The Falcon in Hollywood | |
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Directed by | Gordon Douglas |
Screenplay by | Gerald Geraghty |
Based on | Characters created by Michael Arlen |
Produced by |
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Starring | |
Cinematography | Nicholas Musuraca |
Edited by | Gene Milford |
Music by | C. Bakaleinikoff |
Production company | |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 67 minutes |
Country | United States |
Language | English |
Box office | $115,000 (profit) [1] |
The Falcon in Hollywood is a 1944 crime film directed by Gordon Douglas and stars Tom Conway in his recurring role as a suave amateur sleuth, supported by Barbara Hale, Jean Brooks, and Rita Corday. The film was the 10th of 16 in Falcon detective series. [2]
While on vacation in Los Angeles, Tom Lawrence, aka The Falcon, meets Inspector McBride at the Hollywood Park Racetrack, asking him about casino owner Louie Buchanan. Lawrence helped put Buchanan away but does not know his present whereabouts.
Returning to his seat, Lawrence finds Buchanan standing behind him. Seated next to Tom is actress Lili D'Allio. When she leaves to make a bet, Peggy Callahan sits down in her spot; when she departs, she takes Lili's purse by mistake. Tom hails a cab, driven by wisecracking Billie Atkins to try to catch up to Callahan, an actress at the Sunset Studio.
Hearing a gunshot, Lawrence rushes to a deserted sound stage, where he finds a corpse; he notices a large, unusual ring on the dead man's finger. When he brings a studio guard, the body is not there. After stumbling across the body, missing the ring, in a prop room, Atkins identifies the deceased as leading man Ted Miles, who was married to Roxanna, the studio's costume designer. Bringing autocratic director Alec Hoffman, whom she says she will marry, Roxanna exhibits no emotion when shown her former husband's body.
Everything seems to be tied to a current production produced by neurotic studio executive Martin Dwyer. Accompanied by Atkins, the Falcon pokes around the studio. Suspects are starlet Peggy Callahan, haughty prima donna Lili D'Alio and Louie Buchanan.
Police Inspector McBride questions Dwyer, who seems to have a rock-solid alibi, until his gun shows up in the model shop, hidden in a plaster head. When he states he reported his gun as stolen weeks ago, suspicion falls on Hoffman, who is arrested but gets out on bail. The "jinxed" film goes back into production.
As instructed, Callahan shoots Hoffman with a prop gun in a scene, unaware that it has been loaded with live ammunition. Hoffman is badly wounded. While McBride questions the crew about the shooting, Lawrence finds Callahan and Buchanan conferring in secret, with Buchanan promising to deliver the killer the next day at the Los Angeles Coliseum. Callahan holds Lawrence at gunpoint, allowing Buchanan to escape. Buchanan arrives as promised, but dies on the steps. Tom finds a poisoned ring on his finger, identical to the one he saw on Miles. With the police homing in on him, Dwyer makes a break for it. In a studio soundstage, he and Lawrence engage in a furious gun battle. Dwyer is shot and falls to his death.
Lawrence concludes that Dwyer has sold each of eight investors a 25% interest in the film. He then tried to sabotage the film so he would not have to pay them off. However, when the director and cast started making a good film despite his efforts, Dwyer resorted to homicide. He murdered Ted Miles and Louie Buchanan because they knew too much.
In his review of The Falcon in Hollywood, Bosley Crowther wrote, in The New York Times , "A mild intra-mural excursion around a movie studio is the only intriguing feature of RKO's 'The Falcon in Hollywood,' latest in the well-worn mystery series, which came to the Rialto yesterday. For otherwise this obvious whodunnit about murder on a studio set is just another indifferent workout for Tom Conway as the suave, intuitive sleuth. The backgrounds of picture-making are uncommonly interesting and lead one to wonder sharply why they haven't been used to more avail. But the story itself is as feeble and hackneyed as a prop telephone." [4] In a recent review of the Falcon series for the Time Out Film Guide, Tom Milne wrote, "Conway, bringing a lighter touch to the series (which managed its comic relief better than most), starred in nine films after The Falcon's Brother, most of them deft and surprisingly enjoyable." [5] [Note 1]
George Henry Sanders was a British actor and singer whose career spanned over 40 years. His heavy, upper-class English accent and smooth bass voice often led him to be cast as sophisticated but villainous characters. He is remembered for his roles as wicked Jack Favell in Rebecca (1940), Scott ffolliott in Foreign Correspondent, The Saran of Gaza in Samson and Delilah, theater critic Addison DeWitt in All About Eve, Sir Brian De Bois-Guilbert in Ivanhoe (1952), King Richard the Lionheart in King Richard and the Crusaders (1954), Mr. Freeze in a two-part episode of Batman (1966), and the voice of Shere Khan in Disney's The Jungle Book (1967). He also starred as Simon Templar, in 5 of the 8 films in The Saint series (1939–1941), and as a suave Saint-like crimefighter in the first 4 of the 16 The Falcon films (1941–1942).
The Falcon is the nickname for two fictional detectives. Drexel Drake created Michael Waring, alias the Falcon, a freelance investigator and troubleshooter, in his 1936 novel, The Falcon's Prey. It was followed by two more novels – The Falcon Cuts In, 1937, and The Falcon Meets a Lady, 1938 – and a 1938 short story. Michael Arlen created Gay Stanhope Falcon in 1940. This Falcon made his first appearance in Arlen's short story "Gay Falcon", which was originally published in 1940 in Town & Country magazine. The story opens with the words "Now of this man who called himself Gay Falcon many tales are told, and this is one of them." Arlen's Falcon is characterized as a freelance adventurer and troubleshooter – a man who makes his living "keeping his mouth shut and engaging in dangerous enterprises."
Lawrence James Tierney was an American film and television actor who is best known for his many screen portrayals of mobsters and "tough-guys" in a career that spanned over fifty years. His roles mirrored his own frequent brushes with the law. In 2005, film critic David Kehr of The New York Times described "the hulking Tierney" as "not so much an actor as a frightening force of nature".
Joseph H. Lewis was an American B-movie film director whose stylish flourishes came to be appreciated by auteur theory-espousing film critics in the years following his retirement in 1966. In a 30-year directorial career, he directed numerous low-budget westerns, action pictures, musicals, adventures, and thrillers. Today he is remembered for mysteries and film noir stories: My Name Is Julia Ross (1945) and So Dark the Night (1946) as well as his most highly regarded features, 1950's Gun Crazy, which spotlighted a desperate young couple who embark on a deadly crime spree, and the 1955 film noir The Big Combo, with its stunning cinematography by John Alton.
Tom Conway was a British film, television, and radio actor remembered for playing detectives and psychiatrists, among other roles.
Morgan Conway was an American actor, best known for his portrayals of Dick Tracy.
The Falcon's Brother is a 1942 American crime drama film in which George Sanders, who had been portraying "The Falcon" in a series of films, appears with his real-life brother Tom Conway; with Sanders handing off the series to Conway, who would play the new Falcon in nine subsequent films. Jane Randolph was featured in a supporting role. The Falcon's Brother, the only one to feature two Falcons, was directed by Stanley Logan.
Vince Barnett was an American film actor. He appeared on stage originally before appearing in more than 230 films between 1930 and 1975.
The Gay Falcon is a 1941 American mystery thriller film directed by Irving Reis and starring George Sanders, Wendy Barrie and Allen Jenkins. A B film produced and distributed by RKO Pictures, it the first in a series of sixteen films about a suave detective nicknamed The Falcon. Intended to replace the earlier The Saint detective series, the first film took its title from the lead character, Gay Laurence. Sanders was cast in the title role; he had played The Saint in the prior RKO series. He was teamed again with Wendy Barrie who had been with him in three previous Saint films. The first four films starred Sanders as Gay Lawrence and the rest featured Tom Conway, Sanders' real-life brother, as Tom Lawrence, brother of Gay.
The Falcon Takes Over, is a 1942 black-and-white mystery film directed by Irving Reis. Although the film features the Falcon and other characters created by Michael Arlen, its plot is taken from the Raymond Chandler novel Farewell, My Lovely, with the Falcon substituting for Chandler's archetypal private eye Philip Marlowe and the setting of New York City replacing Marlowe's Los Angeles beat. The B film was the third, following The Gay Falcon and A Date with the Falcon (1941), to star George Sanders as the character Gay Lawrence, a gentleman detective known by the sobriquet the Falcon.
The Falcon Strikes Back is a 1943 American crime film directed by Edward Dmytryk and stars Tom Conway as the title character, the amateur sleuth, the Falcon. Supporting roles are filled by Harriet Hilliard, Jane Randolph, Edgar Kennedy, with Cliff Edwards filling in for Allen Jenkins as the Falcon's sidekick, "Goldie" Locke. It is the fifth film in the Falcon series and the second for Conway, reprising the role that his brother, George Sanders had initiated.
Bride by Mistake is a 1944 American romantic comedy film directed by Richard Wallace, and starring Alan Marshal and Laraine Day.
A Date with the Falcon is the second in a series of 16 films about the suave detective nicknamed The Falcon. The 1942 sequel features many of the same characters as the first film, The Gay Falcon (1941).
The Falcon's Adventure is a 1946 American mystery film directed by William Berke and starring Tom Conway, Madge Meredith and Edward Brophy. It is the 13th of 16 films about the Falcon and the final film of RKO's Falcon series starring Conway. It was directed by William Berke, who had served as producer for the previous entry in the series, 1946's The Falcon's Alibi.
The Falcon and the Co-eds is a 1943 film under the direction of William Clemens, and produced by Maurice Geraghty, the same team that had worked on The Falcon in Danger (1943) and would stay together for the next film in the Falcon series. The Falcon and the Co-eds was the seventh of 16 in the Falcon series. The story and screenplay was by Ardel Wray, a frequent collaborator with Val Lewton in his RKO horror series, who added supernatural elements to the proceedings.
The Falcon in Mexico is a 1944 film directed by William Berke and stars Tom Conway in his recurring role as a suave amateur sleuth, supported by Mona Maris and Martha Vickers. Conway would play the Falcon seven more times before RKO retired the franchise in 1946.The Falcon in Mexico was the ninth of 16 films in the Falcon detective series. The film features many second unit sequences filmed in Mexico and Brazil; the latter scenes from Orson Welles's aborted film It's All True.
The Falcon in San Francisco is a 1945 American crime and mystery film directed by Joseph H. Lewis and stars Tom Conway, Rita Corday and Edward Brophy, who played the recurring role of "Goldie" Locke. The film was the 11th in The Falcon series of detective films, and the eighth featuring Conway as the amateur sleuth. The Falcon in San Francisco was the final film in the series produced by Maurice Geraghty, after which budgets were reduced and location shooting largely abandoned.
The Falcon in Danger is a 1943 American mystery film directed by William Clemens and starring Tom Conway, Jean Brooks, Amelita Ward and Elaine Shepard. The film was the sixth of thirteen The Falcon detective films produced by RKO, all starring Conway.
The Falcon Out West is a 1944 American mystery film directed by William Clemens and starring Tom Conway, Joan Barclay and Barbara Hale. The film was part of RKO's The Falcon series of detective films, this time, a murder set in Texas.
The Truth About Murder is a 1946 American mystery film directed by Lew Landers, written by Lawrence Kimble, Hilda Gordon and Eric Taylor, and starring Bonita Granville, Morgan Conway, Rita Corday, Don Douglas and June Clayworth. It was released on July 26, 1946, by RKO Pictures.
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