson on vibraphone, Christian McBride on bass, and Lewis Nash on drums. The record was released in 1992 by Novus Records. It is Miller's ninth album as a bandleader.
With Our Own Eyes is a studio album by American jazz pianist Mulgrew Miller with bassist Richie Goods and drummer Tony Reedus. The album was released in December 1993 by Novus Records. This is Miller's second record for Novus and tenth overall.
Acoustic Masters II is an album by vibraphonist Bobby Hutcherson, saxophonist Craig Handy, drummer Lenny White and trumpeter Jerry González featuring performances recorded in 1993 and released the following year on the Atlantic label.
Intuition is the second album by American jazz trumpeter Wallace Roney which was recorded in 1988 and released on the Muse label.
Reflections is an album by saxophonist Frank Morgan which was recorded in 1988 and released on the Contemporary label the following year.
Encounter is a studio album by Brazilian jazz singer Flora Purim that was released in 1977 on Milestone Records.