The End Complete | ||||
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Studio album by | ||||
Released | April 21, 1992 | |||
Recorded | 1991 at Morrisound Recording, Tampa, Florida | |||
Genre | Death metal | |||
Length | 36:17 | |||
Label | Roadrunner | |||
Producer | Scott Burns and Obituary | |||
Obituary chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Collector's Guide to Heavy Metal | 6/10 [2] |
The End Complete is the third album by Florida death metal band Obituary, released on April 21, 1992 through Roadrunner Records.
The album marked the return of guitarist Allen West who performed on the debut album. This is their first of four consecutive albums with the full classic lineup of the Tardy Brothers, Perez, West and Watkins. A music video was made for the title track.[ citation needed ]
The End Complete album is Obituary's best-selling, with over 100,000 copies sold in the U.S. and more than 250,000 worldwide[ citation needed ]. It reached #16 on Billboard's Top Heatseekers chart. Additionally, the band's new logo introduced on The End Complete is the best-selling shirt print in the history of Roadrunner Records [ citation needed ].
No. | Title | Music | Length |
---|---|---|---|
1. | "I'm in Pain" | Peres/D. Tardy/J. Tardy | 4:01 |
2. | "Back to One" | D. Tardy/West | 3:42 |
3. | "Dead Silence" | D. Tardy/West | 3:21 |
4. | "In the End of Life" | Peres/D. Tardy/J. Tardy | 3:41 |
5. | "Sickness" | Peres/D. Tardy/J. Tardy | 4:06 |
6. | "Corrosive" | Peres/D. Tardy/J. Tardy | 4:11 |
7. | "Killing Time" | D. Tardy/West | 3:59 |
8. | "The End Complete" | Peres/D. Tardy/J. Tardy | 4:03 |
9. | "Rotting Ways" | D. Tardy/West | 5:13 |
Total length: | 36:17 |
No. | Title | Length |
---|---|---|
10. | "I'm In Pain" (Live) | 4:49 |
11. | "Killing Time" (Live) | 4:01 |
Obituary is an American death metal band formed in Tampa, Florida, in 1984. Initially called Executioner, they were one of the fundamental acts in the development of the death metal genre, and are one of the genre's most successful bands of all time. Obituary has released eleven studio albums and, with the exception of a five-year hiatus from 1998 to 2003, they continue to perform live.
Slipknot is the debut studio album by American heavy metal band Slipknot. It was released on June 29, 1999, by Roadrunner Records, following a demo containing a few of the songs which had previously been released in 1998. Later, it was reissued in December 1999 with a slightly-altered track listing and mastering as the result of a lawsuit. It was the first release by the band to be produced by Ross Robinson, who sought to refine Slipknot's sound rather than alter the group's musical direction. This is the only album to feature original guitarist Josh Brainard who left at the end of recording in late 1998 while the band was taking a brief break. Jim Root, who recorded two tracks at this point, would appear full time on subsequent albums starting with their next album Iowa.
...For Victory is the fifth album by British death metal band Bolt Thrower. It was recorded at Sawmill studios in 1994, produced by Colin Richardson and Bolt Thrower. A limited edition contains a live CD titled Live War.
Individual Thought Patterns is the fifth studio album by Florida death metal band Death, released on June 22, 1993, by Relativity Records. It is the only album by the band to feature guitarist Andy LaRocque, the first to feature drummer Gene Hoglan and the second and last to feature bassist Steve DiGiorgio. Manager Eric Greif described the album as "an angry record, angry lyrically", attributing it to his conflict with Chuck Schuldiner at the time.
Strictly Diesel is the debut studio album by American metal band Spineshank, released on September 22, 1998, through Roadrunner Records. After forming in 1996, Spineshank shopped a demo tape around the Los Angeles area, bringing them to the attention of Fear Factory guitarist Dino Cazares. The band subsequently began opening for Fear Factory and other bands from early 1997 onwards, attracting the attention of Roadrunner A&R rep Kevin Estrada, who signed the band. Produced by Jay Baumgardner and Amir Derakh, Strictly Diesel is a nu metal and industrial metal album whose sound was compared to bands such as Deftones, Fear Factory, Korn and Sepultura—all of whom Spineshank cited as musical influences.
Urban Discipline is the second studio album by American hardcore band Biohazard, released on November 10, 1992 by Roadrunner Records. A remastered edition featuring bonus tracks was released in 1998.
Frozen in Time is the sixth album by American death metal band Obituary. It was released on July 12, 2005, and was the band's first album in eight years since 1997's Back from the Dead, the last to feature guitarist Allen West, and their last album produced for Roadrunner Records.
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Back from the Dead is the fifth album by American death metal band Obituary. It was released on April 22, 1997. This was the band's final album before their five-year breakup from 1998 to 2003.
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Anthology is a 2001 greatest hits album by American death metal band Obituary. It contains songs recorded during the band's early career, from 1989's Slowly We Rot to 1997's Back from the Dead. The compilation also contains two previously unreleased tracks, recorded in 1998 before the band separated.
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Left to Die is an extended play by death metal band Obituary.
Darkest Day is the eighth studio album by the American death metal band Obituary. It was released on June 30, 2009, through Candlelight Records. Darkest Day is the final Obituary album to feature both longtime bassist Frank Watkins, who had played in the band since Cause of Death (1990), and guitarist Ralph Santolla.
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Inked in Blood is the ninth studio album by American death metal band Obituary. It was crowdfunded via Kickstarter and then released on October 28, 2014 through Gibtown Music/Relapse Records. It is the first studio album with bassist Terry Butler and lead guitarist Kenny Andrews, making this the first Obituary album not to feature Frank Watkins on bass since 1989's Slowly We Rot. A deluxe edition of the album was also released containing two bonus tracks. It is their first album to appear on the Billboard 200 chart, selling 5,200 copies in its first week and peaking at 75.
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