The Falcon's Brother | |
---|---|
Directed by | Stanley Logan |
Screenplay by | Stuart Palmer Craig Rice |
Based on | Characters created by Michael Arlen |
Produced by | Maurice Geraghty |
Starring | |
Cinematography | Russell Metty |
Edited by | Mark Robson |
Music by | Roy Webb |
Production company | |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 63 mins. |
Country | United States |
Language | English |
Budget | $134,361 [1] |
The Falcon's Brother is a 1942 American crime drama film in which George Sanders, who had been portraying "The Falcon" in a series of films, appears with his real-life brother Tom Conway; with Sanders handing off the series to Conway, who would play the new Falcon in nine subsequent films. [2] [Note 1] Jane Randolph was featured in a supporting role. The Falcon's Brother, the only one to feature two Falcons, was directed by Stanley Logan.
Sleuth Gay Lawrence (George Sanders), known as "The Falcon," with his assistant, "Lefty" (Don Barclay), arrive at dockside to meet a Latin American cruise ship. On board is Lawrence's brother, Tom (Tom Conway) who is pronounced dead, a victim of suicide, by homicide inspector Timothy Donovan (Cliff Clark). Diane Medford (Gwili Andre), Tom's shipboard companion offers sympathy, but Lawrence has Lefty tail her, as he already knew the body in the cabin was not his brother.
Tracking Diane to a fashion show at the salon of her employer Madame Arlette (Charlotte Wynters), Diane is greeted by her fiancé, fashion editor Paul Harrington (James Newill). Two other ship passengers, Latin American dancers Carmela (Amanda Varela) and Valdez (George J. Lewis) are there. Reporter Marcia Brooks (Jane Randolph) recognizes the Falcon, who follows Diane into her office. A shot rings out and Diane falls dead. The Falcon runs into the alley behind the salon and encounters his brother, Tom.
Inspector Donovan arrives at the scene and arrests Lefty while the Falcon is run down by a speeding car. Tom takes his unconscious brother to his apartment, where Marcia seeks information about the murder. Lefty is released with a suspended sentence, and learns that his boss will soon recover. Marcia informs Tom that the murder weapon is missing, prompting Tom to return to Arlette's salon to investigate.
Seeing Arlette at a nightclub, Tom informs her that the police have the gun from the murder scene and are tracing its serial number. Arlette phones the Police Inspector and gives them Tom's whereabouts. Tom and Lefty search Arlette's, where they find the missing gun hidden in a mannequin. Donovan tracks them down at the salon, and when Tom introduces himself, the inspector arrests him for false impersonation, believing Tom Lawrence is dead.
After proving his identity, Tom is freed and directs Marcia to investigate Harrington's photographer, Savitski (Andre Charlot). Tom confronts Arlette with the gun, forcing her to admit that she hid the weapon to protect her love, Harrington who denies murdering Diane and is exonerated by a ballistics expert. Marcia discovers that Savitski is an illegal alien. After smoking a cigar, and about to reveal a clue about mass murders to Tom and Lefty, Savitski falls dead, dropping a pile of magazines.
Deducing that Savitski was killed by a poisoned cigar, the same way the suicide victim on the ship, was killed, Tom instructs Lefty to pose as the photographer when Valdez and Carmela enter his office with guns drawn. When Tom steps out of the shadows, the pair identify themselves as Mexican counter-espionage agents and explain that Diane was killed because she knew too much. After Tom notifies Donovan of Savitski's murder, he brings back the photographer's magazines. Certain that Harrington is involved in the murders, Tom and Lefty realize a magazine cover dated December 7, prophesying the Pearl Harbor attack and another magazine cover indicates an incident will take place that day at a Long Island inn.
Tom and Marcia speed off to stop the sabotage, while The Falcon regains consciousness and joins Lefty on a trip to Long Island where German agents have been preparing for an attack, and Harrington is one of them. After capturing Tom and Marcia and locking them in a bell tower, the agents go ahead with their plan to assassinate a Latin American envoy as his aircraft lands. Tom manages to ring the bell, just as his brother steps in front of the diplomat, sacrificing his own life for that of an ally. With the spy ring smashed, Tom takes up where his brother left off, becoming the new Falcon.
In January 1942 Sanders reported he no longer wished to make films in the series. [4]
Although he was being replaced by his elder brother, Tom Conway, Sanders who wanted out of the series, insisted that his character be killed off in The Falcon's Brother. RKO had wanted to have Sanders star in one more Falcon film with the enticement that having his brother take over the lead role would further his career. In the end, the Conway-starred films did better "business" than the films that featured Sanders. [5] p. 176
In his review of The Falcon's Brother, Bosley Crowther wrote, in The New York Times , "... in this final encounter of the gay detective with the criminally inclined, Mr. Sanders only opens the snooping and then is conveniently retired while his true (as well as fictional) brother, Tom Conway, takes over the pursuit. And then, in the end, Mr. Sanders is unconditionally killed—killed in heroic line of duty—while Mr. Conway is left to carry on. Thus one Falcon passes, but another is providentially fledged. It is too bad that as much ingenuity as was used to effect this interfraternal switch was not put into the further contrivance of a plot. As it is, "The Falcon's Brother" is just a moderately confusing mystery tale, boasting but three casual murders and the final disposition of Mr. S. Nazi spies, it turns out, are the villains, and that's pretty routine these days. And, ungraciously perhaps, it must be stated that Mr. Conway is only fair as a hero. His voice is like Mr. Sanders's, but his manners are not quite so suave." [3]
The Falcon's Brother earned a profit of $128,000. [6]
George Henry Sanders was a British actor and singer whose career spanned over 40 years. His heavy, upper-class English accent and smooth, baritone voice often led him to be cast as sophisticated but villainous characters. He is remembered for his roles as wicked Jack Favell in Rebecca (1940), Scott ffolliott in Foreign Correspondent, The Saran of Gaza in Samson and Delilah, theater critic Addison DeWitt in All About Eve, Sir Brian De Bois-Guilbert in Ivanhoe (1952), King Richard the Lionheart in King Richard and the Crusaders (1954), Mr. Freeze in a two-part episode of Batman (1966), and the voice of Shere Khan in Disney's The Jungle Book (1967). He also starred as Simon Templar, in 5 of the 8 films in The Saint series (1939–41), and as a suave Saint-like crimefighter in the first 4 of the 16 The Falcon films (1941–42).
The Falcon is the nickname for two fictional detectives. Drexel Drake created Michael Waring, alias the Falcon, a freelance investigator and troubleshooter, in his 1936 novel, The Falcon's Prey. It was followed by two more novels – The Falcon Cuts In, 1937, and The Falcon Meets a Lady, 1938 – and a 1938 short story. Michael Arlen created Gay Stanhope Falcon in 1940. This Falcon made his first appearance in Arlen's short story "Gay Falcon", which was originally published in 1940 in Town & Country magazine. The story opens with the words "Now of this man who called himself Gay Falcon many tales are told, and this is one of them." Arlen's Falcon is characterized as a freelance adventurer and troubleshooter – a man who makes his living "keeping his mouth shut and engaging in dangerous enterprises."
Tom Conway was a British film, television, and radio actor remembered for playing detectives and psychiatrists, among other roles.
The Saint Takes Over, released in 1940 by RKO Pictures, was the fifth of eight films in RKO's film series about Simon Templar, also known as "The Saint", the Robin Hood-inspired crimefighter created by Leslie Charteris. George Sanders played Templar for the fourth time. Sanders made one more Saint picture the following year. Wendy Barrie played his latest romantic interest, in her second of three appearances in the Saint film series.
The Saint in Palm Springs is a 1941 American mystery crime film directed by Jack Hively and starring George Sanders, Wendy Barrie and Jonathan Hale. It was produced and released by Hollywood studio RKO Pictures. The film continued the screen adventures of the Robin Hood-inspired anti-hero, Simon Templar, alias "The Saint", created by Leslie Charteris. This sequel was based upon a story by Charteris; however, many changes to his concept were made. Charteris later novelised his version of the film story as the novella "Palm Springs", contained within the 1942 collection The Saint Goes West. This was the sixth of eight in RKO's film series about The Saint.
The Gay Falcon is a 1941 American mystery thriller film directed by Irving Reis and starring George Sanders, Wendy Barrie and Allen Jenkins. A B film produced and distributed by RKO Pictures, it the first in a series of sixteen films about a suave detective nicknamed The Falcon. Intended to replace the earlier The Saint detective series, the first film took its title from the lead character, Gay Laurence. Sanders was cast in the title role; he had played The Saint in the prior RKO series. He was teamed again with Wendy Barrie who had been with him in three previous Saint films. The first four films starred Sanders as Gay Lawrence and the rest featured Tom Conway, Sanders' real-life brother, as Tom Lawrence, brother of Gay.
The Falcon Takes Over, is a 1942 black-and-white mystery film directed by Irving Reis. Although the film features the Falcon and other characters created by Michael Arlen, its plot is taken from the Raymond Chandler novel Farewell, My Lovely, with the Falcon substituting for Chandler's archetypal private eye Philip Marlowe and the setting of New York City replacing Marlowe's Los Angeles beat. The B film was the third, following The Gay Falcon and A Date with the Falcon (1941), to star George Sanders as the character Gay Lawrence, a gentleman detective known by the sobriquet the Falcon.
The Falcon Strikes Back is a 1943 American crime film directed by Edward Dmytryk and stars Tom Conway as the title character, the amateur sleuth, the Falcon. Supporting roles are filled by Harriet Hilliard, Jane Randolph, Edgar Kennedy, with Cliff Edwards filling in for Allen Jenkins as the Falcon's sidekick, "Goldie" Locke. It is the fifth film in the Falcon series and the second for Conway, reprising the role that his brother, George Sanders had initiated.
The Saint refers to eight B movies made by RKO Pictures between 1938 and 1941, based on some of the books in British author Leslie Charteris' long-running series about the fictional character Simon Templar, better known as The Saint.
The Falcon in Hollywood is a 1944 crime film directed by Gordon Douglas and stars Tom Conway in his recurring role as a suave amateur sleuth, supported by Barbara Hale, Jean Brooks, and Rita Corday. The film was the 10th of 16 in Falcon detective series.
A Date with the Falcon is the second in a series of 16 films about the suave detective nicknamed The Falcon. The 1942 sequel features many of the same characters as the first film, The Gay Falcon (1941).
The Falcon's Adventure is a 1946 American mystery film directed by William Berke and starring Tom Conway, Madge Meredith and Edward Brophy. It is the 13th of 16 films about the Falcon and the final film of RKO's Falcon series starring Conway. It was directed by William Berke, who had served as producer for the previous entry in the series, 1946's The Falcon's Alibi.
The Falcon and the Co-eds is a 1943 film under the direction of William Clemens, and produced by Maurice Geraghty, the same team that had worked on The Falcon in Danger (1943) and would stay together for the next film in the Falcon series. The Falcon and the Co-eds was the seventh of 16 in the Falcon series. The story and screenplay was by Ardel Wray, a frequent collaborator with Val Lewton in his RKO horror series, who added supernatural elements to the proceedings.
The Falcon in Mexico is a 1944 film directed by William Berke and stars Tom Conway in his recurring role as a suave amateur sleuth, supported by Mona Maris and Martha Vickers. Conway would play the Falcon seven more times before RKO retired the franchise in 1946.The Falcon in Mexico was the ninth of 16 films in the Falcon detective series. The film features many second unit sequences filmed in Mexico and Brazil; the latter scenes from Orson Welles's aborted film It's All True.
The Falcon in San Francisco is a 1945 American crime and mystery film directed by Joseph H. Lewis and stars Tom Conway, Rita Corday and Edward Brophy, who played the recurring role of "Goldie" Locke. The film was the 11th in The Falcon series of detective films, and the eighth featuring Conway as the amateur sleuth. The Falcon in San Francisco was the final film in the series produced by Maurice Geraghty, after which budgets were reduced and location shooting largely abandoned.
The Falcon in Danger is a 1943 American mystery film directed by William Clemens and starring Tom Conway, Jean Brooks, Amelita Ward and Elaine Shepard. The film was the sixth of thirteen The Falcon detective films produced by RKO, all starring Conway.
The Falcon Out West is a 1944 American mystery film directed by William Clemens and starring Tom Conway, Joan Barclay and Barbara Hale. The film was part of RKO's The Falcon series of detective films, this time, a murder set in Texas.
Appointment with Murder is a 1948 American crime film directed by Jack Bernhard and starring John Calvert, Catherine Craig and Jack Reitzen. The film is one of three made by the low-budget Film Classics company featuring Calvert as The Falcon who had previously been played by George Sanders and Tom Conway for RKO.
Search for Danger is a 1949 American crime film directed by Jack Bernhard and starring John Calvert, Albert Dekker and Myrna Dell. The film was the last of three made by the low-budget Film Classics company featuring Calvert as The Falcon who had previously been played by George Sanders and Tom Conway for RKO. The film's art direction was by Boris Leven.
Cliff Clark was an American actor. He entered the film business in 1937 after a substantial stage career and appeared in over 200 Hollywood films. In the last years of his life, he also played in a number of television productions.