Fortunes of Captain Blood | |
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Directed by | Gordon Douglas |
Screenplay by |
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Based on | Captain Blood, His Odyssey 1922 novel by Rafael Sabatini |
Produced by | Harry Joe Brown |
Starring | Louis Hayward |
Cinematography | George E. Diskant |
Edited by | Gene Havlick |
Music by | Paul Sawtell |
Production company | Columbia Pictures |
Distributed by | Columbia Pictures |
Release date |
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Running time | 90 minutes |
Country | United States |
Language | English |
Fortunes of Captain Blood is a 1950 pirate film directed by Gordon Douglas. [1] Based on the famous Captain Blood depicted in the original 1922 novel and subsequent collections of stories written by Rafael Sabatini, Fortunes was produced by Columbia Pictures as yet another remake about the notorious swashbuckler.
The film is complete with daring sword fights, sensational sea battles, intrigue, and a vivacious love interest. It spawned a sequel from the same cast and crew two years later entitled Captain Pirate .
The film follows the standard story about Captain Blood: arrested and sentenced to slavery for his treatment of a wounded rebel during the Monmouth Rebellion, Dr. Peter Blood, with a group of fellow prisoners, has escaped and become a feared buccaneer on the high seas. King Charles II of Spain calls upon the Marquis de Riconete, the governor of Rio de La Hacha, to capture the elusive Captain Blood and end his attacks upon Spanish ships.
Blood is safe until he tries to resupply his ship; when a party of his men go ashore, they are betrayed by their supplier and captured by the human trafficker George Fairfax, who sells them to the Marquis. After revictualling and rearming at Tortuga, Blood then secretly returns to La Hacha disguised as a fruit seller to find and rescue his loyal crew, who even while being tortured by the Marquis have refused to reveal the location of their captain. During his search, he befriends Pepita Rosados, a beautiful flirt who reveals to Blood that many of Fairfax's prisoners are dying. Blood then confronts Fairfax about the deplorable situation, and finds that Fairfax is having troubles with Isabelita Sotomayor, the niece of the Marquis. The Marquis then decides to arrest Fairfax for his supposed involvement with Blood, so his troops secretly follow Isabelita to his house. She pleads with Fairfax to alleviate her boredom with the island, offering him money to carry her to Spain. After their discussion, the troops enter and a fight ensues.
Still disguised as a fruit seller, Blood treats the wounded Fairfax in a nearby tavern and offers Isabelita passage to Spain if she convinces her uncle to pardon Fairfax. She agrees, and using his newfound insider information Blood discovers the seal of the Marquis. Unfortunately, he mistakes the forgery and after revealing his mistaken note to the prison guard a battle ensues. Blood and his men escape, however the Marquis is not willing to abandon his search.
Isabelita is shocked to discover that her uncle plans to torture the local tavern owner to find the captain, so she reveals Blood's location, thinking he has already set sail. Unfortunately, the incoming tide has prevented his escape, and the Marquis confronts Blood at sea. A fiery battle ensues, with the flaming ship of the Marquis ultimately trying to ram Captain Blood. Luckily, Blood and his crew manage to destroy the vessel before the deadly flames could reach them. After the pirates' victory, Blood sails away and Isabelita vows to stay on the island and create a new government without unfree labor.
The Fortunes of Captain Blood was a collection of six stories by Rafael Sabatini published in 1936, the year after the release of the 1935 film Captain Blood starring Errol Flynn. [2]
In July 1949 Columbia announced they would make The Fortunes of Captain Blood produced by Harry Joe Brown. [3] Louis Hayward was linked to the project that month. [4]
Filming was meant to start 1 October 1949 but was pushed back. [5] H. B Humberstone was the original director announced. [6] However, on 21 October Gordon Douglas took over. [7] Filming eventually began in November. [8]
Captain Blood is a 1935 American black-and-white swashbuckling pirate film from First National Pictures and Warner Bros. Pictures, produced by Harry Joe Brown and Gordon Hollingshead, directed by Michael Curtiz and starring Errol Flynn, Olivia de Havilland, Basil Rathbone, and Ross Alexander. With a screenplay by Casey Robinson, the film is based on the 1922 novel Captain Blood by Rafael Sabatini and concerns an imprisoned doctor and his fellow prisoners who escape their cruel island captivity to become West Indies pirates. An earlier 1924 Vitagraph silent film version of Captain Blood starred J. Warren Kerrigan as Peter Blood. Warner Bros. risked pairing two relatively unknown performers in the lead roles. Flynn's performance made him a major Hollywood star and established him as the natural successor to Douglas Fairbanks and a "symbol of an unvanquished man" during the Great Depression. Captain Blood also established de Havilland, in just her fourth screen appearance, as a major star and was the first of eight films costarring Flynn and de Havilland. In 1938 they would be reunited with Rathbone in The Adventures of Robin Hood. The same year, Rathbone also starred with Flynn in The Dawn Patrol. In 1962, Flynn's son Sean starred in The Son of Captain Blood.
Rafael Sabatini was an Italian-born British writer of romance and adventure novels.
A swashbuckler is a genre of European adventure literature that focuses on a heroic protagonist stock character who is skilled in swordsmanship, acrobatics, and guile, and possesses chivalrous ideals. A "swashbuckler" protagonist is heroic, daring, and idealistic: he rescues damsels in distress, protects the downtrodden, and uses duels to defend his honor or that of a lady or to avenge a comrade.
Captain Blood: His Odyssey is an adventure novel by Rafael Sabatini, originally published in 1922.
Tortuga Island is a Caribbean island that forms part of Haiti, off the northwest coast of Hispaniola. It constitutes the commune of Île de la Tortue in the Port-de-Paix arrondissement of the Nord-Ouest department of Haiti.
The Crimson Pirate is a 1952 British-American Technicolor comedy-adventure film from Warner Bros. produced by Norman Deming and Harold Hecht, directed by Robert Siodmak, and starring Burt Lancaster, who also co-produced with Deming and Hecht. Co-starring in the film are Nick Cravat, Eva Bartok, Leslie Bradley, Torin Thatcher, and James Hayter. The film was shot in Ischia, the Bay of Naples and Teddington Studios. It makes the most of Lancaster's skills as a professional acrobat and his lifelong partnership with Cravat. Critics compared Lancaster favorably with Douglas Fairbanks Sr.
Captain Blood may refer to:
Scaramouche is a 1952 romantic swashbuckler film starring Stewart Granger, Eleanor Parker, Janet Leigh, and Mel Ferrer. Filmed in Technicolor, the MGM production is loosely based on the 1921 novel Scaramouche by Rafael Sabatini as well as the 1923 film version starring Ramon Novarro. It was directed by George Sidney and produced by Carey Wilson from a screenplay by Ronald Millar and George Froeschel. The original music score was composed by Victor Young and the cinematography by Charles Rosher.
Alexander D'Arcy was an Egyptian stage, television and film actor with an international film repertoire.
Against All Flags is a 1952 American pirate film directed by George Sherman, with uncredited assist from Douglas Sirk. It features Errol Flynn as Lt. Brian Hawke, Maureen O'Hara as Prudence "Spitfire" Stevens, and Anthony Quinn as Roc Brasiliano. The film is set in 1700, on the coast of Madagascar.
Patricia Paz Maria Medina was a British actress. She is perhaps best known for her roles in the films Phantom of the Rue Morgue (1954) and Mr. Arkadin (1955).
"Red Legs" Greaves was allegedly a Scottish buccaneer active in the Caribbean and the West Indies during the 1670s. His nickname came from the term Redlegs used to refer to the class of poor whites who lived on colonial Barbados.
Anne of the Indies is a 1951 Technicolor adventure film made by 20th Century Fox. It was directed by Jacques Tourneur and produced by George Jessel.
The Sea Hawk is a 1924 American silent adventure film about an English noble sold into slavery who escapes and turns himself into a pirate king. Directed by Frank Lloyd, the screen adaptation was written by J. G. Hawks based upon the 1915 Rafael Sabatini novel of the same name. It premiered on June 2, 1924, in New York City, twelve days before its theatrical debut.
Captain Pirate is a 1952 American technicolor adventure film directed by Ralph Murphy and starring Louis Hayward, Patricia Medina and John Sutton. The swashbuckler was based on the 1931 Rafael Sabatini novel Captain Blood Returns, and is a sequel to the 1950 film Fortunes of Captain Blood. It was made and distributed by Columbia Pictures. This was the final film directed by Murphy.
The Son of Captain Blood is a 1962 Italian/Spanish/American international co-production film. It is the first starring role in a film for Sean Flynn, the son of Errol Flynn, who played the title character in the 1935 film Captain Blood. The film was released in Great Britain in 1963 by Warner-Pathe. Paramount Pictures released the film in the U.S. in 1964 on a double bill with the Jerry Lewis film The Patsy.
Tyrant of the Sea is a 1950 American historical war film set during the Napoleonic Wars and starring Ron Randell, Rhys Williams and Lester Matthews. It was directed by Lew Landers.
Teresa Mara Levis, better known as Teresa Celli, was an American lyric soprano who apprenticed at La Scala before achieving recognition in films such as The Asphalt Jungle (1950) and Black Hand (1950).
Sir Henry Morgan was a Welsh pirate, privateer and buccaneer. He made himself famous during activities in the Caribbean, primarily raiding Spanish settlements. He earned a reputation as one of the most notorious and successful privateers in history, and one of the most ruthless among those active along the Spanish Main.
Captain Blood Returns is a 1931 British historical adventure novel by the Anglo-Italian writer Rafael Sabatini. It is the second in Sabatini's trilogy about the character after Captain Blood (1922) and was followed by The Fortunes of Captain Blood (1936).