| Cover of the 1986 edition | |
| Author | Ismail al-Faruqi and Lois Lamya al-Faruqi |
|---|---|
| Language | English |
| Subject | Islamic studies, Islamic culture, History of Islam |
| Published | 1986 |
| Publisher | Macmillan Publishing Company |
| Publication place | United States |
| Media type | |
| Pages | 512 |
| ISBN | 9780029101902 |
| OCLC | 849811134 |
| Preceded by | Divine Transcendence and Its Expression (1983) |
| Published posthumously | |
The Cultural Atlas of Islam is a reference work by Palestinian-American philosopher Isma'il Raji al-Faruqi and Lois Lamya al-Faruqi, published posthumously in 1986. Combining a substantial text with maps and illustrations, it surveys Islamic history, regions, arts, and institutions across multiple periods and geographies. [1] [2] [3]
The book presents text and visual material on Islamic societies’ historical development, regional distribution, and cultural production. [1] The book has been described as "a lavish, visual feast" with a substantial text. [2]
The book was the final collaboration between Isma'il al-Faruqi and his wife, Lois Lamya al-Faruqi, combining his philosophical perspective with her expertise in Islamic art and music. The volume appeared in 1986 as a joint posthumous publication. The authors aimed to provide a comprehensive portrayal of Islamic culture, addressing various aspects of its historical and cultural development. [4]
The Cultural Atlas of Islam is organized into several key sections:
The introduction provides an overview of the Islamic world, its people, and its cultural diversity. [1]
This section offers a detailed chronology of Islamic history from the time of the Prophet Muhammad to the modern era. [1]
This part includes maps and descriptions of the regions where Islam is practised, highlighting the diversity within the Muslim world. [1]
In this section, the book explores Islamic art, architecture, literature, music, and science, illustrating the achievements of Muslim civilizations. [4]
This part examines Islamic societies' social, economic, and political aspects, including family structures, education, and governance. [1]
The central themes focus on the unity and diversity of Islamic culture. The authors emphasize the concept of tawhid (the oneness of God) as a central theme in Islamic art and culture. Other themes include the importance of knowledge, the interconnection between different Islamic regions, and the dynamic nature of Islamic civilization over time. [4]
The book received a range of thoughtful reviews, both positive and critical. It was often praised for its ambition and visual richness, capturing the scope of Islamic civilization across time and geography. [5] Some reviewers also saw it as a reflection of the modern Muslim intellectual revival, noting that its comparative treatment of other religions could appear assertive or polemical. [6] Others pointed to structural and stylistic challenges, citing its dense vocabulary, uneven organisation, and limited integration between text and visual elements. [7] Despite these reservations, the work has continued to be recognised as a major contribution to the study of Islamic culture, valued for its scope, visual documentation, and civilizational perspective. [4]
The Cultural Atlas of Islam was first published in 1986 by Macmillan Publishing Company in New York and by Collier Macmillan in London. [1] A later printing is distributed by Islamic Book Trust in Malaysia, with identical content and format. [8]