The Early Days of Kiss

Club Tour

Tour by Kiss
Location	United States
Start date	January 30, 1973 (1973-01-30)
End date	January 26, 1974 (1974-01-26)
No. of shows	27 (29 scheduled)
Kiss concert chronology
Club Tour (1973–1974) Kiss Tour (1974)

The Early Days of Kiss (also referred to officially as the Club Tour) was a series of performances by American rock band, Kiss. During this time, Kiss hired Bill Aucoin as their manager, and were then signed to Casablanca Records.

History

The first Kiss performance took place on January 30, 1973, for an audience of fewer than ten people at the Popcorn Pub (renamed Coventry shortly afterward) in Queens. ^[1] The band were paid $50 for performing two sets that evening, following a cold-call Simmons had made to the venue, convincing them to hire the new band for a three-night stand. ^[2]

Our first show ever was at Coventry. Coventry was a study in contrasts. The first time we played there was nobody there. The last time we played there, you could barely get in the door.
—Paul Stanley ^[3]

When the band performed at the Daisy in Amityville, ^[1] Simmons recalled that it was "a drinking club, with cheap beer and a biker crowd", ^[4] while Stanley remembered the Daisy being "no better than the size of a living room". ^[5]

To give their performances a presence, the band would use fake Marshall amplifiers on stage with hollow cabinets to make the music seem louder than it was. ^[6]

From October to November, the band recorded their self-titled debut album, which was released on February 18, 1974. The December 22 show at Coventry in Queens is the earliest filmed live performance by Kiss as described in Kissology Volume 1 and Volume 3. During the New Year's Eve show at The Academy of Music in New York City as an opening act for Blue Öyster Cult, Simmons accidentally set his hair ablaze while performing his fire-breathing routine. ^[7]

For the last three shows of the tour, Stanley changed his makeup to "The Bandit" because Neil Bogart thought the Starchild character was "kind of swishy... kind of feminine" and that Stanley should be "more macho" onstage. As Stanley stated "I just came up with this Lone Ranger bandit, as it became known, and it lasted maybe a month. But I just went, 'You know what? My gig, my face, my makeup.' And I just went back to the Starchild. A lot of people believe that [the Bandit] came first, but it actually didn't." ^[8]

Reception

Fred Kirby of Variety who had attended the June and August performances, had given the band a positive review, citing that the band "outshine most of the others in clean, pulsating rock and roll, high in volume and excitement". He pointed out the unrelenting and solid set, as well as praising Gene as a 'theatrical plus'. Kirby concluded his review with stating that the music catches hold and never lets go. He would note that Kiss had drawn good crowds and were building a local following. ^[9]

Stanley Mises, a local New York Sunday News reviewer who attended the Coventry performances, cited that the show was more complex and the music was "loud, loud, loud" but fairly simple. He would state that the members looked like "Lance Loud on a nightmarish blender". ^[10]

Chris Charlesworth of Melody Maker, who attended the December 31, 1973 performance, praised the band's performance, music and costumes. He pointed out the music, saying it was "loud and heavy, simple riff-based rock and roll with a steady funky beat". Concluding his review, he noted the climax as "brash and spectacular" as well as pointing out the fire breathing incident during 'Firehouse'. ^[11]

A reviewer from Billboard who attended the January 26, 1974 performance at the Academy of Music, noted on the band's embrace to touring after having performed at various local clubs for a year. The show was given a positive review with their set cited as being ear shattering, as well as the heavy reliance on special effects. ^[12]

Setlist

Songs Played Overall "Deuce" "Cold Gin" "Nothin' to Lose" "Strutter" "Watchin' You" "Love Her All I Can" "She" "Firehouse" "Keep Me Waiting" (Wicked Lester cover) "Want You Beside Me" ("Life in the Woods") (Wicked Lester cover) "Simple Type" (Wicked Lester cover) "Baby, Let Me Go" ("Let Me Go Rock 'N' Roll") "Sunday Driver" ("Let Me Know") "Acrobat" ("Love Theme from Kiss") "100,000 Years" "Black Diamond" Encore "Go Now" (The Moody Blues cover)

Typical Setlist "Deuce" "Cold Gin" "Nothin' to Lose" "Strutter" "Watchin' You" "Love Her All I Can" "She" "Firehouse" "Simple Type" (Wicked Lester cover) "Baby, Let Me Go" ("Let Me Go Rock 'N' Roll") "Sunday Driver" ("Let Me Know") "100,000 Years" "Black Diamond"

Tour dates

Date	City	Country	Venue	Support Act(s)
January 30, 1973 2 sets	New York City	United States	Coventry	—
January 31, 1973 2 sets
February 1, 1973 2 sets
March 9, 1973 2 sets	Amityville		The Daisy
March 10, 1973 2 sets
April 13, 1973 2 sets
April 14, 1973 2 sets
May 4, 1973	New York City		Bleecker Street Loft	Queen Elizabeth† The Brats‡
May 26, 1973	Palisades		Lamont Hall	Bloontz‡ Rebillot Quintet‡
June 1, 1973	New York City		Bleecker Street Loft	The Brats†
June 8, 1973 2 sets	Amityville		The Daisy	—
June 9, 1973 2 sets
June 15, 1973 2 sets
June 16, 1973 2 sets
July 13, 1973	New York City		Crystal Ballroom	The Brats† Planets‡
August 10, 1973				Street Punk‡ Luger‡
August 17, 1973 2 sets	Amityville		The Daisy	—
August 18, 1973 2 sets
August 24, 1973 2 sets
August 25, 1973 2 sets
August 31, 1973	New York City		Coventry	Wild Honey‡ The Dogs‡
September 1, 1973
September 2, 1973				—
December 21, 1973				Isis‡ Rags‡ City Slicker‡
December 22, 1973
December 23, 1973				—
December 31, 1973			Academy of Music	Blue Öyster Cult† Iggy Pop‡ Teenage Lust‡
January 8, 1974			Village East	—
January 26, 1974			Academy of Music	Fleetwood Mac† Silverhead‡

Support act key:

† Headliner

‡ Opening/supporting act

Personnel

• Paul Stanley – vocals, rhythm guitar
• Gene Simmons – vocals, bass
• Peter Criss – drums, vocals
• Ace Frehley – lead guitar, backing vocals

References

Citations

1. Brod 2020, p. 18.
2. Wilkening, Matthew (January 30, 2016). "The Day Kiss Played Their First Show". Ultimate Classic Rock. Retrieved August 23, 2020.
3. (2019). End of the Road World Tour Program, p. 4.
4. Simmons, Gene (2001). Kiss and Make-up. New York: Crown Publishers. ISBN   978-1-4000-4523-5.
5. Faces Metal Muscle #1, Spring 1986
6. Weiss, Brett (2016). Encyclopedia of Kiss : Music, Personnel, Events and Related Subjects. Jefferson, North Carolina. p. 132. ISBN   9780786498024.
7. Gooch and Suhs, Kiss Alive Forever, p. 27.
8. Kielty, Martin (2023-12-21). "Why Paul Stanley Rejected Bandit Makeup After a Month". Ultimate Classic Rock . Retrieved 2024-03-22.
9. Kirby, Variety, August 22, 1973.
10. Stanley Mises, New York Sunday News, September 16, 1973
11. Charlesworth, Melody Maker, January 12, 1974
12. Taylor, Barry (February 9, 1974). "Talent in Action: Silverhead, Kiss". Billboard. Vol. 86, no. 6. Nielsen Business Media, Inc. p. 20. ISSN   0006-2510 . Retrieved March 26, 2021.

Sources

• Gooch, Curt; Suhs, Jeff (2002). Kiss Alive Forever: The Complete Touring History. New York: Billboard Books. ISBN   0-8230-8322-5.
• Weiss, Brett (2016). Encyclopedia of Kiss: Music, Personnel, Events and Related Subjects. Jefferson, North Carolina: McFarland & Company, Inc. ISBN   9780786498024.
• Brod, Doug (2020). They Just Seem A Little Weird: How Kiss, Cheap Trick, Aerosmith, and Starz Remade Rock and Roll (First ed.). New York, New York: Hachette Books. ISBN   978-0-306-84519-2.