The Death of Chevalier Bayard | |
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Artist | Benjamin West |
Year | 1772 |
Type | Oil on canvas, history painting |
Dimensions | 221.6 cm× 179.1 cm(87.2 in× 70.5 in) |
Location | Royal Collection, London |
The Death of Chevalier Bayard is a 1772 history painting by the Anglo-American artist Benjamin West. It depicts the death of Pierre Terrail, seigneur de Bayard at the Battle of the Sesia in Italy in 1524. [1] Fatally wounded he had urged his retreating French soldiers to abandon him. He is show receiving the homage of his enemies, the troops of Charles V. [2]
It was one of a number of commissions West received from George III. Along with other neoclassical works, it was produced for a sitting room at Buckingham Palace. West received three hundred guineas for producing this and its pendant piece The Death of Epaminondas which also deals with courageous, stoic acceptance of a noble death. [3] These vertical paintings were designed to flank his celebrated The Death of General Wolfe . The theme of a wounded, dignified but defeated commander echoed the role played by Wolfe's adversary Montcalm at the Siege of Quebec. [2] The painting was exhibited at the Royal Academy's Summer Exhibition in 1773. Today it remains in the Royal Collection. [3]
James Wolfe was a British Army officer known for his training reforms and, as a major general, remembered chiefly for his victory in 1759 over the French at the Battle of the Plains of Abraham in Quebec.
Benjamin West was a British-American artist who painted famous historical scenes such as The Death of Nelson, The Death of General Wolfe, the Treaty of Paris, and Benjamin Franklin Drawing Electricity from the Sky.
Sir John Pringle, 1st Baronet was a British physician who has been called the "father of military medicine".
The Death of General Wolfe is a 1770 painting by Anglo-American artist Benjamin West, commemorating the 1759 Battle of Quebec, where General James Wolfe died at the moment of victory. The painting, containing vivid suggestions of martyrdom, broke a standard rule of historical portraiture by featuring individuals who had not been present at the scene and dressed in modern, instead of classical, costumes. The painting has become one of the best-known images in 18th-century art.
Richard Henry Bayard was an American lawyer and politician from Wilmington, Delaware. He was a member of the Whig Party, who served as the first Mayor of Wilmington, Chief Justice of the Delaware Superior Court, and as U.S. Senator from Delaware.
Doctor Thomas Hinde was Northern Kentucky's first physician, a member of the British Royal Navy, an American Revolutionary, personal physician to Patrick Henry, and treated General Wolfe when he died in Quebec, Canada.
Sir Oliver Nicholas Millar was a British art historian. He was an expert on 17th-century British painting, and a leading authority on Anthony van Dyck in particular. He served in the Royal Household for 41 years from 1947, becoming Surveyor of The Queen's Pictures in 1972. He was the first Director of the Royal Collection from 1987. He served in both offices until his retirement in 1988.
The Death of Nelson, 21 October 1805 is an 1807 painting by Arthur William Devis portraying the death of Horatio Nelson at 16:30 on 21 October 1805, below decks on his flagship HMS Victory during the Battle of Trafalgar. It is the collection of the National Maritime Museum, Greenwich.
The Death of Nelson is a painting by the American artist Benjamin West dated 1806.
The Death of Captain James Cook, 14 February 1779 is an oil-on-canvas painting by the German British artist Johann Zoffany. The painting, which records the loss of the British explorer Captain James Cook, was made in around 1794 or 1795, some years after the death of Cook in Hawaii in 1779. Other paintings of the death of Cook were painted earlier. The Mahiole that was included in the painting of Cook's death by Zoffany is said to be the helmet given to Cook when he first landed in Hawaii.
General Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian is an oil painting on canvas by the British-American artist Benjamin West, completed between 1764 and 1768. It depicts a scene during the French and Indian War, and was painted a few years after the event depicted in the painting, and is now in the collection of Derby Museum and Art Gallery.
Edward Penny was an English portrait and historical painter, one of the founder members of the Royal Academy.
Calling the Roll After An Engagement, Crimea, better known as The Roll Call, is an 1874 oil-on-canvas painting by Elizabeth Thompson, Lady Butler. It became one of the most celebrated British paintings of the 19th century, but later fell out of critical favour.
The Death of General Montgomery in the Attack on Quebec, December 31, 1775 is an oil painting completed in 1786 by the American artist John Trumbull. It depicts American general Richard Montgomery at the Battle of Quebec during the invasion of Quebec. The painting is on view at the Yale University Art Gallery in New Haven, Connecticut. It is the second in Trumbull's series of national historical paintings on the American Revolutionary War, the first being The Death of General Warren at the Battle of Bunker's Hill, June 17, 1775.
Portrait of Benjamin West is an 1810 portrait painting by the British artist Thomas Lawrence depicting the Anglo-American painter Benjamin West. Ten years later Lawrence succeeded West, on his death, as the President of the Royal Academy.
The Battle of La Houge is a 1778 painting by the Anglo-American artist Benjamin West depicting the 1692 Battle of La Hogue. Fought off the coast of Normandy the battle was decisive victory for the Royal Navy and its Dutch allies, thwarting an expected French invasion of England.
Edward III Crossing the Somme is a 1788 history painting by the Anglo-American artist Benjamin West. It was one of a series of eight paintings by West depicting the life of the medieval King of England Edward III commissioned by George III to decorate the audience room at Windsor Castle.
The Departure of Regulus is 1769 history painting by the Anglo-American artist Benjamin West. It was one of a number of classical scenes painted by West alongside his better-known depictions of more recent history.
Portrait of Robert Monckton is a 1763 portrait painting by the American artist Benjamin West. It depicts the British soldier Robert Monckton, noted for his service during the Seven Years' War. Monckton had been second-in-command to James Wolfe during the Siege of Quebec in 1759 and was wounded at the Battle of the Plains of Abraham. It commemorates his subsequent command during the Invasion of Martinique in which the French-controlled was captured. The city of Moncton in New Brunswick is named after him. He is dressed in the uniform of a major general and holds a map in his hand. In the background on the left the conquest of Martinique is decpicted.
The Wife of Arminius Brought Captive to Germanicus is a 1773 history painting by the Anglo-American artist Benjamin West. It depicts a scene from the Roman Empire's military campaign in Germania in the early first century, loosely based on the writings of the historian Tacitus. In the Roman encampment the recently captured Thusnelda and her children are brought before the Roman commander Germanicus. Thusnelda was the wife of Arminius, who had previously inflicted a major defeat on the Romans at the Battle of the Teutoburg Forest. Germanicus gave safe passage for Thusnelda and her family to return to her husband. Germanicus is seated on a dais on the left. Segestes, dressed in yellow, is pleading on behalf of his daughter-in-law In reality, Thusnelda refused to denounce her husband and was taken back to Rome as a prisoner and was paraded along with her son Thumelicus in a triumph in 17 AD.