The history of science covers the development of science from ancient times to the present. It encompasses all three major branches of science: natural, social, and formal. Protoscience, early sciences, and natural philosophies such as alchemy and astrology during the Bronze Age, Iron Age, classical antiquity, and the Middle Ages declined during the early modern period after the establishment of formal disciplines of science in the Age of Enlightenment.
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment. Postmodernist thinkers developed concepts like différance, repetition, trace, and hyperreality to subvert "grand narratives", univocity of being, and epistemic certainty. Postmodern philosophy questions the importance of power relationships, personalization, and discourse in the "construction" of truth and world views. Many postmodernists appear to deny that an objective reality exists, and appear to deny that there are objective moral values.
The Scientific Revolution was a series of events that marked the emergence of modern science during the early modern period, when developments in mathematics, physics, astronomy, biology and chemistry transformed the views of society about nature. The Scientific Revolution took place in Europe in the second half of the Renaissance period, with the 1543 Nicolaus Copernicus publication De revolutionibus orbium coelestium often cited as its beginning.
Discourse is a generalization of the notion of a conversation to any form of communication. Discourse is a major topic in social theory, with work spanning fields such as sociology, anthropology, continental philosophy, and discourse analysis. Following pioneering work by Michel Foucault, these fields view discourse as a system of thought, knowledge, or communication that constructs our world experience. Since control of discourse amounts to control of how the world is perceived, social theory often studies discourse as a window into power. Within theoretical linguistics, discourse is understood more narrowly as linguistic information exchange and was one of the major motivations for the framework of dynamic semantics. In these expressions, ' denotations are equated with their ability to update a discourse context.
An image is a visual representation. An image can be two-dimensional, such as a drawing, painting, or photograph, or three-dimensional, such as a carving or sculpture. Images may be displayed through other media, including a projection on a surface, activation of electronic signals, or digital displays; they can also be reproduced through mechanical means, such as photography, printmaking, or photocopying. Images can also be animated through digital or physical processes.
Scientism is the belief that science and the scientific method are the best or only way to render truth about the world and reality.
Hyperreality is a concept in post-structuralism that refers to the process of the evolution of notions of reality, leading to a cultural state of confusion between signs and symbols invented to stand in for reality, and direct perceptions of consensus reality. Hyperreality is seen as a condition in which, because of the compression of perceptions of reality in culture and media, what is generally regarded as real and what is understood as fiction are seamlessly blended together in experiences so that there is no longer any clear distinction between where one ends and the other begins.
This list includes well-known general theories in science and pre-scientific natural philosophy and natural history that have since been superseded by other scientific theories. Many discarded explanations were once supported by a scientific consensus, but replaced after more empirical information became available that identified flaws and prompted new theories which better explain the available data. Pre-modern explanations originated before the scientific method, with varying degrees of empirical support.
Daniel Joseph Boorstin was an American historian at the University of Chicago who wrote on many topics in American and world history. He was appointed the twelfth Librarian of the United States Congress in 1975 and served until 1987. He was instrumental in the creation of the Center for the Book at the Library of Congress.
The Flammarion engraving is a wood engraving by an unknown artist. Its first documented appearance is in the book L'atmosphère : météorologie populaire, published in 1888 by the French astronomer and writer Camille Flammarion. Several authors during the 20th century considered it to be either a Medieval or Renaissance artwork, but the current consensus is that it is a 19th century illustration that imitates older artistic styles and themes.
The Relativity of Wrong is a 1988 collection of seventeen essays on science by American writer and scientist Isaac Asimov. The book explores and contrasts the viewpoint that "all theories are proven wrong in time", arguing that there exist degrees of wrongness.
A media event, also known as a pseudo-event, is an event, activity, or experience conducted for the purpose of creating media publicity. It may also be any event that is covered in the mass media or was hosted largely with the media in mind.
Antiscience is a set of attitudes and a form of anti-intellectualism that involves a rejection of science and the scientific method. People holding antiscientific views do not accept science as an objective method that can generate universal knowledge. Antiscience commonly manifests through rejection of scientific ideas such as climate change and evolution. It also includes pseudoscience, methods that claim to be scientific but reject the scientific method. Antiscience leads to belief in false conspiracy theories and alternative medicine. Lack of trust in science has been linked to the promotion of political extremism and distrust in medical treatments.
The Hedgehog, the Fox, and the Magister's Pox (2003) is Stephen Jay Gould's posthumous volume exploring the historically complex relationship between the sciences and the humanities in a scholarly discourse.
The Seekers is a 1998 non-fiction work of cultural history by Daniel Boorstin and is the third and final volume in the "knowledge" trilogy.
The following outline is provided as a topical overview of science; the discipline of science is defined as both the systematic effort of acquiring knowledge through observation, experimentation and reasoning, and the body of knowledge thus acquired, the word "science" derives from the Latin word scientia meaning knowledge. A practitioner of science is called a "scientist". Modern science respects objective logical reasoning, and follows a set of core procedures or rules to determine the nature and underlying natural laws of all things, with a scope encompassing the entire universe. These procedures, or rules, are known as the scientific method.
The myth of the flat Earth, or the flat-Earth error, is a modern historical misconception that European scholars and educated people during the Middle Ages believed the Earth to be flat.
Discovery and exploration of the Solar System is observation, visitation, and increase in knowledge and understanding of Earth's "cosmic neighborhood". This includes the Sun, Earth and the Moon, the major planets Mercury, Venus, Mars, Jupiter, Saturn, Uranus, and Neptune, their satellites, as well as smaller bodies including comets, asteroids, and dust.
Criticism of postmodernism is intellectually diverse, reflecting various critical attitudes toward postmodernity, postmodern philosophy, postmodern art, and postmodern architecture. Postmodernism is generally defined by an attitude of skepticism, irony, or rejection towards what it describes as the grand narratives and ideologies associated with modernism, especially those associated with Enlightenment rationality. Thus, while common targets of postmodern criticism include universalist ideas of objective reality, morality, truth, human nature, reason, science, language, and social progress, critics of postmodernism often defend such concepts. It is frequently alleged that postmodern scholars promote obscurantism, are hostile to objective truth, and encourage relativism to an extent that is epistemically and ethically crippling. Criticism of more artistic postmodern movements such as postmodern art or literature may include objections to a departure from beauty, lack of coherence or comprehensibility, deviating from clear structure and the consistent use of dark and negative themes.
Cabinet of Curiosities in Dell'Historia Naturale depicts Ferrante Imperato's cabinet of curiosities. Imperato was an Italian apothecary and naturalist practicing in Naples during the 16th century. The image shows the types of objects Imperato collected for his cabinet of curiosities, including shells, animals, minerals, and botanic specimens. This print appeared in Historia naturale di Ferrante Imperato napolitano: nella quale ordinatamente si tratta della diversa condition di minere, pietre pretiose, & altre curiosità : con varie historie di piante, & animali, sin'hora non date in luce, otherwise known as Dell’Historia Naturale, a monumental work of natural history in 28 volumes. The exploration of natural history was part of the Renaissance humanist movement and empiricism. The use of senses to formulate new ideas and natural discoveries was at the heart of this movement. The discoveries resulting from empirical exploration were aimed at figuring out how everyone is connected through nature. Imperato's cabinet was part of this movement and provided a place for aristocrats in society to expand their knowledge.
