Kiss Tomorrow Goodbye | |
---|---|
Directed by | Gordon Douglas |
Screenplay by | Harry Brown |
Based on | the novel Kiss Tomorrow Goodbye by Horace McCoy |
Produced by | William Cagney |
Starring | James Cagney Barbara Payton Helena Carter |
Cinematography | J. Peverell Marley |
Edited by | Walter Hannemann Truman K. Wood |
Music by | Carmen Dragon |
Production company | William Cagney Productions |
Distributed by | Warner Bros. |
Release date |
|
Running time | 102 minutes |
Country | United States |
Language | English |
Box office | $1.7 million [1] |
Kiss Tomorrow Goodbye is a 1950 film noir starring James Cagney, directed by Gordon Douglas, produced by William Cagney and based on the novel by Horace McCoy. The film was banned in Ohio as "a sordid, sadistic presentation of brutality and an extreme presentation of crime with explicit steps in commission." [2]
Supporting Cagney are Luther Adler as a crooked lawyer, and Ward Bond and Barton MacLane as two crooked cops.
Ralph Cotter is a career criminal who, while escaping from a prison work camp, kills his escape partner, Carleton. On the outside, Cotter ultimately woos Carleton's sister, Holiday, by threatening to expose the fact that she was involved in arranging the prison break. Holiday does not know that Cotter killed her brother. There are hints of a sadomasochistic bond between the two in a scene where Cotter is provoked to whip Holiday with a wet towel, after which she passionately embraces him. Cotter quickly gets back into the crime game—only to be shaken down by corrupt local cops. Things become more complicated with each plan, and worsen when he turns the tables on the bad cops. Finally, Holiday discovers that Cotter killed her brother and that he is dumping her for a wealthy young heiress. She is thrown into a violent rage.
Kiss Tomorrow Goodbye was based on a bestselling novel by Horace McCoy that was published in 1948. [3] [4] Humphrey Bogart and Robert Lord were interested in securing the film rights before the novel's publication, [5] but in November 1949, the film rights were sold to William Schiffrin, an independent producer. [6] In February 1950, the Cagney brothers bought the film rights. [7] In March 1950, Barbara Payton was cast. [8] Helena Carter joined the cast in April. [9] Filming began on April 14, 1950, at General Service Studios. [10]
Kiss Tomorrow Goodbye was the first of four movies that the Cagney brothers made for Warner Bros. [11] James Cagney said that he and his brother entered into a deal in which they gave the banks the first $500,000 that the film made, in order to pay back debts from The Time of Your Life. [12] The Cagneys liked Douglas' work and signed him to a multi-picture contract. [13]
In 2011, the film was restored by the UCLA Film & Television Archive in cooperation with Paramount Pictures, funded by the Packard Humanities Institute. [14] The new print was made "from the original 35mm nitrate picture and track negatives and a 35mm safety print." [14] The restoration premiered at the UCLA Festival of Preservation on March 14, 2011. [14]
Though often compared unfavorably to White Heat , Kiss Tomorrow Goodbye received mixed reviews. Critic Fred Camper, in The Chicago Reader , criticized the film's directing, writing: "Gordon Douglas's direction is almost incoherent compared to Raoul Walsh's in White Heat (1949), which features Cagney in a similar role; the compositions and camera movements, while momentarily effective, have little relationship to each other, and the film reads a bit like an orchestra playing without a conductor." [15]
Film critic Dennis Schwartz generally liked the film and wrote: "This is an energetic straightforward crime drama based on the book by Horace McCoy ( They Shoot Horses, Don't They? ) and the screen play, which hardly makes sense and is the root of the film's problems, is by Harry Brown. Gordon M. Douglas ( Come Fill the Cup / Only the Valiant ) helms it by keeping it fast-paced, brutal and cynical, and lets star James Cagney pick up where he left off in the year earlier White Heat as an unsympathetic mad dog killer. This was an even tougher film, but the crowds did not respond to it as favorably as they did to White Heat (which seems odd, since it is basically the same type of B-movie)." [16] William Brogdon of Variety also liked the movie, praising James Cagney's performance by giving a tough character "an occasional light touch". He also commended Douglas's direction, the musical score, and its tight editing. [17]
Filmink said: "Both Payton and Carter are a little too attractive looking for pudgy old Cagney, who was pushing fifty at the time – did he ever play such a stud muffin? It’s the biggest flaw in an otherwise solid gangster story." [18]
James Francis Cagney Jr. was an American actor and dancer. On stage and in film, he was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances.
Gordon Douglas Brickner was an American film director and actor, who directed many different genres of films over the course of a five-decade career in motion pictures.
Barbara Lee Payton was an American film actress best known for her stormy social life and battles with alcohol abuse and drug addiction. Her life has been the subject of several books, including her autobiography I Am Not Ashamed (1963), Kiss Tomorrow Goodbye: The Barbara Payton Story (2007) by John O'Dowd, L.A. Despair: A Landscape of Crimes and Bad Times (2005) by John Gilmore and B Movie: A Play in Two Acts (2014) by Michael B. Druxman. She married five times.
Horace Stanley McCoy was an American writer whose mostly hardboiled stories took place during the Great Depression. His best-known novel is They Shoot Horses, Don't They? (1935), which was made into a movie of the same name in 1969, fourteen years after McCoy's death.
Jerome Palmer Cowan was an American stage, film, and television actor.
Mae Clarke was an American actress. She is widely remembered for playing Henry Frankenstein's bride Elizabeth, who is chased by Boris Karloff in Frankenstein, and for being on the receiving end of James Cagney's halved grapefruit in The Public Enemy. Both films were released in 1931.
Angels in the Outfield is a 1951 American comedy film produced and directed by Clarence Brown and starring Paul Douglas and Janet Leigh. Based on a story by Richard Conlin, the film is about a young woman reporter who blames the Pittsburgh Pirates' losing streak on their abusive manager, who begins hearing the voice of an angel promising to help the team if he changes his ways. The film was released by Metro-Goldwyn-Mayer on September 7, 1951. It was U.S. President Dwight D. Eisenhower's favorite movie.
Four Sided Triangle is a 1953 British second feature ('B') science-fiction film directed by Terence Fisher, adapted from the 1949 novel by William F. Temple. It stars Stephen Murray, Barbara Payton and James Hayter. It was produced by Hammer Film Productions at Bray Studios.
Helena Carter was an American film actress in the 1940s and 1950s who is best known for her work in the film Invaders from Mars as Dr. Patricia Blake. From 1947 to 1953 she would appear in 13 films, during which time she also worked as a model.
A Lion Is in the Streets is a 1953 American drama film directed by Raoul Walsh and starring James Cagney, whose brother William was the producer and his younger sister Jeanne was a member of the cast. The screenplay is based on a 1945 book by Adria Locke Langley. The film has similarities to the 1949 film All the King's Men, with Cagney playing a Southern politician loosely based on Huey Long
White Heat is a 1949 American film noir starring James Cagney, Virginia Mayo and Edmond O'Brien, and directed by Raoul Walsh.
Seton Ingersoll Miller was an American screenwriter and producer. During his career, he worked with film directors such as Howard Hawks and Michael Curtiz. Miller received two Oscar nominations and won once for Best Screenplay for the 1941 fantasy romantic comedy film, Here Comes Mr. Jordan, along with Sidney Buchman.
Great Guy is a 1936 American crime film noir directed by John G. Blystone and starring James Cagney. In the film, an honest inspector for the New York Department of Weights and Measures takes on corrupt merchants and politicians.
The West Point Story is a 1950 musical comedy film starring James Cagney, Virginia Mayo and Doris Day, and directed by Roy Del Ruth.
Wiard Boppo "Bill" Ihnen was an American art director. He was active from 1919 to 1960 and won Academy Awards for Best Art Direction for Wilson (1944) and Blood on the Sun (1945). He was married to Edith Head.
Only the Valiant, also known as Fort Invincible, is a 1951 American Western film produced by William Cagney, directed by Gordon Douglas and starring Gregory Peck, Barbara Payton, and Ward Bond. The screenplay was written by Edmund H. North and Harry Brown, based on the 1943 novel of the same name by Charles Marquis Warren.
The Crowd Roars is a 1938 American sports drama film directed by Richard Thorpe and starring Robert Taylor as a boxer who gets entangled in the seamier side of the sport. It was remade in 1947 as Killer McCoy, featuring Mickey Rooney in the title role. This film was not a remake of the 1932 film of the same name starring James Cagney. The supporting cast for the 1938 version features Edward Arnold, Frank Morgan, Lionel Stander, and Jane Wyman.
Bugles in the Afternoon is a 1952 American Western film produced by William Cagney, directed by Roy Rowland and starring Ray Milland, Helena Carter, Hugh Marlowe and Forrest Tucker, based on the 1943 novel by Ernest Haycox. The story features the Battle of the Little Big Horn.
Kiss Tomorrow Goodbye may refer to:
William Jerome Cagney was an American film producer and actor, remembered for roles in the Monogram Pictures films Lost in the Stratosphere and Flirting with Danger, both filmed in 1934.