Author | Vincent Woodard |
---|---|
Language | English |
Subject | Slavery in the United States Human cannibalism Homoeroticism |
Publisher | New York University Press |
Publication date | June 27, 2014 |
Publication place | United States |
Media type | Print (hardback) |
Pages | 311 |
Awards | Lambda Literary Award (2015) |
ISBN | 978-0-8147-9461-6 |
OCLC | 6022079309 |
LC Class | E443 .W67 2014 |
The Delectable Negro: Human Consumption and Homoeroticism within U.S. Slave Culture is a 2014 book by Vincent Woodard. The book explores the homoeroticism of both literal and figurative acts of human cannibalism that occurred during slavery in the United States.
Woodard examines the sexual nature of documented instances of flesh-eating and details the various manners of consumption whereby Black Americans were metaphorically or actually eaten. In the book, Woodard defines consumption as a range of parasitic practices, including institutionalized hunger, seasoning rituals, and sexual modes of consumption.
The Delectable Negro draws on Works Progress Administration interviews, advertisements for runaway slaves, and slave narratives. The book includes textual analyses of the works of Harriet Jacobs and Frederick Douglass as well as an examination of the treatment of Nat Turner, whose flesh was turned into "medicinal" grease. [1]
Woodard died in 2008 and never saw The Delectable Negro published. It won the 2015 Lambda Literary Award for LGBT Studies.
The Delectable Negro explores the homoeroticism of literal and metaphorical acts of human cannibalism coincident with slavery in the United States. [1] Woodard writes that the consumption of Black men by white male enslavers was a "natural by-product of their physical, emotional, and spiritual hunger" for the Black man. [2] Woodard argues that homoeroticism was also part of how Black Americans experienced their own consumption and not a unidirectional phenomenon, as it "emanated from black men toward white men and toward each other." [3]
The book approaches the concept of consumption literally with documented cases of cannibalism and figuratively as a spiritual and societal phenomenon. Woodard defines consumption as a spectrum of practices, including sexual modes of consumption, flesh-seasoning rituals, institutionalized hunger, and soul harvesting. [4] Woodard argues that cultural aspects of U.S. plantations were "based in parasitism and a dynamic of human consumption," building on Orlando Patterson's notion of slavery as a parasitic institution in Slavery and Social Death: A Comparative Study. [5] Woodard identifies practices such as the systemic starvation of enslaved people as parasitic relationships that use Black bodies to fuel the construction of Whiteness. [1]
Woodard draws on various critical methodologies and texts, including Works Progress Administration interviews, advertisements for runaways, and slave narratives. [4] He writes that when Black Americans described instances of cannibalism, they "tried to understand why and how they had become so delectable, so erotically appetizing, to a nation and white populace that, at least rhetorically, denied and despised their humanity." [7]
Woodard begins The Delectable Negro at the intersection of the transatlantic slave trade and the consumptive appetites of White people. [6] While White cannibalism was widely reported in accounts of enslaved Africans from the 16th century up through the 19th, previous scholarship largely dismissed the accounts as superstition or "unfounded indigenous terrors." Woodard validates Black accounts, offering evidence of punishment rituals, including an instance of a slaveholder forcing enslaved people to eat the broiled ear of a member of their community. [8] Woodard writes how in the autobiography The Interesting Narrative of the Life of Olaudah Equiano , Equiano's recurring fears of being cannibalized by the Europeans who captured him were intertwined with his homoerotic attachments to White men. [1]
Woodard then examines a series of historical incidents where the enslavers' culture of honor is bolstered by the consumption and sexualized brutalization of enslaved people. [1] [6]
The third and fourth chapters of The Delectable Negro include close textual analyses of the works of Frederick Douglass and Harriet Jacobs. Woodard writes that Douglass described slavery "more than anyone else has, as a cannibalistic institution" [6] and suggests that Douglass may have been raped while he was enslaved. [2] Turning his focus to Jacobs' Incidents in the Life of a Slave Girl , Woodard argues for a "more fluid conception of gender and black consumption." [4] He offers an original interpretation of Jacobs' character of Luke, arguing that the variance and fluidity of Luke's desires and gender enables him "to survive within a culture of consumption." [1] Woodard also explores white women's roles inside "economies of power, sexuality, and gender consumption." [4]
The final chapters of The Delectable Negro trace the notions of consumption to the modern era. Woodard approaches the historical figure of Nat Turner, whose flesh was rendered into "medicinal" grease, [1] through William Styron's fictionalized 1967 novel The Confessions of Nat Turner . Woodard addresses Black intellectual critiques of the book and James Baldwin's defense of it. [6] He links the heteronormativity and anxiety around homoeroticism evident within 1960s Black radical movements to the legacy of the rape of Black men during slavery. [1] [2]
Woodard locates the Black male interior as a site of hunger and violation. In describing the "suppressed history and politics of the black, male orifice," Woodard writes how the mouth and anus should be decoupled from sexual practice and instead be used to theorize Black interiority. [5] The Delectable Negro reviews 20th-century representations of the Black male erotic interior, including the chain gang oral sex scene from Toni Morrison's novel Beloved . [5] Woodard also outlines a genealogy of the uses of Black bodies as figures for a "politics of interiority." [4]
The author, Vincent Maurice Woodard (1971–2008), received his PhD from the University of Texas at Austin. He was a poet and an English professor at the University of Colorado Boulder. His first draft of The Delectable Negro, in 2005, was entitled Recovering the Black Male Womb: Slavery, Homoeroticism and Nineteenth-Century Racial Uplift. At a 2006 American Studies Association conference, Woodard delivered the paper "Blood Magic and Sorcery in the State Formation Archive", laying out the key terminology he would use in The Delectable Negro. [3]
Woodard never saw the book published, having died in 2008. Following posthumous editing by Justin A. Joyce and Dwight A. McBride, The Delectable Negro was published by New York University Press in 2014. [6] The book's foreword is by E. Patrick Johnson. [4]
In a Journal of Gender Studies book review, Rachel van Duyvenbode called The Delectable Negro a tour de force, writing that it would appeal to those "interested in the intersections of sexuality, language, and gender identities." [4] Christopher Lloyd wrote in American Studies that the book as an "interruption into critical theory alone is itself worth celebrating." [6] Carla Peterson called The Delectable Negro a "bold and brilliant book." [9] Reviewer Justin Rogers-Cooper writes that Woodard develops "a 'transhistorical' approach as a lens to excavate the homoeroticism of slave life." [5]
The Delectable Negro won the 2015 Lambda Literary Award for LGBT Studies. [10] [11]
Human cannibalism is the act or practice of humans eating the flesh or internal organs of other human beings. A person who practices cannibalism is called a cannibal. The meaning of "cannibalism" has been extended into zoology to describe animals consuming parts of individuals of the same species as food.
Frederick Douglass was an American social reformer, abolitionist, orator, writer, and statesman. He became the most important leader of the movement for African-American civil rights in the 19th century.
Soul food is the ethnic cuisine of African Americans. It originated in the American South from the cuisines of enslaved Africans trafficked to the North American colonies through the Atlantic slave trade during the Antebellum period and is closely associated the cuisine of the American South. The expression "soul food" originated in the mid-1960s when "soul" was a common word used to describe African-American culture. Soul food uses cooking techniques and ingredients from West African, Central African, Western European, and Indigenous cuisine of the Americas.
Hoodoo is an ethnoreligion that, in a broader context, functions as a set of spiritual observances, traditions, and beliefs—including magical and other ritual practices—developed by enslaved African Americans in the Southern United States from various traditional African spiritualities and elements of indigenous American botanical knowledge. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure men or conjure women, and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As an autonomous spiritual system it has often been syncretized with beliefs from Islam brought over by enslaved West African Muslims, and Spiritualism. Scholars define Hoodoo as a folk religion.
The legal institution of human chattel slavery, comprising the enslavement primarily of Africans and African Americans, was prevalent in the United States of America from its founding in 1776 until 1865, predominantly in the South. Slavery was established throughout European colonization in the Americas. From 1526, during the early colonial period, it was practiced in what became Britain's colonies, including the Thirteen Colonies that formed the United States. Under the law, an enslaved person was treated as property that could be bought, sold, or given away. Slavery lasted in about half of U.S. states until abolition in 1865, and issues concerning slavery seeped into every aspect of national politics, economics, and social custom. In the decades after the end of Reconstruction in 1877, many of slavery's economic and social functions were continued through segregation, sharecropping, and convict leasing.
Narrative of the Life of Frederick Douglass, an American Slave is an 1845 memoir and treatise on abolition written by African-American orator and former slave Frederick Douglass during his time in Lynn, Massachusetts. It is the first of Douglass's three autobiographies, the others being My Bondage and My Freedom (1855) and Life and Times of Frederick Douglass.
In the British colonies in North America and in the United States before the abolition of slavery in 1865, free Negro or free Black described the legal status of African Americans who were not enslaved. The term was applied both to formerly enslaved people (freedmen) and to those who had been born free, whether of African or mixed descent.
African American literature is the body of literature produced in the United States by writers of African descent. Olaudah Equiano was an African man who wrote The Interesting Narrative of the Life of Olaudah Equiano, an autobiography published in 1789 that became one of the first influential works about the transatlantic slave trade and the experiences of enslaved Africans. His work was published sixteen years after Phillis Wheatley's work. She was an enslaved African woman who became the first African American to publish a book of poetry, which was published in 1773. Her collection, was titled Poems on Various Subjects, Religious and Moral.
William Wells Brown was an American abolitionist, novelist, playwright, and historian. Born into slavery near Mount Sterling, Kentucky, Brown escaped to Ohio in 1834 at the age of 19. He settled in Boston, Massachusetts, where he worked for abolitionist causes and became a prolific writer. While working for abolition, Brown also supported causes including: temperance, women's suffrage, pacifism, prison reform, and an anti-tobacco movement. His novel Clotel (1853), considered the first novel written by an African American, was published in London, England, where he resided at the time. It was later published in the United States.
Nat Turner's Rebellion, historically known as the Southampton Insurrection, was a slave rebellion that took place in Southampton County, Virginia, in August 1831. Led by Nat Turner, the rebels, made up of enslaved African Americans, killed between 55 and 65 White people, making it the deadliest slave revolt for the latter racial group in U.S. history. The rebellion was effectively suppressed within a few days, at Belmont Plantation on the morning of August 23, but Turner survived in hiding for more than 30 days afterward.
David R. Roediger is the Foundation Distinguished Professor of American Studies and History at the University of Kansas, where he has been since the fall of 2014. Previously, he was an American Kendrick C. Babcock Professor of History at the University of Illinois at Urbana-Champaign (UIUC). His research interests include the construction of racial identity, class structures, labor studies, and the history of American radicalism. He writes from a Marxist theoretical framework.
During the era of chattel slavery in the United States, the proper education of enslaved African Americans was highly discouraged, and eventually made illegal in most of the Southern states.
Living in a wide range of circumstances and possessing the intersecting identity of both black and female, enslaved women of African descent had nuanced experiences of slavery. Historian Deborah Gray White explains that "the uniqueness of the African-American female's situation is that she stands at the crossroads of two of the most well-developed ideologies in America, that regarding women and that regarding the Negro." Beginning as early on in enslavement as the voyage on the Middle Passage, enslaved women received different treatment due to their gender. In regard to physical labor and hardship, enslaved women received similar treatment to their male counterparts, but they also frequently experienced sexual abuse at the hand of their enslavers who used stereotypes of black women's hypersexuality as justification.
The Slave Community: Plantation Life in the Antebellum South is a book written by American historian John W. Blassingame. Published in 1972, it is one of the first historical studies of slavery in the United States to be presented from the perspective of the enslaved. The Slave Community contradicted those historians who had interpreted history to suggest that African-American slaves were docile and submissive "Sambos" who enjoyed the benefits of a paternalistic master–slave relationship on southern plantations. Using psychology, Blassingame analyzes fugitive slave narratives published in the 19th century to conclude that an independent culture developed among the enslaved and that there were a variety of personality types exhibited by slaves.
Vincent Brown is Charles Warren Professor of History, Professor of African and African-American Studies, and Director of the History Design Studio at Harvard University. His research, writing, teaching, and other creative endeavors are focused on the political dimensions of cultural practice in the African Diaspora, with a particular emphasis on the early modern Atlantic world.
Slave breeding was the practice in slave states of the United States of slave owners systematically forcing slaves to have children to increase their wealth. It included coerced sexual relations between enslaved men and women or girls, forced pregnancies of enslaved women and girls due to forced inter inbreeding with fellow slaves in hopes of producing relatively stronger future slaves. The objective was for slave owners to increase the number of people they enslaved without incurring the cost of purchase, and to fill labor shortages caused by the abolition of the Atlantic slave trade.
Anti-literacy laws in many slave states before and during the American Civil War affected slaves, freedmen, and in some cases all people of color. Some laws arose from concerns that literate slaves could forge the documents required to escape to a free state. According to William M. Banks, "Many slaves who learned to write did indeed achieve freedom by this method. The wanted posters for runaways often mentioned whether the escapee could write." Anti-literacy laws also arose from fears of slave insurrection, particularly around the time of abolitionist David Walker's 1829 publication of Appeal to the Colored Citizens of the World, which openly advocated rebellion, and Nat Turner's Rebellion of 1831.
The treatment of slaves in the United States often included sexual abuse and rape, the denial of education, and punishments like whippings. Families were often split up by the sale of one or more members, usually never to see or hear of each other again.
Slavery in Cuba was a portion of the larger Atlantic slave trade that primarily supported Spanish plantation owners engaged in the sugarcane trade. It was practiced on the island of Cuba from the 16th century until it was abolished by Spanish royal decree on October 7, 1886.
Dwight A. McBride is an American academic administrator and scholar of race and literary studies. From April 16, 2020, to August 2023, he served as the ninth president of The New School. McBride previously served as provost, executive vice president for academic affairs, and Asa Griggs Candler Professor of African American studies at Emory University.